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Why and where does this article need additional citations? Hyacinth ( talk) 23:39, 17 May 2009 (UTC)
This has always puzzled me: The commune doesnt quite fit into the timeline, does it? Sparafucil ( talk) 06:15, 20 August 2010 (UTC)
I have added a subscript 8 to the percussion. Previously it looked like the only percussion used are timpani. The Universal Edition webpage says percussion8, unfortunately without further details as to which particular instruments are required. Maybe someone who owns a printed score could add them? -- Francesco Malipiero ( talk) 15:00, 11 October 2010 (UTC)
My feeling is that (i) Kleinzach is right in his suggested placing, and that's where I am used to seeing it. I've put some of the longer ones in two or three cols. because of length, but if they are compact, it's fine in one block; (ii) we should formalize this in the Style guildelines, as we've done with others headings which have been agreed to. Viva-Verdi ( talk) 01:03, 23 November 2010 (UTC)
This is a bit messy:
The article says, "Cell z is the basic cell of Lulu and generates Trope I", then we get this image:
...followed by a note that "cell z" is also found in Bartok's fourth quartet, and that's it. There's no explanation of the significance of this "trope", nor exactly what "trope" means here (it surely isn't a hexachord since the image apparently only shows two forms of it), nor why we're being shown it twice (the second version a semitone higher than the first), nor what relation it has to the score (I see "cell z" a few times on the first page of the score, but not this entire "trope"). Can anybody throw some light on this? At the moment it seems more confusing than anything. -- Camembert ( talk) 20:33, 17 September 2013 (UTC)
Strictly speaking this translates as Medical Officer of Health, but nearly every English synopsis and libretto uses "Medical professor"-- Michael Goodyear ( talk) 03:35, 3 November 2015 (UTC)
Cerha The reference as it now stands to the"Cerha orchestration" carries with it the implication that Cerha rescored the whole work. Surely, as the article itself later states, he only scored the -until then - unorchestrated section of Act III? Delahays ( talk) 11:47, 17 October 2017 (UTC)
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I've brought the list of roles and voice types more into line with the cited UE perusal score but there are remaining discrepancies between the assignments of roles there and the 1979 casting. I recall some much more colorful and detailed Fach descriptions, maybe from Berg's correspondence in Perle's book, so I'll leave things as they are until a future library day. Sparafucil ( talk) 02:38, 6 July 2018 (UTC)
This article is rated C-class on Wikipedia's
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Why and where does this article need additional citations? Hyacinth ( talk) 23:39, 17 May 2009 (UTC)
This has always puzzled me: The commune doesnt quite fit into the timeline, does it? Sparafucil ( talk) 06:15, 20 August 2010 (UTC)
I have added a subscript 8 to the percussion. Previously it looked like the only percussion used are timpani. The Universal Edition webpage says percussion8, unfortunately without further details as to which particular instruments are required. Maybe someone who owns a printed score could add them? -- Francesco Malipiero ( talk) 15:00, 11 October 2010 (UTC)
My feeling is that (i) Kleinzach is right in his suggested placing, and that's where I am used to seeing it. I've put some of the longer ones in two or three cols. because of length, but if they are compact, it's fine in one block; (ii) we should formalize this in the Style guildelines, as we've done with others headings which have been agreed to. Viva-Verdi ( talk) 01:03, 23 November 2010 (UTC)
This is a bit messy:
The article says, "Cell z is the basic cell of Lulu and generates Trope I", then we get this image:
...followed by a note that "cell z" is also found in Bartok's fourth quartet, and that's it. There's no explanation of the significance of this "trope", nor exactly what "trope" means here (it surely isn't a hexachord since the image apparently only shows two forms of it), nor why we're being shown it twice (the second version a semitone higher than the first), nor what relation it has to the score (I see "cell z" a few times on the first page of the score, but not this entire "trope"). Can anybody throw some light on this? At the moment it seems more confusing than anything. -- Camembert ( talk) 20:33, 17 September 2013 (UTC)
Strictly speaking this translates as Medical Officer of Health, but nearly every English synopsis and libretto uses "Medical professor"-- Michael Goodyear ( talk) 03:35, 3 November 2015 (UTC)
Cerha The reference as it now stands to the"Cerha orchestration" carries with it the implication that Cerha rescored the whole work. Surely, as the article itself later states, he only scored the -until then - unorchestrated section of Act III? Delahays ( talk) 11:47, 17 October 2017 (UTC)
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Cheers.— InternetArchiveBot ( Report bug) 01:13, 9 January 2018 (UTC)
I've brought the list of roles and voice types more into line with the cited UE perusal score but there are remaining discrepancies between the assignments of roles there and the 1979 casting. I recall some much more colorful and detailed Fach descriptions, maybe from Berg's correspondence in Perle's book, so I'll leave things as they are until a future library day. Sparafucil ( talk) 02:38, 6 July 2018 (UTC)