Song of Songs 6 | |
---|---|
Book | Song of Songs |
Category | Ketuvim |
Christian Bible part | Old Testament |
Order in the Christian part | 22 |
Song of Songs 6 (abbreviated [ where?] as Song 6) is the sixth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3] Jewish tradition views Solomon as the author of this book (although this is now largely disputed), and this attribution influences the acceptance of this book as a canonical text. [3] This chapter contains a dialogue between the daughters of Jerusalem and the woman about the man, followed by the man's descriptive poem of the woman, ending with a collective call to the woman to return. [4]
The original text is written in Hebrew language. This chapter is divided into 13 verses.
Some early manuscripts containing the text of this chapter in Hebrew are of the Masoretic Text, which includes the Codex Leningradensis (1008). [5] [a] Some fragments containing parts of this chapter were found among the Dead Sea Scrolls: 4Q106 (4QCanta); 30 BCE-30 CE; extant verses 11(?)-12). [7] [8] [9]
There is also a translation into Koine Greek known as the Septuagint, made in the last few centuries BCE. Extant ancient manuscripts of the Septuagint version include Codex Vaticanus (B; B; 4th century), Codex Sinaiticus (S; BHK: S; 4th century), and Codex Alexandrinus (A; A; 5th century). [10]
The Modern English Version (MEV) identifies the speakers in this chapter as:
Continuing from chapter 5, the daughters of Jerusalem agree to look for the man. [4]
The words in this verse parallel those in Song 5:9. [12]
This part contains the woman's affirmation of her love, when she finds him enjoying his garden. [4]
This could be related to Ecclesiastes 2:5, 6 where Solomon says, "I planted me vineyards; I made me gardens and parks, and I planted trees in them of all kinds of fruit; I made me pools of water, to water therefrom the forest where trees were reared." [14] Franz Delitzsch suggests that she locates him in the garden because this is where he is inclined to spend his time, "where he delights most to tarry". [15]
In reversed order compared to Song 2:16. [17] He feeds his flock among the lilies: reference to the flock is added in the New King James Version and other texts. [18]
This descriptive poem by the man still belongs to a long section concerning the desire and love in the country which continues until 8:4, [19] and partly parallel to the one in chapter 4. [4] The man's waṣf and the other ones ( 4:1-8; 5:10-16; 7:1-9) theologically demonstrate the heart of the Song that values the body as not evil but good even worthy of praise, and respects the body with an appreciative focus (rather than lurid). [20] Hess notes that this reflects 'the fundamental value of God's creation as good and the human body as a key part of that creation, whether at the beginning ( Genesis 1:26–28) or redeemed in the resurrection ( 1 Corinthians 15:42, 44)'. [20]
The woman's voice in this part contains ambiguity in the meaning of some words, that poses difficulty in assigning it to either of the main speakers (NIV assigns this part to the man). [28]
This verse does not indicate clearly who the speaker is, but there must be either multiple persons concerned in it or a quotation, because 'there is an evident interchange of question and answer'. [12]
[Friends of the Woman]
[The Man]
Song of Songs 6 | |
---|---|
Book | Song of Songs |
Category | Ketuvim |
Christian Bible part | Old Testament |
Order in the Christian part | 22 |
Song of Songs 6 (abbreviated [ where?] as Song 6) is the sixth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3] Jewish tradition views Solomon as the author of this book (although this is now largely disputed), and this attribution influences the acceptance of this book as a canonical text. [3] This chapter contains a dialogue between the daughters of Jerusalem and the woman about the man, followed by the man's descriptive poem of the woman, ending with a collective call to the woman to return. [4]
The original text is written in Hebrew language. This chapter is divided into 13 verses.
Some early manuscripts containing the text of this chapter in Hebrew are of the Masoretic Text, which includes the Codex Leningradensis (1008). [5] [a] Some fragments containing parts of this chapter were found among the Dead Sea Scrolls: 4Q106 (4QCanta); 30 BCE-30 CE; extant verses 11(?)-12). [7] [8] [9]
There is also a translation into Koine Greek known as the Septuagint, made in the last few centuries BCE. Extant ancient manuscripts of the Septuagint version include Codex Vaticanus (B; B; 4th century), Codex Sinaiticus (S; BHK: S; 4th century), and Codex Alexandrinus (A; A; 5th century). [10]
The Modern English Version (MEV) identifies the speakers in this chapter as:
Continuing from chapter 5, the daughters of Jerusalem agree to look for the man. [4]
The words in this verse parallel those in Song 5:9. [12]
This part contains the woman's affirmation of her love, when she finds him enjoying his garden. [4]
This could be related to Ecclesiastes 2:5, 6 where Solomon says, "I planted me vineyards; I made me gardens and parks, and I planted trees in them of all kinds of fruit; I made me pools of water, to water therefrom the forest where trees were reared." [14] Franz Delitzsch suggests that she locates him in the garden because this is where he is inclined to spend his time, "where he delights most to tarry". [15]
In reversed order compared to Song 2:16. [17] He feeds his flock among the lilies: reference to the flock is added in the New King James Version and other texts. [18]
This descriptive poem by the man still belongs to a long section concerning the desire and love in the country which continues until 8:4, [19] and partly parallel to the one in chapter 4. [4] The man's waṣf and the other ones ( 4:1-8; 5:10-16; 7:1-9) theologically demonstrate the heart of the Song that values the body as not evil but good even worthy of praise, and respects the body with an appreciative focus (rather than lurid). [20] Hess notes that this reflects 'the fundamental value of God's creation as good and the human body as a key part of that creation, whether at the beginning ( Genesis 1:26–28) or redeemed in the resurrection ( 1 Corinthians 15:42, 44)'. [20]
The woman's voice in this part contains ambiguity in the meaning of some words, that poses difficulty in assigning it to either of the main speakers (NIV assigns this part to the man). [28]
This verse does not indicate clearly who the speaker is, but there must be either multiple persons concerned in it or a quotation, because 'there is an evident interchange of question and answer'. [12]
[Friends of the Woman]
[The Man]