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| Author | William Farquhar Conton |
|---|---|
| Language | English |
| Genre | Fiction |
| Published | 1964 |
| Publisher | Heinemann |
The African is the 1964 debut novel by Sierra Leonean novelist and educator William Farquhar Conton. It was the 12th work published in Heinemann's African Writers Series. The novel's plot revolves around the romance between a black African student and a white South African woman in England.
Themes and style
The novel turns autobiographical elements into a call for Africa to move as a continent beyond apartheid. Wole Soyinka criticised its utopian "love optimism", calling the novel's main character, Kamara, an "unbelievable prig". [1]
Reception
Contemporary reviewer Mercedes Mackay describe the novel as a "promising first novel" which excels in highlighting the author's "rich sense of humor" and his role as "a fine philosopher". [2] Mackay compared the novel to the debuts of Cyprian Ekwensi ( People of the City), Chinua Achebe ( Things Fall Apart) and Kamara Laye ( The African Child). [2]
References
- ^ Wole Soyinka, Myth, Literature, and the African World, Cambridge: Cambridge University Press, 1976.
- ^ a b Mackay, Mercedes (1961-07-01). "The African". African Affairs. 60 (240): 454–454. ISSN 0001-9909.
 | This article about an African novel is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |
 | This Sierra Leone–related article is a stub. You can help Wikipedia by expanding it. |
 | This article about a romance novel of the 1960s is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |
| This article needs additional citations for
verification. (January 2022) |
|
| |
| Author | William Farquhar Conton |
|---|---|
| Language | English |
| Genre | Fiction |
| Published | 1964 |
| Publisher | Heinemann |
The African is the 1964 debut novel by Sierra Leonean novelist and educator William Farquhar Conton. It was the 12th work published in Heinemann's African Writers Series. The novel's plot revolves around the romance between a black African student and a white South African woman in England.
Themes and style
The novel turns autobiographical elements into a call for Africa to move as a continent beyond apartheid. Wole Soyinka criticised its utopian "love optimism", calling the novel's main character, Kamara, an "unbelievable prig". [1]
Reception
Contemporary reviewer Mercedes Mackay describe the novel as a "promising first novel" which excels in highlighting the author's "rich sense of humor" and his role as "a fine philosopher". [2] Mackay compared the novel to the debuts of Cyprian Ekwensi ( People of the City), Chinua Achebe ( Things Fall Apart) and Kamara Laye ( The African Child). [2]
References
- ^ Wole Soyinka, Myth, Literature, and the African World, Cambridge: Cambridge University Press, 1976.
- ^ a b Mackay, Mercedes (1961-07-01). "The African". African Affairs. 60 (240): 454–454. ISSN 0001-9909.
|
| This article about an African novel is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |
|
| This Sierra Leone–related article is a stub. You can help Wikipedia by expanding it. |
|
| This article about a romance novel of the 1960s is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page. |