Spirits of Death | |
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Directed by | Romano Scavolini |
Screenplay by |
|
Story by | Giuseppe Mangione [1] |
Produced by | Franca Luciani [1] |
Starring | |
Cinematography | Romano Scavolini [1] |
Edited by | Francesco Bertuccioli [1] |
Music by | Fiorenzo Carpi [1] |
Production company | KMG Cinema
[1] |
Distributed by | Regional |
Release date |
|
Running time | 92 minutes [1] |
Country | Italy [1] |
Box office | ₤65.564 million |
Spirits of Death ( Italian: Un bianco vestito per Marialé/ translation: A White Dress for Mariale) is a 1972 Italian film directed by Romano Scavolini and starring Ida Galli, Ivan Rassimov and Luigi Pistilli. [2] The film was also released as Exorcisme Tragique (Tragic Exorcism). [3]
As a child, Mariale witnesses the murder of her mother at her father's hands. She later becomes a recluse, living by herself in a dark, gloomy castle. Mariale decides to invite some friends over for the weekend and stages a decadent orgiastic party. Then a series of grisly murders begin to occur.
Although the film is often described as a giallo, film historian Roberto Curti stated it only becomes a violent murder mystery about an hour into the film. [4] Curti described the giallo trademarks of violent murders and a twist ending are marginal when compared to other films of the genre at the time. [4] Curti opined the film was one like a perverse kammerspiel which borrowed from both gothic and avant-garde theatre. [4]
Following his return from Vietnam where he was a freelance photographer, director Romano Scavolini returned to his native Italy where he started his film career again as a genre filmmaker. [4]
Spirits of Death was released in Italy on 30 November 1972. [1] The film grossed 65.564 million Italian lire in Italy on its release. [1] When the film was released in France, it was titled Exorcisme tragique to try and bank on the popular success of The Exorcist. [5]
In a retrospective review, Curti stated that Scavolini's direction and Fiorenzo Carpi's score "cannot overcome the script's many shortcoming–namely, sketchily developed characters, pretentious dialogue, heavy-handed symbolism." [6] Scavolini later referred to the film as a film "which only deserves to be forgotten" [7]
Spirits of Death | |
---|---|
![]() | |
Directed by | Romano Scavolini |
Screenplay by |
|
Story by | Giuseppe Mangione [1] |
Produced by | Franca Luciani [1] |
Starring | |
Cinematography | Romano Scavolini [1] |
Edited by | Francesco Bertuccioli [1] |
Music by | Fiorenzo Carpi [1] |
Production company | KMG Cinema
[1] |
Distributed by | Regional |
Release date |
|
Running time | 92 minutes [1] |
Country | Italy [1] |
Box office | ₤65.564 million |
Spirits of Death ( Italian: Un bianco vestito per Marialé/ translation: A White Dress for Mariale) is a 1972 Italian film directed by Romano Scavolini and starring Ida Galli, Ivan Rassimov and Luigi Pistilli. [2] The film was also released as Exorcisme Tragique (Tragic Exorcism). [3]
As a child, Mariale witnesses the murder of her mother at her father's hands. She later becomes a recluse, living by herself in a dark, gloomy castle. Mariale decides to invite some friends over for the weekend and stages a decadent orgiastic party. Then a series of grisly murders begin to occur.
Although the film is often described as a giallo, film historian Roberto Curti stated it only becomes a violent murder mystery about an hour into the film. [4] Curti described the giallo trademarks of violent murders and a twist ending are marginal when compared to other films of the genre at the time. [4] Curti opined the film was one like a perverse kammerspiel which borrowed from both gothic and avant-garde theatre. [4]
Following his return from Vietnam where he was a freelance photographer, director Romano Scavolini returned to his native Italy where he started his film career again as a genre filmmaker. [4]
Spirits of Death was released in Italy on 30 November 1972. [1] The film grossed 65.564 million Italian lire in Italy on its release. [1] When the film was released in France, it was titled Exorcisme tragique to try and bank on the popular success of The Exorcist. [5]
In a retrospective review, Curti stated that Scavolini's direction and Fiorenzo Carpi's score "cannot overcome the script's many shortcoming–namely, sketchily developed characters, pretentious dialogue, heavy-handed symbolism." [6] Scavolini later referred to the film as a film "which only deserves to be forgotten" [7]