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Very interesting: http://gizmodo.com/5532611/the-secret-behind-the-mysterious-digital-nikonos-camera AniRaptor2001 ( talk) 16:49, 6 May 2010 (UTC)
What happened to all the images in this article? Ehn 19:35, 12 November 2006 (UTC)
Could the Nikonos mount standard Nikon lenses of the period, for use above water? - Ashley Pomeroy 18:12, 26 February 2007 (UTC)
Does anyone know of an online resource which describes focus and aperture settings recommended with the Nikonos (I through V) extension tubes? Would a sentence and citation about this improve the utility of this article? Also, relative to the framer, which part of the subject will be in sharpest focus...its proximal ( defined) end, its distal ( defined) end, or into the subject, at a depth about equal to the framer's width? Does aperture profoundly affect this? I can imagine it may be hard to answer these questions within the guidelines. Newportm ( talk) 04:09, 17 July 2009 (UTC)
It would be really interesting to understand and relate why UW is better than amphibious underwater. Increased diffraction of light plays a role and that the lenses are "anigstigmat" in relation to this, but I have no other knowledge. One of the sources says "saturation," and early underwater photos lacked exactly that, so I wonder if the glass content and coating are working her in some complex way. [1]-- John Bessa ( talk) 15:44, 30 July 2010 (UTC)
Note: it may make sense to put of the Calypso innovations that defined the Nikonos here, and even merge the pages
Calypso (1961/1962)
Nikonos I (1963)
Nikonos II (1968)
Nikonos III (1975)
There were Ektacolor Type S and Type L, the C-22 predecessors to Vericolor Type S and Type L. There is no article page for either Ektacolor or Vericolor, but there should be (at least) one. If one meant Ektacolor-S instead of Ektacolor-X, change the link as appropriate. Ektacolora and Vericolor are negative films similar to Kodacolor. Gah4 ( talk) 23:31, 12 November 2018 (UTC)
This article is rated C-class on Wikipedia's
content assessment scale. It is of interest to the following WikiProjects: | |||||||||||||||||||||
|
Very interesting: http://gizmodo.com/5532611/the-secret-behind-the-mysterious-digital-nikonos-camera AniRaptor2001 ( talk) 16:49, 6 May 2010 (UTC)
What happened to all the images in this article? Ehn 19:35, 12 November 2006 (UTC)
Could the Nikonos mount standard Nikon lenses of the period, for use above water? - Ashley Pomeroy 18:12, 26 February 2007 (UTC)
Does anyone know of an online resource which describes focus and aperture settings recommended with the Nikonos (I through V) extension tubes? Would a sentence and citation about this improve the utility of this article? Also, relative to the framer, which part of the subject will be in sharpest focus...its proximal ( defined) end, its distal ( defined) end, or into the subject, at a depth about equal to the framer's width? Does aperture profoundly affect this? I can imagine it may be hard to answer these questions within the guidelines. Newportm ( talk) 04:09, 17 July 2009 (UTC)
It would be really interesting to understand and relate why UW is better than amphibious underwater. Increased diffraction of light plays a role and that the lenses are "anigstigmat" in relation to this, but I have no other knowledge. One of the sources says "saturation," and early underwater photos lacked exactly that, so I wonder if the glass content and coating are working her in some complex way. [1]-- John Bessa ( talk) 15:44, 30 July 2010 (UTC)
Note: it may make sense to put of the Calypso innovations that defined the Nikonos here, and even merge the pages
Calypso (1961/1962)
Nikonos I (1963)
Nikonos II (1968)
Nikonos III (1975)
There were Ektacolor Type S and Type L, the C-22 predecessors to Vericolor Type S and Type L. There is no article page for either Ektacolor or Vericolor, but there should be (at least) one. If one meant Ektacolor-S instead of Ektacolor-X, change the link as appropriate. Ektacolora and Vericolor are negative films similar to Kodacolor. Gah4 ( talk) 23:31, 12 November 2018 (UTC)