The Electric Spanking of War Babies is the twelfth
studio album by the American
funk rock band
Funkadelic, released in April 1981 on
Warner Bros. Records. The title is an allusion to the
Vietnam War and
baby boomers.
Sly Stone contributed to the recording sessions, singing lead vocals on "Funk Gets Stronger (Killer Millimeter Longer Version)".
Background
Clinton originally planned on a
double album, but the idea was quashed by Warner Brothers. The original tracklist featured the instrumental version of the title track found on the 12" single's b-side, as well as the tracks "May Day (S.O.S.)" and "I Angle", later released on the George Clinton Family Series albums
Plush Funk and
Testing Positive 4 the Funk, respectively.[1] The title refers to the US government's use of media propaganda to promote
imperialism and war.[2]
It includes many relative newcomers to
P-Funk, many of whom remained employed by
George Clinton on future releases under his own name or under the name George Clinton & the P-Funk All-Stars. Of all the original group members since Funkadelic's debut album, only George Clinton, Ray Davis, and
Eddie Hazel appear on this album. Junie Morrison plays all the instruments on the title track except the guitar solo which was played by Michael Hampton. This was the last Album to feature Eddie Hazel, Ray Davis, Garry Shider, Junie Morrison, Mallia Franklin, and Jessica Cleaves. Also this is the only Funkadelic album the late
Roger Troutman appears on as well.
Sly Stone performs several instruments and contributed production work to the album.
Artwork controversy
The cover artwork was designed by long-time Funkadelic collaborator
Pedro Bell. Deemed inappropriate due to the cover featuring an overtly phallic spaceship that transported a naked woman, the work was edited, despite the fact that Funkadelic "was following up two consecutive million-selling records," while signed to
Warner Bros.[3] Bell revised The Electric Spanking of War Babies so the image was featured with a lime-green sketch of shape covering the majority of the cover art, which says, “Oh Look! The Cover that ‘They’ were TOO-SCARED to print!”[3]
"George Clinton reaches into the disgusting depths of his drug-addled mind and comes up with the solidest, weirdest chunk of P-Funk since one nation gathered under a groove."
The Electric Spanking of War Babies is the twelfth
studio album by the American
funk rock band
Funkadelic, released in April 1981 on
Warner Bros. Records. The title is an allusion to the
Vietnam War and
baby boomers.
Sly Stone contributed to the recording sessions, singing lead vocals on "Funk Gets Stronger (Killer Millimeter Longer Version)".
Background
Clinton originally planned on a
double album, but the idea was quashed by Warner Brothers. The original tracklist featured the instrumental version of the title track found on the 12" single's b-side, as well as the tracks "May Day (S.O.S.)" and "I Angle", later released on the George Clinton Family Series albums
Plush Funk and
Testing Positive 4 the Funk, respectively.[1] The title refers to the US government's use of media propaganda to promote
imperialism and war.[2]
It includes many relative newcomers to
P-Funk, many of whom remained employed by
George Clinton on future releases under his own name or under the name George Clinton & the P-Funk All-Stars. Of all the original group members since Funkadelic's debut album, only George Clinton, Ray Davis, and
Eddie Hazel appear on this album. Junie Morrison plays all the instruments on the title track except the guitar solo which was played by Michael Hampton. This was the last Album to feature Eddie Hazel, Ray Davis, Garry Shider, Junie Morrison, Mallia Franklin, and Jessica Cleaves. Also this is the only Funkadelic album the late
Roger Troutman appears on as well.
Sly Stone performs several instruments and contributed production work to the album.
Artwork controversy
The cover artwork was designed by long-time Funkadelic collaborator
Pedro Bell. Deemed inappropriate due to the cover featuring an overtly phallic spaceship that transported a naked woman, the work was edited, despite the fact that Funkadelic "was following up two consecutive million-selling records," while signed to
Warner Bros.[3] Bell revised The Electric Spanking of War Babies so the image was featured with a lime-green sketch of shape covering the majority of the cover art, which says, “Oh Look! The Cover that ‘They’ were TOO-SCARED to print!”[3]
"George Clinton reaches into the disgusting depths of his drug-addled mind and comes up with the solidest, weirdest chunk of P-Funk since one nation gathered under a groove."