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Ellaline Terriss is part of WikiProject Musical Theatre, organized to improve and complete
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Ellaline Terriss was not in the 1895 production of "The Shop Girl" put on at New York's Palace Theatre (her husband Seymour Hicks was in the show). The only show that she appeared in on Broadway was "My Daughter-in-law" in 1900.
Shemp Howard, Jr. (
talk)
00:24, 12 April 2012 (UTC)reply
After 1910, Terriss concentrated on comedy roles and music hall tours. Her one return to musical comedy, Cash on Delivery (1917), confirmed the wisdom of this new career course.
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to
join the project and
contribute to the discussion. For instructions on how to use this banner, please refer to the
documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
Ellaline Terriss is part of WikiProject Musical Theatre, organized to improve and complete
musical theatre articles and coverage on Wikipedia. You can edit the article attached to this page, or visit the
project page, where you can join the project and see a list of open tasks.Musical TheatreWikipedia:WikiProject Musical TheatreTemplate:WikiProject Musical TheatreMusical Theatre articles
This article is within the scope of WikiProject Women in Music, a collaborative effort to improve the coverage of
Women in music on Wikipedia. If you would like to participate, please visit the project page, where you can join
the discussion and see a list of open tasks.Women in MusicWikipedia:WikiProject Women in MusicTemplate:WikiProject Women in MusicWomen in music articles
Ellaline Terriss was not in the 1895 production of "The Shop Girl" put on at New York's Palace Theatre (her husband Seymour Hicks was in the show). The only show that she appeared in on Broadway was "My Daughter-in-law" in 1900.
Shemp Howard, Jr. (
talk)
00:24, 12 April 2012 (UTC)reply
After 1910, Terriss concentrated on comedy roles and music hall tours. Her one return to musical comedy, Cash on Delivery (1917), confirmed the wisdom of this new career course.