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He was a baritone, in fact a lyric baritone. His most famous role was probably the Count in The Marriage of Figaro, a role no bass anything could sing. I saw him in that and as Malatesta in Don Pasquale, another high lyric baritone part. He was a fine Lieder singer, too.
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to
join the project and
contribute to the discussion. For instructions on how to use this banner, please refer to the
documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article falls within the scope of WikiProject Opera, a group writing and editing Wikipedia articles on operas, opera terminology, opera composers and librettists, singers, designers, directors and managers, companies and houses, publications and recordings. The project discussion page is a place to talk about issues and exchange ideas. New members are welcome!OperaWikipedia:WikiProject OperaTemplate:WikiProject OperaOpera articles
This article is within the scope of WikiProject Finland, a collaborative effort to improve the coverage of
Finland on Wikipedia. If you would like to participate, please visit the project page, where you can join
the discussion and see a list of open tasks.FinlandWikipedia:WikiProject FinlandTemplate:WikiProject FinlandFinland articles
He was a baritone, in fact a lyric baritone. His most famous role was probably the Count in The Marriage of Figaro, a role no bass anything could sing. I saw him in that and as Malatesta in Don Pasquale, another high lyric baritone part. He was a fine Lieder singer, too.
