Solitarily Speaking Of Theoretical Confinement | ||||
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Studio album by | ||||
Released | December 10, 2002 | |||
Recorded | 2002 | |||
Genre | Progressive metal | |||
Length | 44:42 | |||
Label | Mr. Kitty | |||
Producer | Ron Jarzombek | |||
Ron Jarzombek chronology | ||||
|
Solitarily Speaking Of Theoretical Confinement is the second solo album by progressive metal guitarist Ron Jarzombek, released in 2002.
Every song follows a loose concept of basing each song's composition on certain songwriting systems created by Jarzombek himself; the song titles are usually humorous references to these systems, explained in the liner notes:
[1] For example, "To B or Not to B" consists of 2 themes, one only using the note B ("To B"), and using every note except for B ("Not to B");
[2] "A Headache and a Sixty-Fourth" has a constant alternating time signature pattern of 4
4 and 1
64.
[3]
All songs composed by Ron Jarzombek.
The "line-up" for the album actually consisted only of Ron Jarzombek; the other "band members" are actually samples from sound modules with pseudonyms of their own.
Solitarily Speaking Of Theoretical Confinement | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | December 10, 2002 | |||
Recorded | 2002 | |||
Genre | Progressive metal | |||
Length | 44:42 | |||
Label | Mr. Kitty | |||
Producer | Ron Jarzombek | |||
Ron Jarzombek chronology | ||||
|
Solitarily Speaking Of Theoretical Confinement is the second solo album by progressive metal guitarist Ron Jarzombek, released in 2002.
Every song follows a loose concept of basing each song's composition on certain songwriting systems created by Jarzombek himself; the song titles are usually humorous references to these systems, explained in the liner notes:
[1] For example, "To B or Not to B" consists of 2 themes, one only using the note B ("To B"), and using every note except for B ("Not to B");
[2] "A Headache and a Sixty-Fourth" has a constant alternating time signature pattern of 4
4 and 1
64.
[3]
All songs composed by Ron Jarzombek.
The "line-up" for the album actually consisted only of Ron Jarzombek; the other "band members" are actually samples from sound modules with pseudonyms of their own.