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Constructing History: A Requiem to Mark the Moment (2008)
Afro-Chic (2009)
The Maddening Crowd (2012)
The Obama Project (2012)
Installations
Lincoln, Lonnie, and Me (2012) is an eighteen-and-a-half minute long mixed media and video installation by Carrie Mae Weems that explores the relationship between history, activism, art, and artist. Weems suggested the impartible relationship between art works and the past that is personal and collective by inserting herself into the larger picture of history.
References
^Cite error: The named reference :1 was invoked but never defined (see the
help page).
Schwarze Kunst: Konzepte zur Politik und Identitat, Neue Gesellschaft fur dingende Kunst, Berlin, Germany, 1992
Dirt and Domesticity: Constructions of the Feminine, Whitney Museum of American Art, at Equitable Center, New York, NY, 1992
Art, Politics, and Community, William Benton Museum of Art, University of Connecticut, Mansfield, CT (traveled to Tyler School of Art, Temple University, Philadelphia, PA), 1992
Mis/Taken identities, University Art Museum, University of California, Santa Barbara, CA (traveled to Museum Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg Bremen im Forum Langenstraße, Germany; Louisiana Museum of Modern Art, Humlebaek, Denmark; Western Gallery, Western Washington University, Bellingham, WA), 1992–1994
And 22 Million Very Tired and very Angry People, Walter/McBean gallery, San Francisco Art Institute San Francisco, CA, 1993
Enlightenment, Revolution, A Gallery Project, Ferndale, MI, 1993
Fictions of the Self: The Portrait in Contemporary Photography, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC; Herter Art Gallery, University of Massachusetts, Amherst, MA, 1993–1994
The Theatre of Refusal: Black Art and the Mainstream Criticism, Fine Arts Gallery, University of California, Irvine, CA (traveled to University of California, Davis, CA; and University of California, Riverside, CA), 1993–1994
Women's Representation of Women, Sapporo American Center Gallery, Sapporo, Japan (traveled to Aka Renga Cultural Center, Fukuoka City, Japan; Kyoto International Community House, Kyoto, Japan; Aichi Prefectural Arts Center, Nagoya, Japan; Osaka Prefectural Contemporary Arts Center, Japan; Spiral Arts Center, Tokyo, Japan), 1994
Imagining Families: Images and Voices, The
Smithsonian Institution, Washington, DC, 1994–1995
Black Male, Representations of Masculinity in Contemporary American Art, The Whitney Museum of American Art, New York, NY, and The Armand Hammer Museum of Art, Santa Monica, CA, 1994–1995
Carrie Mae Weems Reacts to Hidden Witness, J. Paul
Getty Museum of Art, Malibu, CA, 1995
Projects 52, Museum of Modern Art, New York, NY, 1995
StoryLand: Narrative Vision and Social Space, Walter Phillips gallery, The Banff Center for the Arts, Banff, Canada, 1995
Embedded Metaphor, Traveling exhibit, curated by Nina Felshin, 1996
Inside the Visible,
Institute of Contemporary Art, Boston, MA; The National Museum of Women in the Arts, Washington, D.C., international traveling exhibition, 1996
Material and Matter: Loans to and Selections from the Studio Museum Collection,
Studio Museum in Harlem, 2000
The View From Here: Issues of Cultural Identity and Perspective in Contemporary Russian and American Art, Tretyakov Gallery, Moscow, Russia, 2000
Strength and Diversity: A Celebration of African-American Artists,
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, 2000
Reflections in Black: A History of Black Photographers 1840 to the Present, Smithsonian Anacostia Museum and Center for African American History and culture, Washington, DC, 2000
History Now, touring exhibition beginning at the Liljevalchs Konsthall and Riksutstallningar, Stockholm, Sweden, 2002
Pictures, Patents, Monkeys, and More... On Collecting, traveling exhibition curated by Independent curators International, Institute of Contemporary Art, Philadelphia, PA, 2002
The Louisiana Project,
Newcomb Art Gallery, Tulane University, New Orleans, LA, 2003
Cuba on the Verge, International Center of Photography, New York, NY, 2003
The 21st century, The Feminine Century, and the century of Diversity and Hope, 2009 International
Incheon Women Artists' Biennial, Incheon, South Korea, 2009–2010
Myth, Manners and Memory: Photographers of the American South,
De La Warr Pavilion, East Sussex, UK, 2010
Off the Wall: Part 1 – Thirty Performative Actions, Museum of Contemporary Art, Cleveland, OH, 2010
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973–1991,
Neuberger Museum of Art, Purchase College, Purchase, New York, NY, 2010
Posing Beauty: African American Images From the 1890s to the Present,
Newark Museum, Newark, NJ, 2010
Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists,Bronx Museum, Bronx, NY, 2010
Unsettled: Photography and Politics in Contemporary Art, Philadelphia Museum of Art, Philadelphia, PA, 2010
An Exhibition of African American Photographers from the Daguerreian to the Digital Eras, Marshall Fine Arts Center at Haveford College, Haveford, PA, 2015
This is the
talk page for discussing improvements to the
Carrie Mae Weems article. This is
not a forum for general discussion of the article's subject.
