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Reviewer: Wizardman ( talk · contribs) 04:51, 11 January 2014 (UTC)
I'll give this a review sometime this weekend. Wizardman 04:51, 11 January 2014 (UTC)
Here are the issues I found:
I'll put the article on hold and will pass when the issues are fixed. Wizardman 20:10, 11 January 2014 (UTC)
Hello, bear with me because I'm very new to this. Would you mind if I made specific reference to Enrico Merlin in the composition section? His research focused on musical themes which would mark the end of once composition, and signal the beginning of another. [1]. For example, even though Miles plays the theme of Calypso Frelimo at the start of Tatu (part 2), this is the only audible theme of this song, the remainder of the track continues in the same repetitive and groove-orientated manner that forms the basis of Wili. I think it's very important to acknowledge Enrico here. Bill E Bailey ( talk) 16:21, 5 March 2014 (UTC)
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Reviewer: Wizardman ( talk · contribs) 04:51, 11 January 2014 (UTC)
I'll give this a review sometime this weekend. Wizardman 04:51, 11 January 2014 (UTC)
Here are the issues I found:
I'll put the article on hold and will pass when the issues are fixed. Wizardman 20:10, 11 January 2014 (UTC)
Hello, bear with me because I'm very new to this. Would you mind if I made specific reference to Enrico Merlin in the composition section? His research focused on musical themes which would mark the end of once composition, and signal the beginning of another. [1]. For example, even though Miles plays the theme of Calypso Frelimo at the start of Tatu (part 2), this is the only audible theme of this song, the remainder of the track continues in the same repetitive and groove-orientated manner that forms the basis of Wili. I think it's very important to acknowledge Enrico here. Bill E Bailey ( talk) 16:21, 5 March 2014 (UTC)