The Even Dozen Jug Band | |
---|---|
Studio album by | |
Released | December 1963 |
Genre | Folk, [1] jug band |
Length | 37:09 |
Label | Elektra |
Producer | Paul Rothchild |
The Even Dozen Jug Band is the debut and only studio album by the American jug band Even Dozen Jug Band, [2] released in December 1963. [1] [3]
Founded in 1963, the Even Dozen Jug Band recorded this, their only recording for Elektra Records. Members who later went on to successful music careers included Stefan Grossman, David Grisman, Steve Katz, Maria Muldaur (then Maria d'Amato), Joshua Rifkin, and John Sebastian. [4]
Review scores | |
---|---|
Source | Rating |
Allmusic | [5] |
Music critic Ronnie D. Lankford, Jr. in his Allmusic "Mandolins, banjoes, pianos, guitars, fiddles, kazoos, and trombones vie with one another, creating a raucous free-for-all. The vocals on pieces like "Overseas Stomp" and "Evolution Mama" have a loose, just-for-the-heck-of-it feel that keeps the material lively and irreverent. The multiple combinations of instruments and voices, along with an exuberant approach, guarantee no boredom on this lovely disc. Certainly no stickler for strict traditionalism, the band shows how blues, ragtime, and jazz can be used to freshen up worn-out material." [5]
All songs Traditional unless otherwise noted.
Production notes:
The Even Dozen Jug Band | |
---|---|
Studio album by | |
Released | December 1963 |
Genre | Folk, [1] jug band |
Length | 37:09 |
Label | Elektra |
Producer | Paul Rothchild |
The Even Dozen Jug Band is the debut and only studio album by the American jug band Even Dozen Jug Band, [2] released in December 1963. [1] [3]
Founded in 1963, the Even Dozen Jug Band recorded this, their only recording for Elektra Records. Members who later went on to successful music careers included Stefan Grossman, David Grisman, Steve Katz, Maria Muldaur (then Maria d'Amato), Joshua Rifkin, and John Sebastian. [4]
Review scores | |
---|---|
Source | Rating |
Allmusic | [5] |
Music critic Ronnie D. Lankford, Jr. in his Allmusic "Mandolins, banjoes, pianos, guitars, fiddles, kazoos, and trombones vie with one another, creating a raucous free-for-all. The vocals on pieces like "Overseas Stomp" and "Evolution Mama" have a loose, just-for-the-heck-of-it feel that keeps the material lively and irreverent. The multiple combinations of instruments and voices, along with an exuberant approach, guarantee no boredom on this lovely disc. Certainly no stickler for strict traditionalism, the band shows how blues, ragtime, and jazz can be used to freshen up worn-out material." [5]
All songs Traditional unless otherwise noted.
Production notes: