Ljuva karneval! has been listed as one of the
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please do so. If it no longer meets these criteria, you can
reassess it. Review: August 30, 2021. ( Reviewed version). |
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Reviewer: Isabelle Belato ( talk · contribs) 02:28, 26 August 2021 (UTC)
Hi Chiswick Chap! As we've talked previously, I'll start a review for this article today. Although I'm not at all knowledgable on the Swedish language, I'll try my best to check the sources, not only to verify the information in the article, but also to learn about the subject and possibly help improve the page. I should begin writing the review proper in the next few days. Isabelle 🔔 02:28, 26 August 2021 (UTC)
Thanks! Chiswick Chap ( talk) 06:35, 26 August 2021 (UTC)
Apologies for taking so long to begin the review! As I've done in my previous reviews, I'll be leaving notes about each specific section on possible improvements that can be made to them. You can either leave your answers within my list, or as a separate one.
Lönnroth has studied Bellman since the 1960s. In the book, Lönnroth aims to [...]could be merged into one:
Lönnroth, who had studied Bellman since the 1960s, aims to [...]
combining genres, religious or profane, into a frolicking one-man performance using multiple forms of expressionis a bit too similar to the one quoted later in the article. I'd recommend editing it.
The author distinguishes between the art and the person of Bellman, asserting that the bard was not as drunken or debauched as the cast of Epistles.
has studied Bellman for over 40 years, would it be possible to specify the year, possibly through a publication of some essay or thesis? Also, does source 3 confirm that age? From reading it, I can only assume it shows the dates the professor published his works, but I can't tell what those works are about.
[...] and court playwright. Lönnroth describes [...].
but alongside that taking on roles such as satirist, religious poet, and court playwrightcould be rewritten as such:
but also taking on other roles, such as satirist, religious poet, and court playwright.
A fabulous image material from the 18th century accompanies the text.
showing the Comedie Francaise by an anonymous artist, possibly Antonio Verrio, in 1670. I assume this information is presented by the author, so I think an inline citation would be better.
Lönnroth appears to be irritated by people who imagine they can write biographies of Bellman from his own writings. Here, I'd suggest changing "his" to "the bard's", to clarify who is the subject of the sentence.
Bellman's lesser-known works, like Bacchi Tempel, are coveredto
Bellman's lesser-known works, like Bacchi Tempel, are also covered
Chiswick Chap: Feel free to respond to the pointed issues and recommendations at your own leisure. Isabelle 🔔 17:49, 28 August 2021 (UTC)
[...] and his attempt not make the book a biography [...], where it's missing a word. Isabelle 🔔 00:16, 30 August 2021 (UTC)
Ljuva karneval! has been listed as one of the
Language and literature good articles under the
good article criteria. If you can improve it further,
please do so. If it no longer meets these criteria, you can
reassess it. Review: August 30, 2021. ( Reviewed version). |
This article is rated GA-class on Wikipedia's
content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||||||
|
GA toolbox |
---|
Reviewing |
Reviewer: Isabelle Belato ( talk · contribs) 02:28, 26 August 2021 (UTC)
Hi Chiswick Chap! As we've talked previously, I'll start a review for this article today. Although I'm not at all knowledgable on the Swedish language, I'll try my best to check the sources, not only to verify the information in the article, but also to learn about the subject and possibly help improve the page. I should begin writing the review proper in the next few days. Isabelle 🔔 02:28, 26 August 2021 (UTC)
Thanks! Chiswick Chap ( talk) 06:35, 26 August 2021 (UTC)
Apologies for taking so long to begin the review! As I've done in my previous reviews, I'll be leaving notes about each specific section on possible improvements that can be made to them. You can either leave your answers within my list, or as a separate one.
Lönnroth has studied Bellman since the 1960s. In the book, Lönnroth aims to [...]could be merged into one:
Lönnroth, who had studied Bellman since the 1960s, aims to [...]
combining genres, religious or profane, into a frolicking one-man performance using multiple forms of expressionis a bit too similar to the one quoted later in the article. I'd recommend editing it.
The author distinguishes between the art and the person of Bellman, asserting that the bard was not as drunken or debauched as the cast of Epistles.
has studied Bellman for over 40 years, would it be possible to specify the year, possibly through a publication of some essay or thesis? Also, does source 3 confirm that age? From reading it, I can only assume it shows the dates the professor published his works, but I can't tell what those works are about.
[...] and court playwright. Lönnroth describes [...].
but alongside that taking on roles such as satirist, religious poet, and court playwrightcould be rewritten as such:
but also taking on other roles, such as satirist, religious poet, and court playwright.
A fabulous image material from the 18th century accompanies the text.
showing the Comedie Francaise by an anonymous artist, possibly Antonio Verrio, in 1670. I assume this information is presented by the author, so I think an inline citation would be better.
Lönnroth appears to be irritated by people who imagine they can write biographies of Bellman from his own writings. Here, I'd suggest changing "his" to "the bard's", to clarify who is the subject of the sentence.
Bellman's lesser-known works, like Bacchi Tempel, are coveredto
Bellman's lesser-known works, like Bacchi Tempel, are also covered
Chiswick Chap: Feel free to respond to the pointed issues and recommendations at your own leisure. Isabelle 🔔 17:49, 28 August 2021 (UTC)
[...] and his attempt not make the book a biography [...], where it's missing a word. Isabelle 🔔 00:16, 30 August 2021 (UTC)