The Symphony No. 7 of Roger Sessions was written in 1967 for the 150th anniversary of the University of Michigan ( Prausnitz, p. 285). It was premiered in Ann Arbor, Michigan, on October 1, 1967, by the Chicago Symphony Orchestra, conducted by Jean Martinon. [1] [2]
The symphony is scored for three flutes, three oboes, four clarinets, three bassoons, four horns, three trumpets, three trombones, one tuba, timpani, percussion, piano, harp, and strings. [3]
It is in three movements:
Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 7 being one of four with, "quiet reflective endings." [4]
The composer said that the symphony was influenced by the Story of O. [5]
The Symphony No. 7 of Roger Sessions was written in 1967 for the 150th anniversary of the University of Michigan ( Prausnitz, p. 285). It was premiered in Ann Arbor, Michigan, on October 1, 1967, by the Chicago Symphony Orchestra, conducted by Jean Martinon. [1] [2]
The symphony is scored for three flutes, three oboes, four clarinets, three bassoons, four horns, three trumpets, three trombones, one tuba, timpani, percussion, piano, harp, and strings. [3]
It is in three movements:
Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 7 being one of four with, "quiet reflective endings." [4]
The composer said that the symphony was influenced by the Story of O. [5]