This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or
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This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to
join the project and
contribute to the discussion. For instructions on how to use this banner, please refer to the
documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article is within the scope of WikiProject African diaspora, a collaborative effort to improve the coverage of
African diaspora on Wikipedia. If you would like to participate, please visit the project page, where you can join
the discussion and see a list of open tasks.African diasporaWikipedia:WikiProject African diasporaTemplate:WikiProject African diasporaAfrican diaspora articles
This article is within the scope of WikiProject Women artists, a collaborative effort to improve the coverage of
women artists on Wikipedia. If you would like to participate, please visit the project page, where you can join
the discussion and see a list of open tasks.Women artistsWikipedia:WikiProject Women artistsTemplate:WikiProject Women artistsWomen artists articles
This article is within the scope of WikiProject Photography, a collaborative effort to improve the coverage of
photography on Wikipedia. If you would like to participate, please visit the project page, where you can join
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This article is within the scope of WikiProject Visual arts, a collaborative effort to improve the coverage of
visual arts on Wikipedia. If you would like to participate, please visit the project page, where you can join
the discussion and see a list of open tasks.Visual artsWikipedia:WikiProject Visual artsTemplate:WikiProject Visual artsvisual arts articles
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U.S. state of
New York on Wikipedia. If you would like to participate, please visit the project page, where you can join
the discussion and see a list of open tasks.New York (state)Wikipedia:WikiProject New York (state)Template:WikiProject New York (state)New York (state) articles
This article is within the scope of WikiProject United States, a collaborative effort to improve the coverage of topics relating to the
United States of America on Wikipedia. If you would like to participate, please visit the project page, where you can join the ongoing discussions.
This article was created or improved at an
Art+Feminism edit-a-thon in 2015.ArtAndFeminismWikipedia:Meetup/ArtAndFeminismTemplate:ArtAndFeminism articleArtAndFeminism articles
Wiki Education Foundation-supported course assignment
This article is or was the subject of a Wiki Education Foundation-supported course assignment. Further details are available
on the course page.
I have just modified one external link on
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Constructing History: A Requiem to Mark the Moment (2008)
Afro-Chic (2009)
The Maddening Crowd (2012)
The Obama Project (2012)
Installations
Lincoln, Lonnie, and Me (2012) is an eighteen-and-a-half minute long mixed media and video installation by Carrie Mae Weems that explores the relationship between history, activism, art, and artist. Weems suggested the impartible relationship between art works and the past that is personal and collective by inserting herself into the larger picture of history.
References
^Cite error: The named reference :1 was invoked but never defined (see the
help page).
