This article needs additional citations for
verification. (February 2020) |
Company type | Subsidiary |
---|---|
Industry | Visual effects |
Founded | 1989Munich, Germany | , in
Headquarters | , |
Number of employees | 1,200+ (2021) |
Parent | Netflix |
Website |
www |
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio is led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul. [1]
Scanline has recently completed work on films from the Marvel Cinematic Universe (MCU) such as Spider-Man: Far From Home (2019), Black Widow, Shang-Chi and the Legend of the Ten Rings and Eternals (all 2021), and films based on DC Comics such as Zack Snyder's Justice League, The Suicide Squad (both 2021) and The Batman (2022). They have also worked on Terminator: Dark Fate, Gemini Man (both 2019), Godzilla vs. Kong, Free Guy and Don't Look Up (all 2021).
In terms of television, Scanline has worked on Game of Thrones season eight (2019), Shadow and Bone (2021-), Foundation (2021-), Cowboy Bebop (2021) and Stranger Things season four (2022).
In November 2021, Netflix announced that it would acquire Scanline with plans for it to operate as a standalone business working with a variety of clients. [2] [3] The acquisition closed in the first quarter of 2022. [4]
Scanline is responsible for the development of its proprietary fluid effects software, Flowline. Scanline was the sole developer of Flowline and in 2008, was the recipient of a Scientific and Technical Achievement Academy Award for the software. [5]
In 2010, Scanline was nominated for an Academy Award for Best Visual Effects for its work on Clint Eastwood's Hereafter, for which it was the sole visual effects vendor. [6]
Scanline received a BAFTA nomination for Best Special Visual Effects in 2010 for its work on Iron Man 3 [7] as well as a second Academy Award nomination for Best Visual Effects in 2014, for Captain America: The Winter Soldier. [8]
In 2010, Scanline won its first Visual Effects Society Award for Outstanding Supporting Visual Effects in a Feature Motion Picture for Hereafter. [9] Scanline has two Emmy Awards for Outstanding Special Visual Effects to its credit for its work on Season Four [10] and Season Eight [11] of Game of Thrones as well as an HPA Award for Outstanding Visual Effects [12] and a Visual Effects Society Award for Outstanding Created Environment for episode The Iron Throne. [13]
Year | Project | Award | For | Result |
---|---|---|---|---|
2020 | Game of Thrones - The Iron Throne | VES Award | Outstanding Created Environment | Won |
2019 | Game of Thrones - The Bells | Emmy Award | Special Visual Effects | Won |
HPA Award | Outstanding Visual Effects - Episodic | Won | ||
2010 | Captain America: The Winter Soldier | VES Award | Outstanding Supporting Visual Effects in a Motion Picture | Won |
Year | Films | Directors | Studio(s) and
Distributor(s) |
Budget | Gross |
---|---|---|---|---|---|
2006 | 300 | Zack Snyder | Legendary Pictures | $60–65 million | $456.1 million |
Poseidon | Wolfgang Petersen | Warner Bros. Pictures | $160 million | $181.7 million | |
2007 | The Invasion | Oliver Hirschbiegel |
Village Roadshow Pictures
Warner Bros. Pictures |
$65–80 million | $40.2 million |
2008 | Iron Man | Jon Favreau | Marvel Studios | $140 million | $585.8 million |
The Chronicles of Narnia: Prince Caspian | Andrew Adamson | Walt Disney Pictures | $225 million | $419.7 million | |
2009 | Vicky the Viking | Michael Herbig | Constantin Film | €8 million | $56.7 million |
2012 | Roland Emmerich | Columbia Pictures | $200 million | $791.2 million |
Year | Films | Directors | Studio(s) and
Distributor(s) |
Budget | Gross |
---|---|---|---|---|---|
2020 | NightLife | ||||
Jim Button and the Wild 13 | |||||
The Wrong Missy | |||||
The Rescue | |||||
2021 | Black Widow | ||||
Shang-Chi and the Legend of the Ten Rings | |||||
The Suicide Squad | |||||
Godzilla vs. Kong | |||||
Eternals | |||||
Don't Look Up | |||||
Tides | |||||
Reminiscence | |||||
Blood Red Sky | |||||
Free Guy | |||||
The Battle at Lake Changjin | |||||
2022 | Moonfall | ||||
The Gray Man | |||||
The Adam Project | |||||
The Batman | |||||
Black Panther: Wakanda Forever | |||||
Slumberland | |||||
Black Adam | |||||
2023 | Shazam! Fury of the Gods | ||||
The Flash | |||||
Creation of the Gods I: Kingdom of Storms | |||||
Meg 2: The Trench | |||||
Aquaman and the Lost Kingdom |
Year | Films | Directors | Studio(s) and
Distributor(s) |
---|---|---|---|
2024 | Godzilla x Kong: The New Empire | ||
Rheingold | |||
1000 Zeilen |
Year(s) | Name of Series | Network |
---|---|---|
Game of Thrones | HBO | |
Stranger Things | Netflix | |
2018 | The First | Hulu, Channel 4 |
Lisey's Story | ||
Shadow and Bone | ||
The Nevers | ||
Cosmos: Possible Worlds | ||
Line of Separation | ||
Foundation | ||
2021 | Cowboy Bebop | Netflix |
Blackout | ||
Kitz | ||
Moby Dick |
Year(s) | Name of Series | Network |
---|---|---|
Yu Yu Hakusho | ||
Andor |
This article needs additional citations for
verification. (February 2020) |
Company type | Subsidiary |
---|---|
Industry | Visual effects |
Founded | 1989Munich, Germany | , in
Headquarters | , |
Number of employees | 1,200+ (2021) |
Parent | Netflix |
Website |
www |
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio is led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul. [1]
Scanline has recently completed work on films from the Marvel Cinematic Universe (MCU) such as Spider-Man: Far From Home (2019), Black Widow, Shang-Chi and the Legend of the Ten Rings and Eternals (all 2021), and films based on DC Comics such as Zack Snyder's Justice League, The Suicide Squad (both 2021) and The Batman (2022). They have also worked on Terminator: Dark Fate, Gemini Man (both 2019), Godzilla vs. Kong, Free Guy and Don't Look Up (all 2021).
