Susan Steinberg is an American writer. She is the author of the short story collections The End of Free Love ( FC2, 2003), Hydroplane ( University of Alabama Press, 2006) and Spectacle ( Graywolf Press, 2013). Her first novel Machine: A Novel (Graywolf, 2019), revolving around a group of teenagers during a single summer at the shore, employs experimental language and structure to interrogate gender, class, privilege, and the disintegration of identity in the shadow of trauma. [1]
Steinberg holds a B.F.A. in Painting from Maryland Institute College of Art and an M.F.A. in English from the University of Massachusetts Amherst. [2] She teaches English at the University of San Francisco. [3] She was a fiction editor at Pleiades from 2000 until 2006. [4]
Susan Steinberg was the recipient of a 2012 Pushcart Prize for her short story "Cowboys." [5]
Publishers Weekly gave Machine a starred review, praising her "use of meter and line". [6]
About Machine, Ann Hulbert commended in The Atlantic Steinberg's "daring experiments with style and perspective". [7]
In the Los Angeles Review of Books, Andrew Schenker lauded the stylistic diversity of the chapters in Machine and the stylistic "tension between motion and stasis" in Spectacle. [8]
Susan Steinberg is an American writer. She is the author of the short story collections The End of Free Love ( FC2, 2003), Hydroplane ( University of Alabama Press, 2006) and Spectacle ( Graywolf Press, 2013). Her first novel Machine: A Novel (Graywolf, 2019), revolving around a group of teenagers during a single summer at the shore, employs experimental language and structure to interrogate gender, class, privilege, and the disintegration of identity in the shadow of trauma. [1]
Steinberg holds a B.F.A. in Painting from Maryland Institute College of Art and an M.F.A. in English from the University of Massachusetts Amherst. [2] She teaches English at the University of San Francisco. [3] She was a fiction editor at Pleiades from 2000 until 2006. [4]
Susan Steinberg was the recipient of a 2012 Pushcart Prize for her short story "Cowboys." [5]
Publishers Weekly gave Machine a starred review, praising her "use of meter and line". [6]
About Machine, Ann Hulbert commended in The Atlantic Steinberg's "daring experiments with style and perspective". [7]
In the Los Angeles Review of Books, Andrew Schenker lauded the stylistic diversity of the chapters in Machine and the stylistic "tension between motion and stasis" in Spectacle. [8]