![]() | This article needs a
plot summary. (November 2022) |
Sweet Talk | |
---|---|
Directed by | Terri Hanauer |
Written by | Peter Lefcourt |
Produced by | Linda L. Miller |
Starring | |
Cinematography | Marco Fargnoli |
Edited by | Michael X. Flores |
Music by | Emanuele Arnone Dino Herrmann |
Production company | Sweet Talk Productions |
Release date |
|
Running time | 92 minutes |
Country | United States |
Language | English |
Sweet Talk is a 2013 American adventure drama film directed by Craig McMahon, starring John Way and Savanah D. McMahon.
Annlee Ellingson of the Los Angeles Times wrote that while Zea "gives a natural performance amid a neighborhood of painful stereotypes", she "doesn’t adjust her cadence, let alone accent, for the historical flashbacks, bringing a modern sensibility that limits the effectiveness of these scenes", while Parise is "reduced to talking to a pet bird to explain his emotions." [1]
Joe Leydon of Variety called the film a "borderline embarrassing vanity project that brings out the worst in TV vet Peter Lefcourt" and wrote that Zea and Parise "bring impressive measures of conviction to laughable dialogue". [2]
Gabe Toro of IndieWire gave the film a grade of "D-" and called it "very cheap, wholly unconvincing, and loaded with dull narration.". [3]
![]() | This article needs a
plot summary. (November 2022) |
Sweet Talk | |
---|---|
Directed by | Terri Hanauer |
Written by | Peter Lefcourt |
Produced by | Linda L. Miller |
Starring | |
Cinematography | Marco Fargnoli |
Edited by | Michael X. Flores |
Music by | Emanuele Arnone Dino Herrmann |
Production company | Sweet Talk Productions |
Release date |
|
Running time | 92 minutes |
Country | United States |
Language | English |
Sweet Talk is a 2013 American adventure drama film directed by Craig McMahon, starring John Way and Savanah D. McMahon.
Annlee Ellingson of the Los Angeles Times wrote that while Zea "gives a natural performance amid a neighborhood of painful stereotypes", she "doesn’t adjust her cadence, let alone accent, for the historical flashbacks, bringing a modern sensibility that limits the effectiveness of these scenes", while Parise is "reduced to talking to a pet bird to explain his emotions." [1]
Joe Leydon of Variety called the film a "borderline embarrassing vanity project that brings out the worst in TV vet Peter Lefcourt" and wrote that Zea and Parise "bring impressive measures of conviction to laughable dialogue". [2]
Gabe Toro of IndieWire gave the film a grade of "D-" and called it "very cheap, wholly unconvincing, and loaded with dull narration.". [3]