![]() | This article is written in British English, which has its own spelling conventions (colour, travelled, centre, defence, artefact, analyse) and some terms that are used in it may be different or absent from other varieties of English. According to the relevant style guide, this should not be changed without broad consensus. |
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![]() | Text and/or other creative content from this version of The Execution of Lady Jane Grey was copied or moved into Streatham portrait#Subject with this edit. The former page's history now serves to provide attribution for that content in the latter page, and it must not be deleted as long as the latter page exists. |
" a reproduction of a contemporary painting of Lady Jane Grey" - does this mean contemporary with Lady Jane, or contemporary with this 1590s version? Johnbod ( talk) 00:45, 12 February 2014 (UTC)
In the text the painting is called the 'Streatham portrait', the 'Streatham Portrait' and the '"Streatham" portrait'. It would be nice if if were just called one thing rather than three. Ideas? Ericoides ( talk) 15:08, 13 February 2014 (UTC)
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Reviewing |
Reviewer: J Milburn ( talk · contribs) 22:45, 15 February 2014 (UTC)
Happy to take a look through this one. J Milburn ( talk) 22:45, 15 February 2014 (UTC)
Generally seems very strong; seems I can't fault your articles. I was surprised to see the lack of peer-reviewed publications cited, but then a search revealed why! J Milburn ( talk) 23:14, 15 February 2014 (UTC)
Butting in, try and weave the two links in the "See also" section into the article body. And good luck; its shaping up as a fine article. Ceoil ( talk) 09:40, 16 February 2014 (UTC)
I'm still struggling with "The age of the engraving was also taken into consideration, and found to be contemporaneous with the rest of the painting." What engraving? J Milburn ( talk) 13:30, 16 February 2014 (UTC)
This article is, on the whole, extremely well written, and I am very flattered to have been cited as a source. Wikipedia has rules that prevent me from editing the article myself (plus I have learned from certain experiences in the distant past not to get involved in the editing process anyway), but since the article does repeatedly cite my own work, I thought it might be appropriate for me to suggest to others (Crisco, etc) that they might want to consider a few points.
First, while I did originally state that this portrait may have been based on some lost original, ongoing research since I made that statement has led me to change my mind. I now believe this portrait was based on a recently re-discovered portrait of Katherine Parr. See the addendum to my webpage on the Streatham Portrait for full details. The NPG disagrees with me, of course, but how would it look for them if it were revealed that they had "burned public funds on an appallingly bad picture" (as Starkey characterized it) only to discover that it was based on some other historical figure altogether? Though the painting was undoubtedly meant by the original artist to represent Jane Grey, it in fact depicts Katherine Parr.
The portrait will be included in the exhibition The Real Tudors: Kings and Queens Rediscovered set to open 12 September 2014 at the NPG. Check the exhibition catalogue to see what the NPG's own most recent view is on this portrait. I've heard that they have a revised opinion, but I have not yet been told what it is precisely.
Regarding the "third copy" referenced in the article, with footnote #4 citing Ives: Ives is very vague on that third copy, and his footnote refers extremely cryptically to a 75-year-old book by Herbert Norris. My own website identifies the third copy quite explicitly. I call it the Norris Portrait, and there is a separate page devoted to it on my website. Since writing that page, I have made a very concerted effort to locate the painting. I was successful in tracing its ownership down to the death of the last owner in about 2001. The executor of that last owner's estate thinks the painting may have been sold in the 1990s or donated to a local charity following the owner's death. It is still "lost" and apparently untraceable.
Reviewer JMilburn asked about the black and white image of the Houghton Portrait. No, the painting is not in black and white. I obtained the image of the Houghton Portrait directly from the NPG's own files on the Streatham. The NPG had acquired the photo during their pre-purchase assessment of the Streatham. Hand-written notes in that file indicate that the costume of the Houghton sitter has essentially the same coloration as the Streatham.
