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Veronese is one of the great Venetian artists of the period just after Titian. Like Titian Veronese was a wonderful colorist. His most memorable work are the trompe'oil scenes he executed within glorious architectural settings in villas around the Veneto, especially in combination with Palladio's sublime architecture. Mark Faraday 05:20, 31 December 2006 (UTC)
Now I have removed the expansion tag, after adding content, cites, and images. More is needed, but the article at least looks respectable now, something closer to what Veronese merits. JNW 03:27, 25 February 2007 (UTC)
According to a short notice in the Feb 07 Apollo, the catalogue of the big Prado exhibition (Feb-May 07) "reveals the new information that the artist's surname was Comin" Johnbod 17:23, 6 March 2007 (UTC)
I've changed "heretical" to "indecorous", which I think is correct. I don't have Rearick & am going on Rostand as in the other treatment of the matter (and note - which seems to be a dead link just now;it was ok a month ago) - which I'd linked to in the caption here. We should keep our stories straight, but let me know if you want to discuss. Any whiff of heresy was remote, even by Inquisitorial standards, and this was after all Venice, not Spain. (See the original version of article also) Johnbod 09:17, 26 March 2007 (UTC)
Time for a further revamp, with a big London exhibition coming in March. I'm inclined to remove the not very helpful infobox & use the space for a wide image of one of the biggies at a decent size. I think the "Anthology" might be hived off to a list article, maybe keeping a list of the few that have articles here. Thoughts? Johnbod ( talk) 17:35, 29 December 2013 (UTC)
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Veronese visibly used the same models again and again, especially the female ones. Both the man and the woman in
Venus and Adonis and
Cephalus and Procris are the same, obviously. But "Procris" also returns as
Lucretia, anybody can see that it is again the same woman. I will not go as far as saying that all the blonde women with curly hair in his 1580s paintings (such as in
Mars and Venus with Cupid and a Dog) are one and the same person, but do we know more about the identity of his models?
I am well aware that had already used a blonde model with curly hair twenty years prior, for instance in
Allegory of Wisdom and Strength. Could that be his wife, and the others, his daughter? --
Edelseider (
talk) 08:58, 21 July 2020 (UTC)
This
level-5 vital article is rated C-class on Wikipedia's
content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||||||
|
Veronese is one of the great Venetian artists of the period just after Titian. Like Titian Veronese was a wonderful colorist. His most memorable work are the trompe'oil scenes he executed within glorious architectural settings in villas around the Veneto, especially in combination with Palladio's sublime architecture. Mark Faraday 05:20, 31 December 2006 (UTC)
Now I have removed the expansion tag, after adding content, cites, and images. More is needed, but the article at least looks respectable now, something closer to what Veronese merits. JNW 03:27, 25 February 2007 (UTC)
According to a short notice in the Feb 07 Apollo, the catalogue of the big Prado exhibition (Feb-May 07) "reveals the new information that the artist's surname was Comin" Johnbod 17:23, 6 March 2007 (UTC)
I've changed "heretical" to "indecorous", which I think is correct. I don't have Rearick & am going on Rostand as in the other treatment of the matter (and note - which seems to be a dead link just now;it was ok a month ago) - which I'd linked to in the caption here. We should keep our stories straight, but let me know if you want to discuss. Any whiff of heresy was remote, even by Inquisitorial standards, and this was after all Venice, not Spain. (See the original version of article also) Johnbod 09:17, 26 March 2007 (UTC)
Time for a further revamp, with a big London exhibition coming in March. I'm inclined to remove the not very helpful infobox & use the space for a wide image of one of the biggies at a decent size. I think the "Anthology" might be hived off to a list article, maybe keeping a list of the few that have articles here. Thoughts? Johnbod ( talk) 17:35, 29 December 2013 (UTC)
Hello fellow Wikipedians,
I have just modified one external link on Paolo Veronese. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.
This message was posted before February 2018.
After February 2018, "External links modified" talk page sections are no longer generated or monitored by InternetArchiveBot. No special action is required regarding these talk page notices, other than
regular verification using the archive tool instructions below. Editors
have permission to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
RfC before doing mass systematic removals. This message is updated dynamically through the template {{
source check}}
(last update: 5 June 2024).
Cheers.— InternetArchiveBot ( Report bug) 06:16, 9 December 2017 (UTC)
Veronese visibly used the same models again and again, especially the female ones. Both the man and the woman in
Venus and Adonis and
Cephalus and Procris are the same, obviously. But "Procris" also returns as
Lucretia, anybody can see that it is again the same woman. I will not go as far as saying that all the blonde women with curly hair in his 1580s paintings (such as in
Mars and Venus with Cupid and a Dog) are one and the same person, but do we know more about the identity of his models?
I am well aware that had already used a blonde model with curly hair twenty years prior, for instance in
Allegory of Wisdom and Strength. Could that be his wife, and the others, his daughter? --
Edelseider (
talk) 08:58, 21 July 2020 (UTC)