Selves We Cannot Forgive | ||||
---|---|---|---|---|
Studio album by | ||||
Released | July 22, 2016 | |||
Recorded | Atrium Audio | |||
Genre | Progressive death metal | |||
Length | 51:31 | |||
Label | eOne Music | |||
Producer | Carson Slovak, Grant McFarland | |||
Black Crown Initiate chronology | ||||
| ||||
Singles from Halfway Human | ||||
|
Review scores | |
---|---|
Source | Rating |
Metal Sucks | (4/5) [1] |
Sputnik Music | (3.5/5) [2] |
Metal Injection | (8/10) [3] |
Selves We Cannot Forgive is the second full length album from American progressive death metal band Black Crown Initiate. The album was released on July 22, 2016 [4] with eOne Music. [4] It was produced by Carson Slovak and Grant McFarland [4]( August Burns Red, Texas In July, From Ashes To New) and recorded at Atrium Audio Recording Studio's [4] in Lancaster, Pennsylvania, with cover art by Travis Smith [4]( Opeth, Devin Townsend, Avenged Sevenfold). [5] [6]
To date it is the band's strongest-selling album, moving 1,825 copies in its debut week. [7]
This is the band's final album with long-time guitarist Rik Stelzpflug, who would depart the band shortly before the release of the album, though he would still receive co-writing credits on "Sorrowpsalm". [8]
Replacing Stelzpflug was former The Faceless and Glass Casket guitarist Wes Hauch, who provided a guest solo on "Again". Though Hauch was pictured with the band before the album was released, he was only credited with the single guitar solo on the album. [9]
Former Vale of Pnath guitarist Mikey Reeves provides a guest solo on "For Red Cloud" and "Transmit to Disconnect". [10]
A music video for "Selves We Cannot Forgive" was released on July 25. [11]
No. | Title | Length |
---|---|---|
1. | "For Red Cloud" | 6:48 |
2. | "Sorrowpsalm" | 6:30 |
3. | "Again" | 5:40 |
4. | "Belie The Machine" | 8:59 |
5. | "Selves We Cannot Forgive" | 5:19 |
6. | "Transmit To Disconnect" | 6:28 |
7. | "Matriarch" | 7:21 |
8. | "Vicious Lives" | 4:26 |
Total length: | 51:31 |
Production and performance credits are adapted from the album liner notes.
Selves We Cannot Forgive | ||||
---|---|---|---|---|
Studio album by | ||||
Released | July 22, 2016 | |||
Recorded | Atrium Audio | |||
Genre | Progressive death metal | |||
Length | 51:31 | |||
Label | eOne Music | |||
Producer | Carson Slovak, Grant McFarland | |||
Black Crown Initiate chronology | ||||
| ||||
Singles from Halfway Human | ||||
|
Review scores | |
---|---|
Source | Rating |
Metal Sucks | (4/5) [1] |
Sputnik Music | (3.5/5) [2] |
Metal Injection | (8/10) [3] |
Selves We Cannot Forgive is the second full length album from American progressive death metal band Black Crown Initiate. The album was released on July 22, 2016 [4] with eOne Music. [4] It was produced by Carson Slovak and Grant McFarland [4]( August Burns Red, Texas In July, From Ashes To New) and recorded at Atrium Audio Recording Studio's [4] in Lancaster, Pennsylvania, with cover art by Travis Smith [4]( Opeth, Devin Townsend, Avenged Sevenfold). [5] [6]
To date it is the band's strongest-selling album, moving 1,825 copies in its debut week. [7]
This is the band's final album with long-time guitarist Rik Stelzpflug, who would depart the band shortly before the release of the album, though he would still receive co-writing credits on "Sorrowpsalm". [8]
Replacing Stelzpflug was former The Faceless and Glass Casket guitarist Wes Hauch, who provided a guest solo on "Again". Though Hauch was pictured with the band before the album was released, he was only credited with the single guitar solo on the album. [9]
Former Vale of Pnath guitarist Mikey Reeves provides a guest solo on "For Red Cloud" and "Transmit to Disconnect". [10]
A music video for "Selves We Cannot Forgive" was released on July 25. [11]
No. | Title | Length |
---|---|---|
1. | "For Red Cloud" | 6:48 |
2. | "Sorrowpsalm" | 6:30 |
3. | "Again" | 5:40 |
4. | "Belie The Machine" | 8:59 |
5. | "Selves We Cannot Forgive" | 5:19 |
6. | "Transmit To Disconnect" | 6:28 |
7. | "Matriarch" | 7:21 |
8. | "Vicious Lives" | 4:26 |
Total length: | 51:31 |
Production and performance credits are adapted from the album liner notes.