| The American People Series #18: The Flag is Bleeding | |
|---|---|
 The Flag is Bleeding in 2017 at the
Musée du Quai Branly - Jacques Chirac in
Paris | |
| Artist | Faith Ringgold |
| Year | 1967 |
| Medium | Oil on canvas |
| Dimensions | 182.88 cm × 243.84 cm (72.00 in × 96.00 in) |
| Location | National Gallery of Art, Washington, DC |
| Accession | 2021.28.1 [1] |
The American People Series #18: The Flag is Bleeding is an oil on canvas painting made by American artist Faith Ringgold in 1967. [1] Widely cited as one of Ringgold's most iconic and pivotal works, the painting depicts a Black man, white woman, and white man interlocking arms inside the confines of an American flag dripping with blood, some of which is seemingly from a wound on the Black man's chest. [2] The Flag is Bleeding was painted toward the end of the American Civil Rights movement and explores themes of race, gender, and patriotism. [3]
Description
The work shows three figures standing within the design of an American flag. On the left, a Black man in a black turtleneck holds his right hand over a bloody wound on his chest, in a gesture that recalls reciting the Pledge of Allegiance, while his left hand holds a bloody knife; on the right, a white man in a suit stands with his hands on his hips; in the center, a white woman in a cocktail dress is locking arms with the two men. The figures are variously obscured by the bars and stars of the flag; blood drips from the bars throughout the scene.
Ringgold was partly inspired by Jasper Johns' painting Flag (1954-1955). [4]
History
The Flag is Bleeding was acquired directly from Ringgold's collection by the National Gallery of Art (NGA) in Washington, D.C., in October 2021 with support from Glenstone in Potomac, Maryland. [3] NGA senior curator Harry Cooper said the acquisition "may well be the most important purchase of a single work of contemporary art" for the museum in over 45 years. [5]
Reception
Writing in caa.reviews about the work's showing at the Serpentine Galleries, Juliette Milbach wrote that the work considers "the complex relationship between race and national identity," and "makes a critical argument about the power of figuration," further noting that Ringgold was drawing on and extending a history of Black artists depicting "confrontations with the American flag." [6] Charles Moore observed in The Art Newspaper that "tension spills over into violence" in The Flag is Bleeding, like similar later works in The American People Series. [7] Victoria L. Valentine said in Culture Type that the work "makes a powerful political statement about American democracy and racism." [3]
References
- ^ a b "The American People Series #18: The Flag is Bleeding, 1967". National Gallery of Art. 1967. Archived from the original on 21 April 2022. Retrieved 21 April 2022.
- ^ Escalante-De Mattei, Shanti (22 October 2021). "National Gallery of Art Acquires Iconic Faith Ringgold Flag Painting". ARTnews. Archived from the original on 29 October 2021. Retrieved 21 April 2022.
- ^ a b c Valentine, Victoria L. (24 October 2021). "National Gallery of Art Acquires Faith Ringgold's 'Flag is Bleeding' Painting: May be Museum's 'Most Important Purchase of a Single Work of Contemporary Art' since 1976". Culture Type. Archived from the original on 21 April 2022. Retrieved 21 April 2022.
- ^ Buck, Louisa (5 June 2019). "Faith Ringgold discusses civil rights and children's books in solo London show". The Art Newspaper. Archived from the original on 3 February 2022. Retrieved 21 April 2022.
- ^ "Iconic Faith Ringgold Painting Acquired by National Gallery of Art". National Gallery of Art. 21 October 2021. Archived from the original on 26 December 2021. Retrieved 21 April 2022.
- ^ Milbach, Juliette (26 January 2021). "Faith Ringgold". caa.reviews. Archived from the original on 3 March 2021. Retrieved 21 April 2022.
