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Both of the chamber music compositions being complete in themselves, and of an exceptionally "symphonic" character, it was further supposed that Schubert never started the score for symphonic orchestra, or abandoned drafts in such sense in an early stage. The fact that many scholars numbered Schubert's next symphony
No. 8, appeared nonetheless to express some hope to recover the full score of this 1824 symphony - sometimes referred to as the 'Gastein Symphony' - one day. (However, this numbering ignored the existence of the structurally complete but only partly scored
Symphony in E which is nowadays accepted as No.7 in the Schubert symphonic canon.) It is now known that Schubert was in fact referring to starting work on the symphony that became
No. 9. Schubert's letter of 31 March 1824 to his friend
Leopold Kupelwieser states explicitly both (a) that he has completed the Octet and (b) that he "intend[ed] to pave my way towards a grand symphony in that manner", which seems a definitive statement that the octet and any as-yet-unwritten symphony would be unrelated except by their "grand" manner.
While interesting, it doesn't really have much relevance to the Octet. See also
List of compositions by Franz_Schubert#Symphonies. (I left in the first part mentioning that the "grand symphony" might have been the Octet.
Magicpiano (
talk) 17:10, 12 August 2008 (UTC)reply
This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to
classical music, that are not covered by other classical music related projects. Please read the
guidelines for writing and maintaining articles. To participate, you can edit this article or visit the
project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music articles
Both of the chamber music compositions being complete in themselves, and of an exceptionally "symphonic" character, it was further supposed that Schubert never started the score for symphonic orchestra, or abandoned drafts in such sense in an early stage. The fact that many scholars numbered Schubert's next symphony
No. 8, appeared nonetheless to express some hope to recover the full score of this 1824 symphony - sometimes referred to as the 'Gastein Symphony' - one day. (However, this numbering ignored the existence of the structurally complete but only partly scored
Symphony in E which is nowadays accepted as No.7 in the Schubert symphonic canon.) It is now known that Schubert was in fact referring to starting work on the symphony that became
No. 9. Schubert's letter of 31 March 1824 to his friend
Leopold Kupelwieser states explicitly both (a) that he has completed the Octet and (b) that he "intend[ed] to pave my way towards a grand symphony in that manner", which seems a definitive statement that the octet and any as-yet-unwritten symphony would be unrelated except by their "grand" manner.
While interesting, it doesn't really have much relevance to the Octet. See also
List of compositions by Franz_Schubert#Symphonies. (I left in the first part mentioning that the "grand symphony" might have been the Octet.
Magicpiano (
talk) 17:10, 12 August 2008 (UTC)reply