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A fabric-covered supportasse is visible below the lace collar or rebato in this portrait of Grey Brydges, 5th Baron Chandos by William Larkin, c. 1615 -
A gold-wrapped wire supportasse is visible through the sheer linen of this girl's collar. Cornelis de Vos, Young Girl at a Virginal, c. 1624–25
A supportasse or underpropper is a stiffened support for a ruff or collar. [1] [2] [3] Essential items of courtly fashion in the late 16th and early 17th centuries, supportasses are sometimes called piccadills (picadils, pickadills), whisks, rebatos, or portefraise, terms used at different times for both the supporters and the various lace or linen collar styles to which they were attached. [2] [4]
I pray you, sir, what say you to these great ruffs, which are borne up with supporters and rebatoes, as it were with post and rail?
— Arthur Dent, The Plain Man's Pathway To Heaven (1631) [5]
Decorative supportasses were often made of wire fashioned in loops and scallops, covered over with colored silk, gold, or silver thread. Supporters stiffened with cardboard or pasteboard and covered in silk or linen were also popular. [2] They were held in place with ties or points fastened through worked holes at the back of the collar. [3] Examples of both types of supportasse survive in the costume collections of the Victoria and Albert Museum, the Metropolitan Museum of Art, and the Musée national du Moyen Âge (formerly Musée de Cluny). [2]
Gallery
References
- ^ International Council of Museums (1982). Vocabulary of Basic Terms for Cataloguing Costume. International Council of Museums. OCLC 66084355.
- ^ a b c d Arnold, Janet (2008). Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group. pp. 32–38. ISBN 978-0896762626.
- ^ a b Cumming, Valerie (2010). The dictionary of fashion history. Oxford New York: Berg. p. 199. ISBN 9781847885333.
- ^ Cumming, Valerie (2010). The dictionary of fashion history. Oxford New York: Berg. pp. 156, 170, 199. ISBN 9781847885333.
- ^ Dent, Arthur. "Pride of Dress". The Plain Man's Pathway To Heaven. p. 34. Retrieved 17 October 2014.
External links
Extant supportasses:
- Supportasse, England, 1600-1620. Cardboard, linen, silk, silk and linen thread, Victoria and Albert Museum T.32-1938
- Picadil, England, 1600-1615. Silk, pasteboard, silk thread. Victoria and Albert Museum 192-1900
- Collar, Italy, 16th century. Bobbin lace with visible wire supporter. Metropolitan Museum of Art 30.135.156
A supportasse or underpropper is a stiffened support for a ruff or collar. [1] [2] [3] Essential items of courtly fashion in the late 16th and early 17th centuries, supportasses are sometimes called piccadills (picadils, pickadills), whisks, rebatos, or portefraise, terms used at different times for both the supporters and the various lace or linen collar styles to which they were attached. [2] [4]
I pray you, sir, what say you to these great ruffs, which are borne up with supporters and rebatoes, as it were with post and rail?
— Arthur Dent, The Plain Man's Pathway To Heaven (1631) [5]
Decorative supportasses were often made of wire fashioned in loops and scallops, covered over with colored silk, gold, or silver thread. Supporters stiffened with cardboard or pasteboard and covered in silk or linen were also popular. [2] They were held in place with ties or points fastened through worked holes at the back of the collar. [3] Examples of both types of supportasse survive in the costume collections of the Victoria and Albert Museum, the Metropolitan Museum of Art, and the Musée national du Moyen Âge (formerly Musée de Cluny). [2]
Gallery
-
A fabric-covered supportasse is visible below the lace collar or rebato in this portrait of Grey Brydges, 5th Baron Chandos by William Larkin, c. 1615
-
A gold-wrapped wire supportasse is visible through the sheer linen of this girl's collar. Cornelis de Vos, Young Girl at a Virginal, c. 1624–25
References
- ^ International Council of Museums (1982). Vocabulary of Basic Terms for Cataloguing Costume. International Council of Museums. OCLC 66084355.
- ^ a b c d Arnold, Janet (2008). Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group. pp. 32–38. ISBN 978-0896762626.
- ^ a b Cumming, Valerie (2010). The dictionary of fashion history. Oxford New York: Berg. p. 199. ISBN 9781847885333.
- ^ Cumming, Valerie (2010). The dictionary of fashion history. Oxford New York: Berg. pp. 156, 170, 199. ISBN 9781847885333.
- ^ Dent, Arthur. "Pride of Dress". The Plain Man's Pathway To Heaven. p. 34. Retrieved 17 October 2014.
External links
Extant supportasses:
- Supportasse, England, 1600-1620. Cardboard, linen, silk, silk and linen thread, Victoria and Albert Museum T.32-1938
- Picadil, England, 1600-1615. Silk, pasteboard, silk thread. Victoria and Albert Museum 192-1900
- Collar, Italy, 16th century. Bobbin lace with visible wire supporter. Metropolitan Museum of Art 30.135.156