In terms of television, Scanline has worked on Game of Thrones season eight (2019), Shadow and Bone (2021-), Foundation (2021-), Cowboy Bebop (2021) and Stranger Things season four (2022).
In November 2021, Netflix announced that it would acquire Scanline with plans for it to operate as a standalone business working with a variety of clients. [2] [3] The acquisition closed in the first quarter of 2022. [4]
Scanline is responsible for the development of its proprietary fluid effects software, Flowline. Scanline was the sole developer of Flowline and in 2008, was the recipient of a Scientific and Technical Achievement Academy Award for the software. [5]
In 2010, Scanline was nominated for an Academy Award for Best Visual Effects for its work on Clint Eastwood's Hereafter, for which it was the sole visual effects vendor. [6]
Scanline received a BAFTA nomination for Best Special Visual Effects in 2010 for its work on Iron Man 3 [7] as well as a second Academy Award nomination for Best Visual Effects in 2014, for Captain America: The Winter Soldier. [8]
In 2010, Scanline won its first Visual Effects Society Award for Outstanding Supporting Visual Effects in a Feature Motion Picture for Hereafter. [9] Scanline has two Emmy Awards for Outstanding Special Visual Effects to its credit for its work on Season Four [10] and Season Eight [11] of Game of Thrones as well as an HPA Award for Outstanding Visual Effects [12] and a Visual Effects Society Award for Outstanding Created Environment for episode The Iron Throne. [13]
Year | Project | Award | For | Result |
---|---|---|---|---|
2020 | Game of Thrones - The Iron Throne | VES Award | Outstanding Created Environment | Won |
2019 | Game of Thrones - The Bells | Emmy Award | Special Visual Effects | Won |
HPA Award | Outstanding Visual Effects - Episodic | Won | ||
2010 | Captain America: The Winter Soldier | VES Award | Outstanding Supporting Visual Effects in a Motion Picture | Won |
Year | Films | Directors | Studio(s) and
Distributor(s) |
Budget | Gross |
---|---|---|---|---|---|
2006 | 300 | Zack Snyder | Legendary Pictures | $60–65 million | $456.1 million |
Poseidon | Wolfgang Petersen | Warner Bros. Pictures | $160 million | $181.7 million | |
2007 | The Invasion | Oliver Hirschbiegel |
Village Roadshow Pictures
Warner Bros. Pictures |
$65–80 million | $40.2 million |
2008 | Iron Man | Jon Favreau | Marvel Studios | $140 million | $585.8 million |
The Chronicles of Narnia: Prince Caspian | Andrew Adamson | Walt Disney Pictures | $225 million | $419.7 million | |
2009 | Vicky the Viking | Michael Herbig | Constantin Film | €8 million | $56.7 million |
2012 | Roland Emmerich | Columbia Pictures | $200 million | $791.2 million |
Year | Films | Directors | Studio(s) and
Distributor(s) |
Budget | Gross |
---|---|---|---|---|---|
2020 | NightLife | ||||
Jim Button and the Wild 13 | |||||
The Wrong Missy | |||||
The Rescue | |||||
2021 | Black Widow | ||||
Shang-Chi and the Legend of the Ten Rings | |||||
The Suicide Squad | |||||
Godzilla vs. Kong | |||||
Eternals | |||||
Don't Look Up | |||||
Tides | |||||
Reminiscence | |||||
Blood Red Sky | |||||
Free Guy | |||||
The Battle at Lake Changjin | |||||
2022 | Moonfall | ||||
The Gray Man | |||||
The Adam Project | |||||
The Batman | |||||
Black Panther: Wakanda Forever | |||||
Slumberland | |||||
Black Adam | |||||
2023 | Shazam! Fury of the Gods | ||||
The Flash | |||||
Creation of the Gods I: Kingdom of Storms | |||||
Meg 2: The Trench | |||||
Aquaman and the Lost Kingdom |
Year | Films | Directors | Studio(s) and
Distributor(s) |
---|---|---|---|
2024 | Godzilla x Kong: The New Empire | ||
Rheingold | |||
1000 Zeilen |
Year(s) | Name of Series | Network |
---|---|---|
Game of Thrones | HBO | |
Stranger Things | Netflix | |
2018 | The First | Hulu, Channel 4 |
Lisey's Story | ||
Shadow and Bone | ||
The Nevers | ||
Cosmos: Possible Worlds | ||
Line of Separation | ||
Foundation | ||
2021 | Cowboy Bebop | Netflix |
Blackout | ||
Kitz | ||
Moby Dick |
Year(s) | Name of Series | Network |
---|---|---|
Yu Yu Hakusho | ||
Andor |