Thank you for the passing grade on matters related to Jane Grey! LOL You might consider adding to that list what may be the most convincing credential, the fact that the National Portrait Gallery itself recognizes my expertise on portraiture of Jane Grey. I am listed on the NPG's own Understanding British Portraits website (under the "Resources" tab, then "Expertise") as an expert on portraits of Jane. And I have a book on portraiture of Jane Grey forthcoming in 2015 that will enable you to cite a published print volume rather than a potentially unreliable website. Look for it in 2015: A Queen of a New Invention: Portraiture of Lady Jane Grey Dudley, England's Nine Days Queen. PhD Historian ( talk) 22:55, 29 June 2014 (UTC)
If anyone is still monitoring this article, my book on portraiture of Jane Grey was released on 12 February 2015. It is entitled A Queen of a New Invention: Portraits of Lady Jane Grey Dudley, England's Nine Days Queen. It would perhaps be better for citation purposes than webpages that are no longer active. Too, it does contain a full-page color image of the Houghton Portrait (provided to me by the current owner of the painting), as well as a smaller full-color image of the inscribed portrait of Parr upon which I believe the Streatham, Houghton, and Norris Portraits were based. PhD Historian ( talk) 01:29, 17 February 2015 (UTC)
One year on, and I am still hoping that someone will update this article by removing the citations to webpages that are no longer active and replacing them with citations to a published book (see above). I cannot do so myself, since Wikipedia prohibits contributors from citing their own scholarship. 2605:E000:FFC0:3B:5152:C0CE:3538:5A52 ( talk) 04:06, 19 March 2016 (UTC)
Oh well... since I am not allowed to edit the article (and not really willing to enter into the maelstrom of criticism that follows edits), I guess the citations will have to remain woefully outdated. 2605:E000:FFC0:3B:5152:C0CE:3538:5A52 ( talk) 00:57, 23 March 2016 (UTC)
Archived version is out of date, updating in the main article. — Crisco 1492 ( talk) 03:28, 30 June 2014 (UTC)
Hello! This is a note to let the editors of this article know that File:Streathamladyjayne.jpg will be appearing as picture of the day on February 7, 2016. You can view and edit the POTD blurb at Template:POTD/2016-02-07. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. — Chris Woodrich ( talk) 01:42, 19 January 2016 (UTC)
In the second paragraph we have:
“In December 2005 the portrait was examined by the art dealer Christopher Foley. He saw it as an accurate, though poorly executed, reproduction of a contemporary painting of Jane, had it verified and on that basis negotiated its sale. “
But in the final paragraph of the Description section we have:
“The historian David Starkey described it as "an appallingly bad picture and there's absolutely no reason to suppose it's got anything to do with Lady Jane Grey",[13] a sentiment which the art dealer Christopher Foley echoed.”
I don’t really have time to go to the references but we could use some clarification here. Cross Reference ( talk) 13:14, 21 May 2019 (UTC)
![]() | This article is written in British English, which has its own spelling conventions (colour, travelled, centre, defence, artefact, analyse) and some terms that are used in it may be different or absent from other varieties of English. According to the relevant style guide, this should not be changed without broad consensus. |
![]() | Streatham portrait is a featured article; it (or a previous version of it) has been identified as one of the best articles produced by the Wikipedia community. Even so, if you can update or improve it, please do so. | |||||||||||||||||||||
![]() | This article appeared on Wikipedia's Main Page as Today's featured article on February 12, 2015. | |||||||||||||||||||||
|
![]() | This article is rated FA-class on Wikipedia's
content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||||||||||||||||||||||
|
![]() | Text and/or other creative content from this version of The Execution of Lady Jane Grey was copied or moved into Streatham portrait#Subject with this edit. The former page's history now serves to provide attribution for that content in the latter page, and it must not be deleted as long as the latter page exists. |
" a reproduction of a contemporary painting of Lady Jane Grey" - does this mean contemporary with Lady Jane, or contemporary with this 1590s version? Johnbod ( talk) 00:45, 12 February 2014 (UTC)
In the text the painting is called the 'Streatham portrait', the 'Streatham Portrait' and the '"Streatham" portrait'. It would be nice if if were just called one thing rather than three. Ideas? Ericoides ( talk) 15:08, 13 February 2014 (UTC)
GA toolbox |
---|
Reviewing |
Reviewer: J Milburn ( talk · contribs) 22:45, 15 February 2014 (UTC)
Happy to take a look through this one. J Milburn ( talk) 22:45, 15 February 2014 (UTC)
Generally seems very strong; seems I can't fault your articles. I was surprised to see the lack of peer-reviewed publications cited, but then a search revealed why! J Milburn ( talk) 23:14, 15 February 2014 (UTC)
Butting in, try and weave the two links in the "See also" section into the article body. And good luck; its shaping up as a fine article. Ceoil ( talk) 09:40, 16 February 2014 (UTC)
I'm still struggling with "The age of the engraving was also taken into consideration, and found to be contemporaneous with the rest of the painting." What engraving? J Milburn ( talk) 13:30, 16 February 2014 (UTC)
This article is, on the whole, extremely well written, and I am very flattered to have been cited as a source. Wikipedia has rules that prevent me from editing the article myself (plus I have learned from certain experiences in the distant past not to get involved in the editing process anyway), but since the article does repeatedly cite my own work, I thought it might be appropriate for me to suggest to others (Crisco, etc) that they might want to consider a few points.
