| The Apostate | |
|---|---|
.jpg) | |
| Written by | Richard Lalor Sheil |
| Date premiered | 3 May 1817 |
| Place premiered | Theatre Royal, Covent Garden, London |
| Original language | English |
| Genre | Tragedy |
| Setting | Granada, Spain |
The Apostate is an 1817 tragedy by the Irish writer Richard Lalor Sheil. [1] It premiered at the Theatre Royal, Covent Garden on 3 May 1817. [2] The original cast included William Macready as Pescara, Charles Kemble as Hemeya, Charles Mayne Young as Malec, Thomas Comer as Hamy, Charles Murray as Alvarez, Daniel Egerton as Gomez and Elizabeth O'Neill as Florinda. The prologue was spoken by Charles Connor. It was loosely inspired by a 17th century work by the Spanish playwright Pedro Calderón de la Barca. The play was a success, but reviewers generally attributed this to O'Neill's acting rather than Sheil's writing. [3]
- Armstrong, James. Romantic Actors, Romantic Dramas: British Tragedy on the Regency Stage. Springer Nature, 2022.
- Morash, Christopher. A History of Irish Theatre 1601-2000. Cambridge University Press, 2002.
- Nicoll, Allardyce. A History of Early Nineteenth Century Drama 1800-1850. Cambridge University Press, 1930.
 | This article on a play from the 19th century is a stub. You can help Wikipedia by expanding it. |
| The Apostate | |
|---|---|
|
| |
| Written by | Richard Lalor Sheil |
| Date premiered | 3 May 1817 |
| Place premiered | Theatre Royal, Covent Garden, London |
| Original language | English |
| Genre | Tragedy |
| Setting | Granada, Spain |
The Apostate is an 1817 tragedy by the Irish writer Richard Lalor Sheil. [1] It premiered at the Theatre Royal, Covent Garden on 3 May 1817. [2] The original cast included William Macready as Pescara, Charles Kemble as Hemeya, Charles Mayne Young as Malec, Thomas Comer as Hamy, Charles Murray as Alvarez, Daniel Egerton as Gomez and Elizabeth O'Neill as Florinda. The prologue was spoken by Charles Connor. It was loosely inspired by a 17th century work by the Spanish playwright Pedro Calderón de la Barca. The play was a success, but reviewers generally attributed this to O'Neill's acting rather than Sheil's writing. [3]
- Armstrong, James. Romantic Actors, Romantic Dramas: British Tragedy on the Regency Stage. Springer Nature, 2022.
- Morash, Christopher. A History of Irish Theatre 1601-2000. Cambridge University Press, 2002.
- Nicoll, Allardyce. A History of Early Nineteenth Century Drama 1800-1850. Cambridge University Press, 1930.
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| This article on a play from the 19th century is a stub. You can help Wikipedia by expanding it. |