Shane Wilson is a
sculptor who has lived and worked in
Yukon and
British Columbia, Canada. His principal mediums are
antler,
horn,
ivory, and
bronze, from which he creates sculpture in his signature style, a
juxtaposition of abstract organic and non-organic shapes.
Shows
Art of the Commons, Wildlife Art Journal (online), Jan - Feb 2011[1]
Art of the Commons, Wildlife Art Journal (online), Spring 2010[2]
Northern Encounters '99: A Circumpolar Festival of the Arts, Toronto and Kleinburg, Ontario, Canada, 1999[3][4][5]
Algonquin Art Centre Blog and Newsletter: "Interview with Shane Wilson", Algonquin Art Centre, Algonquin Provincial Park, Ontario, Canada, June 2011[12]
"Artist Feature: Shane Wilson", International Year of Forests: An Artist's Perspective, Gallery Program 2011, Algonquin Art Centre, Algonquin Provincial Park, Ontario, Canada, Summer 2011[13]
Series Summer School of the Arts Course Catalogue Red Deer College (Detail of 'Male Seahorse' used on the cover and header graphics), Red Deer, Alberta, 2011[16]
"Wildfowl Art of a Different Nature", by Jim Clark (Jim details his learning experiences with master carvers Floyd Scholz and Shane Wilson), Wildfowl Art: The Journal of the Ward Museum of Wildfowl Art, Summer Issue, p. 22, 2010[17]
"Collaborations" ("The Shooting of Dan McGrew", with Dwayne Cull and Robert Service), Branch Magazine: Home, Issue 2.2, August 2010[18][19]
"Shane Wilson: Honouring the Power of Wild Life", by Todd Wilkinson, Wildlife Art Journal, Spring, 2010[20][21]
"Shane Wilson: Honouring the Power of Wild Life", by Todd Wilkinson, Trophy Rooms from Around the World, Vol. 15, p. 158-167, 2010[22]
Antlers: A Guide to Collecting, Scoring, Mounting, and Carving, by Dennis Walrod ("Celtic Confusion, 1998" pic and artist bio, page 158), 2005[23][24]
Shane Wilson is a
sculptor who has lived and worked in
Yukon and
British Columbia, Canada. His principal mediums are
antler,
horn,
ivory, and
bronze, from which he creates sculpture in his signature style, a
juxtaposition of abstract organic and non-organic shapes.
Shows
Art of the Commons, Wildlife Art Journal (online), Jan - Feb 2011[1]
Art of the Commons, Wildlife Art Journal (online), Spring 2010[2]
Northern Encounters '99: A Circumpolar Festival of the Arts, Toronto and Kleinburg, Ontario, Canada, 1999[3][4][5]
Algonquin Art Centre Blog and Newsletter: "Interview with Shane Wilson", Algonquin Art Centre, Algonquin Provincial Park, Ontario, Canada, June 2011[12]
"Artist Feature: Shane Wilson", International Year of Forests: An Artist's Perspective, Gallery Program 2011, Algonquin Art Centre, Algonquin Provincial Park, Ontario, Canada, Summer 2011[13]
Series Summer School of the Arts Course Catalogue Red Deer College (Detail of 'Male Seahorse' used on the cover and header graphics), Red Deer, Alberta, 2011[16]
"Wildfowl Art of a Different Nature", by Jim Clark (Jim details his learning experiences with master carvers Floyd Scholz and Shane Wilson), Wildfowl Art: The Journal of the Ward Museum of Wildfowl Art, Summer Issue, p. 22, 2010[17]
"Collaborations" ("The Shooting of Dan McGrew", with Dwayne Cull and Robert Service), Branch Magazine: Home, Issue 2.2, August 2010[18][19]
"Shane Wilson: Honouring the Power of Wild Life", by Todd Wilkinson, Wildlife Art Journal, Spring, 2010[20][21]
"Shane Wilson: Honouring the Power of Wild Life", by Todd Wilkinson, Trophy Rooms from Around the World, Vol. 15, p. 158-167, 2010[22]
Antlers: A Guide to Collecting, Scoring, Mounting, and Carving, by Dennis Walrod ("Celtic Confusion, 1998" pic and artist bio, page 158), 2005[23][24]