The Epidemics | ||||
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Studio album by
Shankar/Caroline | ||||
Released | 1986 | |||
Recorded | February 1985 | |||
Genre | ||||
Label | ECM 1308 | |||
Shankar chronology | ||||
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The Epidemics is an album by Indian violinist L. Shankar and British vocalist, keyboardist and composer Caroline recorded in February 1985 and released on ECM the following year. [2] [3] [4]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Elsewhere's Graham Reid included the album in his list of "10 Unusual ECM Albums of the Eighties I Own," and remarked: "This is a kind of post-punk electro-pop outing... Synth pop with very little catchy pop, emotionally flat vocals by Caroline, widdly rock guitar by Vai and bassist Jones probably wondering why he was doing this." [1]
A writer for Black Country Rock commented: "Squalling heavy rock guitars, eighties booming drums, fretless electric bass and new wave vocals—there is literally nothing else like it in the ECM canon... It is a strange record but probably the most accessible in the ECM catalogue for non-jazz or classical fans, sounding like a traditional eighties rock album." [5]
Tyran Grillo, writing for ECM blog Between Sound and Space, acknowledged that "the musicianship is healthy and the record not without its charm," but stated: "it's difficult to gauge the artists' intentions. Tongue-in-cheek experiment? Worldly statement? Either way, I feel lost, and welcome anyone who knows better to help me find my way." He concluded: "An intriguing detour on the label's path through a sonic territory as vast as it is varied, it is the only ECM album I would never recommend." [6]
The Epidemics | ||||
---|---|---|---|---|
![]() | ||||
Studio album by
Shankar/Caroline | ||||
Released | 1986 | |||
Recorded | February 1985 | |||
Genre | ||||
Label | ECM 1308 | |||
Shankar chronology | ||||
|
The Epidemics is an album by Indian violinist L. Shankar and British vocalist, keyboardist and composer Caroline recorded in February 1985 and released on ECM the following year. [2] [3] [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Elsewhere's Graham Reid included the album in his list of "10 Unusual ECM Albums of the Eighties I Own," and remarked: "This is a kind of post-punk electro-pop outing... Synth pop with very little catchy pop, emotionally flat vocals by Caroline, widdly rock guitar by Vai and bassist Jones probably wondering why he was doing this." [1]
A writer for Black Country Rock commented: "Squalling heavy rock guitars, eighties booming drums, fretless electric bass and new wave vocals—there is literally nothing else like it in the ECM canon... It is a strange record but probably the most accessible in the ECM catalogue for non-jazz or classical fans, sounding like a traditional eighties rock album." [5]
Tyran Grillo, writing for ECM blog Between Sound and Space, acknowledged that "the musicianship is healthy and the record not without its charm," but stated: "it's difficult to gauge the artists' intentions. Tongue-in-cheek experiment? Worldly statement? Either way, I feel lost, and welcome anyone who knows better to help me find my way." He concluded: "An intriguing detour on the label's path through a sonic territory as vast as it is varied, it is the only ECM album I would never recommend." [6]