Alfred Gilbert has been listed as one of the Art and architecture good articles under the good article criteria. If you can improve it further, please do so. If it no longer meets these criteria, you can reassess it. | ||||||||||
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September 7, 2020. The text of the entry was: Did you know ... that sculptor Alfred Gilbert fled England twice—once for love, once for money? |
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I have just modified one external link on Alfred Gilbert. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
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The following Wikimedia Commons file used on this page has been nominated for deletion:
Participate in the deletion discussion at the nomination page. — Community Tech bot ( talk) 13:52, 11 September 2019 (UTC)
This user is new to Wikipedia. Please assume good faith, remain civil, and be calm, patient, helpful, and polite while they become accustomed to Wikipedia and its intricacies. |
One of his daughters was a notable suffragette, as I am drafting article it is currently a redlink. Any information is being sought for her article and also for the Norfolk Museums (see reference within article). Kaybeesquared ( talk) 20:27, 12 October 2019 (UTC)
The 'Career: Creative period' section of this article includes this sentence: "It was only because he had been experimenting with different techniques that he was able to cast aluminium, a then new material which he used to create the statue of Anteros which topped the sculpture."
The citation given in support of this statement is the Oxford Dictionary of National Biography. However, the ODNB article on Gilbert says: "When in the later 1880s it became possible to cast aluminium cheaply, he was the first artist to employ this new alloy to create the soaring figure of Eros—the light, silvery, buoyant nude symbolic of selfless love which crowns his next important sculptural commission, the Shaftesbury memorial in Piccadilly Circus, London, unveiled in 1893." [1] That article makes no mention of Anteros (though it does say that "the nude figure of Eros was mistaken for Cupid" in the early years of the statue's existence).
The ODNB article may be wrong to insist that the figure is Eros, but isn't it nevertheless inappropriate to miscite it in the way that's been done here? If there's a scholarly work that makes it clear the statue represents Anteros rather than Eros, I believe it would be preferable to cite it instead of the ODNB. Unfortunately, I'm not aware of any such work, as all the academic publications I've consulted say the figure is Eros, though a couple acknowledge that Gilbert once said the figure was Anteros, among several conflicting statements he made on the subject some years after the sculpture's installation. — Preceding unsigned comment added by Russ London ( talk • contribs) 15:36, 7 June 2022 (UTC)
Alfred Gilbert has been listed as one of the Art and architecture good articles under the good article criteria. If you can improve it further, please do so. If it no longer meets these criteria, you can reassess it. | ||||||||||
| ||||||||||
A
fact from this article appeared on Wikipedia's
Main Page in the "
Did you know?" column on
September 7, 2020. The text of the entry was: Did you know ... that sculptor Alfred Gilbert fled England twice—once for love, once for money? |
This article is rated GA-class on Wikipedia's
content assessment scale. It is of interest to the following WikiProjects: | |||||||||||||||||||||||||
|
Hello fellow Wikipedians,
I have just modified one external link on Alfred Gilbert. Please take a moment to review my edit. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. I made the following changes:
When you have finished reviewing my changes, you may follow the instructions on the template below to fix any issues with the URLs.
This message was posted before February 2018.
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regular verification using the archive tool instructions below. Editors
have permission to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
RfC before doing mass systematic removals. This message is updated dynamically through the template {{
source check}}
(last update: 5 June 2024).
Cheers.— InternetArchiveBot ( Report bug) 12:43, 25 December 2017 (UTC)
The following Wikimedia Commons file used on this page has been nominated for deletion:
Participate in the deletion discussion at the nomination page. — Community Tech bot ( talk) 13:52, 11 September 2019 (UTC)
This user is new to Wikipedia. Please assume good faith, remain civil, and be calm, patient, helpful, and polite while they become accustomed to Wikipedia and its intricacies. |
One of his daughters was a notable suffragette, as I am drafting article it is currently a redlink. Any information is being sought for her article and also for the Norfolk Museums (see reference within article). Kaybeesquared ( talk) 20:27, 12 October 2019 (UTC)
The 'Career: Creative period' section of this article includes this sentence: "It was only because he had been experimenting with different techniques that he was able to cast aluminium, a then new material which he used to create the statue of Anteros which topped the sculpture."
The citation given in support of this statement is the Oxford Dictionary of National Biography. However, the ODNB article on Gilbert says: "When in the later 1880s it became possible to cast aluminium cheaply, he was the first artist to employ this new alloy to create the soaring figure of Eros—the light, silvery, buoyant nude symbolic of selfless love which crowns his next important sculptural commission, the Shaftesbury memorial in Piccadilly Circus, London, unveiled in 1893." [1] That article makes no mention of Anteros (though it does say that "the nude figure of Eros was mistaken for Cupid" in the early years of the statue's existence).
The ODNB article may be wrong to insist that the figure is Eros, but isn't it nevertheless inappropriate to miscite it in the way that's been done here? If there's a scholarly work that makes it clear the statue represents Anteros rather than Eros, I believe it would be preferable to cite it instead of the ODNB. Unfortunately, I'm not aware of any such work, as all the academic publications I've consulted say the figure is Eros, though a couple acknowledge that Gilbert once said the figure was Anteros, among several conflicting statements he made on the subject some years after the sculpture's installation. — Preceding unsigned comment added by Russ London ( talk • contribs) 15:36, 7 June 2022 (UTC)