![]() | Classical music | |||
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Copied from the text to facilitate discussion here (I am not the tagger): "The preceding paragraph defines ficta as conforming to the Guidonian hexachord system, which encompasses both B-flat and B-natural, as explained in the following paragraph. Consequently, B-flat and B-natural are both musica recta, neither one can be regarded as ficta."-- S. Rich ( talk) 06:10, 25 February 2011 (UTC)
Why and where does this article need additional citations for verification? What references does it need and how should they be added? Hyacinth ( talk) 07:31, 8 November 2011 (UTC)
It says:
"Hence, no single understanding of the concept existed in the later Middle Ages and Renaissance."
This appears to mean either "no one really understood it", or "it was understood in different ways". May I suggest the following?
Hence, musicians of the later Middle Ages and Renaissance did not all share a uniform interpretation of this concept. TooManyFingers ( talk) 01:54, 28 October 2021 (UTC)
![]() | Classical music | |||
|
![]() | It is requested that an image or photograph be
included in this article to
improve its quality. Please replace this template with a more specific
media request template where possible.
The Free Image Search Tool or Openverse Creative Commons Search may be able to locate suitable images on Flickr and other web sites. |
Copied from the text to facilitate discussion here (I am not the tagger): "The preceding paragraph defines ficta as conforming to the Guidonian hexachord system, which encompasses both B-flat and B-natural, as explained in the following paragraph. Consequently, B-flat and B-natural are both musica recta, neither one can be regarded as ficta."-- S. Rich ( talk) 06:10, 25 February 2011 (UTC)
Why and where does this article need additional citations for verification? What references does it need and how should they be added? Hyacinth ( talk) 07:31, 8 November 2011 (UTC)
It says:
"Hence, no single understanding of the concept existed in the later Middle Ages and Renaissance."
This appears to mean either "no one really understood it", or "it was understood in different ways". May I suggest the following?
Hence, musicians of the later Middle Ages and Renaissance did not all share a uniform interpretation of this concept. TooManyFingers ( talk) 01:54, 28 October 2021 (UTC)