![]() | This article needs a
plot summary. (October 2023) |
Scrapple | |
---|---|
Directed by | Christopher Hanson |
Written by | Christopher Hanson Geoffrey Hanson George Plamondon |
Produced by | Geoffrey Hanson George Plamondon |
Starring |
|
Cinematography | Robert F. Smith |
Edited by | Adam Lichtenstein |
Music by | Taj Mahal |
Production company | Sweetwater Productions |
Distributed by | Tapeworm Video Distributors |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Scrapple is a 1998 American comedy film directed by Christopher Hanson, starring Geoffrey Hanson, Ryan Massey, Buck Simmonds and Bunzy Bunworth.
The film premiered at the Slamdance Film Festival in January 1998. [1]
Brian Bertoldo of Film Threat wrote that the film is "wonderful" and "thoroughly entertaining". [2]
TV Guide wrote, "Grainy look and some stiff performances aside, it's a charmer." [3]
Dave Kehr of The New York Times called the film a "completely uncondescending, nearly letter-perfect re-creation of a late 60's-early 70's stoner comedy." [4]
Marc Savlov of The Austin Chronicle wrote that the film is "less than the sum of its dazed and confused parts." [5]
![]() | This article needs a
plot summary. (October 2023) |
Scrapple | |
---|---|
Directed by | Christopher Hanson |
Written by | Christopher Hanson Geoffrey Hanson George Plamondon |
Produced by | Geoffrey Hanson George Plamondon |
Starring |
|
Cinematography | Robert F. Smith |
Edited by | Adam Lichtenstein |
Music by | Taj Mahal |
Production company | Sweetwater Productions |
Distributed by | Tapeworm Video Distributors |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Scrapple is a 1998 American comedy film directed by Christopher Hanson, starring Geoffrey Hanson, Ryan Massey, Buck Simmonds and Bunzy Bunworth.
The film premiered at the Slamdance Film Festival in January 1998. [1]
Brian Bertoldo of Film Threat wrote that the film is "wonderful" and "thoroughly entertaining". [2]
TV Guide wrote, "Grainy look and some stiff performances aside, it's a charmer." [3]
Dave Kehr of The New York Times called the film a "completely uncondescending, nearly letter-perfect re-creation of a late 60's-early 70's stoner comedy." [4]
Marc Savlov of The Austin Chronicle wrote that the film is "less than the sum of its dazed and confused parts." [5]