- ^ Moore, Charles (11 March 2022). "The Big Review: Faith Ringgold at the New Museum". The Art Newspaper. Archived from the original on 13 March 2022. Retrieved 21 April 2022.
| The American People Series #18: The Flag is Bleeding | |
|---|---|
|
The Flag is Bleeding in 2017 at the
Musée du Quai Branly - Jacques Chirac in
Paris | |
| Artist | Faith Ringgold |
| Year | 1967 |
| Medium | Oil on canvas |
| Dimensions | 182.88 cm × 243.84 cm (72.00 in × 96.00 in) |
| Location | National Gallery of Art, Washington, DC |
| Accession | 2021.28.1 [1] |
The American People Series #18: The Flag is Bleeding is an oil on canvas painting made by American artist Faith Ringgold in 1967. [1] Widely cited as one of Ringgold's most iconic and pivotal works, the painting depicts a Black man, white woman, and white man interlocking arms inside the confines of an American flag dripping with blood, some of which is seemingly from a wound on the Black man's chest. [2] The Flag is Bleeding was painted toward the end of the American Civil Rights movement and explores themes of race, gender, and patriotism. [3]
Description
The work shows three figures standing within the design of an American flag. On the left, a Black man in a black turtleneck holds his right hand over a bloody wound on his chest, in a gesture that recalls reciting the Pledge of Allegiance, while his left hand holds a bloody knife; on the right, a white man in a suit stands with his hands on his hips; in the center, a white woman in a cocktail dress is locking arms with the two men. The figures are variously obscured by the bars and stars of the flag; blood drips from the bars throughout the scene.
Ringgold was partly inspired by Jasper Johns' painting Flag (1954-1955). [4]
History
The Flag is Bleeding was acquired directly from Ringgold's collection by the National Gallery of Art (NGA) in Washington, D.C., in October 2021 with support from Glenstone in Potomac, Maryland. [3] NGA senior curator Harry Cooper said the acquisition "may well be the most important purchase of a single work of contemporary art" for the museum in over 45 years. [5]
Reception
Writing in caa.reviews about the work's showing at the Serpentine Galleries, Juliette Milbach wrote that the work considers "the complex relationship between race and national identity," and "makes a critical argument about the power of figuration," further noting that Ringgold was drawing on and extending a history of Black artists depicting "confrontations with the American flag." [6] Charles Moore observed in The Art Newspaper that "tension spills over into violence" in The Flag is Bleeding, like similar later works in The American People Series. [7] Victoria L. Valentine said in Culture Type that the work "makes a powerful political statement about American democracy and racism." [3]
References
- ^ a b "The American People Series #18: The Flag is Bleeding, 1967". National Gallery of Art. 1967. Archived from the original on 21 April 2022. Retrieved 21 April 2022.
- ^ Escalante-De Mattei, Shanti (22 October 2021). "National Gallery of Art Acquires Iconic Faith Ringgold Flag Painting". ARTnews. Archived from the original on 29 October 2021. Retrieved 21 April 2022.
- ^ a b c Valentine, Victoria L. (24 October 2021). "National Gallery of Art Acquires Faith Ringgold's 'Flag is Bleeding' Painting: May be Museum's 'Most Important Purchase of a Single Work of Contemporary Art' since 1976". Culture Type. Archived from the original on 21 April 2022. Retrieved 21 April 2022.
- ^ Buck, Louisa (5 June 2019). "Faith Ringgold discusses civil rights and children's books in solo London show". The Art Newspaper. Archived from the original on 3 February 2022. Retrieved 21 April 2022.
- ^ "Iconic Faith Ringgold Painting Acquired by National Gallery of Art". National Gallery of Art. 21 October 2021. Archived from the original on 26 December 2021. Retrieved 21 April 2022.
- ^ Milbach, Juliette (26 January 2021). "Faith Ringgold". caa.reviews. Archived from the original on 3 March 2021. Retrieved 21 April 2022.
- ^ Moore, Charles (11 March 2022). "The Big Review: Faith Ringgold at the New Museum". The Art Newspaper. Archived from the original on 13 March 2022. Retrieved 21 April 2022.