First, while I did originally state that this portrait may have been based on some lost original, ongoing research since I made that statement has led me to change my mind. I now believe this portrait was based on a recently re-discovered portrait of Katherine Parr. See the addendum to my webpage on the Streatham Portrait for full details. The NPG disagrees with me, of course, but how would it look for them if it were revealed that they had "burned public funds on an appallingly bad picture" (as Starkey characterized it) only to discover that it was based on some other historical figure altogether? Though the painting was undoubtedly meant by the original artist to represent Jane Grey, it in fact depicts Katherine Parr.
The portrait will be included in the exhibition The Real Tudors: Kings and Queens Rediscovered set to open 12 September 2014 at the NPG. Check the exhibition catalogue to see what the NPG's own most recent view is on this portrait. I've heard that they have a revised opinion, but I have not yet been told what it is precisely.
Regarding the "third copy" referenced in the article, with footnote #4 citing Ives: Ives is very vague on that third copy, and his footnote refers extremely cryptically to a 75-year-old book by Herbert Norris. My own website identifies the third copy quite explicitly. I call it the Norris Portrait, and there is a separate page devoted to it on my website. Since writing that page, I have made a very concerted effort to locate the painting. I was successful in tracing its ownership down to the death of the last owner in about 2001. The executor of that last owner's estate thinks the painting may have been sold in the 1990s or donated to a local charity following the owner's death. It is still "lost" and apparently untraceable.
Reviewer JMilburn asked about the black and white image of the Houghton Portrait. No, the painting is not in black and white. I obtained the image of the Houghton Portrait directly from the NPG's own files on the Streatham. The NPG had acquired the photo during their pre-purchase assessment of the Streatham. Hand-written notes in that file indicate that the costume of the Houghton sitter has essentially the same coloration as the Streatham.
Thank you for the passing grade on matters related to Jane Grey! LOL You might consider adding to that list what may be the most convincing credential, the fact that the National Portrait Gallery itself recognizes my expertise on portraiture of Jane Grey. I am listed on the NPG's own Understanding British Portraits website (under the "Resources" tab, then "Expertise") as an expert on portraits of Jane. And I have a book on portraiture of Jane Grey forthcoming in 2015 that will enable you to cite a published print volume rather than a potentially unreliable website. Look for it in 2015: A Queen of a New Invention: Portraiture of Lady Jane Grey Dudley, England's Nine Days Queen. PhD Historian ( talk) 22:55, 29 June 2014 (UTC)
If anyone is still monitoring this article, my book on portraiture of Jane Grey was released on 12 February 2015. It is entitled A Queen of a New Invention: Portraits of Lady Jane Grey Dudley, England's Nine Days Queen. It would perhaps be better for citation purposes than webpages that are no longer active. Too, it does contain a full-page color image of the Houghton Portrait (provided to me by the current owner of the painting), as well as a smaller full-color image of the inscribed portrait of Parr upon which I believe the Streatham, Houghton, and Norris Portraits were based. PhD Historian ( talk) 01:29, 17 February 2015 (UTC)
One year on, and I am still hoping that someone will update this article by removing the citations to webpages that are no longer active and replacing them with citations to a published book (see above). I cannot do so myself, since Wikipedia prohibits contributors from citing their own scholarship. 2605:E000:FFC0:3B:5152:C0CE:3538:5A52 ( talk) 04:06, 19 March 2016 (UTC)
Oh well... since I am not allowed to edit the article (and not really willing to enter into the maelstrom of criticism that follows edits), I guess the citations will have to remain woefully outdated. 2605:E000:FFC0:3B:5152:C0CE:3538:5A52 ( talk) 00:57, 23 March 2016 (UTC)
Archived version is out of date, updating in the main article. — Crisco 1492 ( talk) 03:28, 30 June 2014 (UTC)
Hello! This is a note to let the editors of this article know that File:Streathamladyjayne.jpg will be appearing as picture of the day on February 7, 2016. You can view and edit the POTD blurb at Template:POTD/2016-02-07. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. — Chris Woodrich ( talk) 01:42, 19 January 2016 (UTC)
In the second paragraph we have:
“In December 2005 the portrait was examined by the art dealer Christopher Foley. He saw it as an accurate, though poorly executed, reproduction of a contemporary painting of Jane, had it verified and on that basis negotiated its sale. “
But in the final paragraph of the Description section we have:
“The historian David Starkey described it as "an appallingly bad picture and there's absolutely no reason to suppose it's got anything to do with Lady Jane Grey",[13] a sentiment which the art dealer Christopher Foley echoed.”
I don’t really have time to go to the references but we could use some clarification here. Cross Reference ( talk) 13:14, 21 May 2019 (UTC)