Schwarze Kunst: Konzepte zur Politik und Identitat, Neue Gesellschaft fur dingende Kunst, Berlin, Germany, 1992
Dirt and Domesticity: Constructions of the Feminine, Whitney Museum of American Art, at Equitable Center, New York, NY, 1992
Art, Politics, and Community, William Benton Museum of Art, University of Connecticut, Mansfield, CT (traveled to Tyler School of Art, Temple University, Philadelphia, PA), 1992
Mis/Taken identities, University Art Museum, University of California, Santa Barbara, CA (traveled to Museum Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg Bremen im Forum Langenstraße, Germany; Louisiana Museum of Modern Art, Humlebaek, Denmark; Western Gallery, Western Washington University, Bellingham, WA), 1992–1994
And 22 Million Very Tired and very Angry People, Walter/McBean gallery, San Francisco Art Institute San Francisco, CA, 1993
Enlightenment, Revolution, A Gallery Project, Ferndale, MI, 1993
Fictions of the Self: The Portrait in Contemporary Photography, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC; Herter Art Gallery, University of Massachusetts, Amherst, MA, 1993–1994
The Theatre of Refusal: Black Art and the Mainstream Criticism, Fine Arts Gallery, University of California, Irvine, CA (traveled to University of California, Davis, CA; and University of California, Riverside, CA), 1993–1994
Women's Representation of Women, Sapporo American Center Gallery, Sapporo, Japan (traveled to Aka Renga Cultural Center, Fukuoka City, Japan; Kyoto International Community House, Kyoto, Japan; Aichi Prefectural Arts Center, Nagoya, Japan; Osaka Prefectural Contemporary Arts Center, Japan; Spiral Arts Center, Tokyo, Japan), 1994
Imagining Families: Images and Voices, The
Smithsonian Institution, Washington, DC, 1994–1995
Black Male, Representations of Masculinity in Contemporary American Art, The Whitney Museum of American Art, New York, NY, and The Armand Hammer Museum of Art, Santa Monica, CA, 1994–1995
Carrie Mae Weems Reacts to Hidden Witness, J. Paul
Getty Museum of Art, Malibu, CA, 1995
Projects 52, Museum of Modern Art, New York, NY, 1995
StoryLand: Narrative Vision and Social Space, Walter Phillips gallery, The Banff Center for the Arts, Banff, Canada, 1995
Embedded Metaphor, Traveling exhibit, curated by Nina Felshin, 1996
Inside the Visible,
Institute of Contemporary Art, Boston, MA; The National Museum of Women in the Arts, Washington, D.C., international traveling exhibition, 1996
Material and Matter: Loans to and Selections from the Studio Museum Collection,
Studio Museum in Harlem, 2000
The View From Here: Issues of Cultural Identity and Perspective in Contemporary Russian and American Art, Tretyakov Gallery, Moscow, Russia, 2000
Strength and Diversity: A Celebration of African-American Artists,
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, 2000
Reflections in Black: A History of Black Photographers 1840 to the Present, Smithsonian Anacostia Museum and Center for African American History and culture, Washington, DC, 2000
History Now, touring exhibition beginning at the Liljevalchs Konsthall and Riksutstallningar, Stockholm, Sweden, 2002
Pictures, Patents, Monkeys, and More... On Collecting, traveling exhibition curated by Independent curators International, Institute of Contemporary Art, Philadelphia, PA, 2002
The Louisiana Project,
Newcomb Art Gallery, Tulane University, New Orleans, LA, 2003
Cuba on the Verge, International Center of Photography, New York, NY, 2003
The 21st century, The Feminine Century, and the century of Diversity and Hope, 2009 International
Incheon Women Artists' Biennial, Incheon, South Korea, 2009–2010
Myth, Manners and Memory: Photographers of the American South,
De La Warr Pavilion, East Sussex, UK, 2010
Off the Wall: Part 1 – Thirty Performative Actions, Museum of Contemporary Art, Cleveland, OH, 2010
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973–1991,
Neuberger Museum of Art, Purchase College, Purchase, New York, NY, 2010
Posing Beauty: African American Images From the 1890s to the Present,
Newark Museum, Newark, NJ, 2010
Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists,Bronx Museum, Bronx, NY, 2010
Unsettled: Photography and Politics in Contemporary Art, Philadelphia Museum of Art, Philadelphia, PA, 2010
An Exhibition of African American Photographers from the Daguerreian to the Digital Eras, Marshall Fine Arts Center at Haveford College, Haveford, PA, 2015