From Wikipedia, the free encyclopedia

Rumores de la Caleta (Murmurs from the Small Beach), Op. 71, No. 6, is a composition by Isaac Albéniz. [1] The piece is subtitled " Malagueña". [2]

It is a "sensual and emotional courting dance from Málaga, although the piece was actually named after La Caleta beach in Cadiz. [3] [4]

Since it has been transcribed for guitar duet by Miguel Llobet it has become a well-known piece for classical guitar. It has been played and recorded by guitarists such as Julian Bream duet with John Williams and many others. Susan Miller said of it, "the soulfulness of Sevilla slid imperceptibly into Rumores de la Caleta. The slow, measured beats took on a life of their own, gathering the shadows, the passions, the cries of lovers and of hunted, wounded animals on moonlit night." [5]

The italian violist Marco Misciagna has arranged this piece for solo viola. [6]

References

  1. ^ Harper, Nancy Lee (1998). Manuel de Falla: a bio-bibliography. Greenwood Publishing Group. p. 229. ISBN  978-0-313-30292-3. Retrieved 24 March 2012.
  2. ^ Voto, Bernard Augustine De (October 1953). Saturday Review. Saturday Review Co. p. 42. Retrieved 24 March 2012.
  3. ^ Hinson, Maurice (2000). Guide to the Pianist's Repertoire. Indiana University Press. p. 11. ISBN  978-0-253-33646-0. Retrieved 24 March 2012.
  4. ^ Romero, Justo (1 April 2002). Isaac Albéniz. Península. p. 151. ISBN  978-84-8307-457-2. Retrieved 24 March 2012.
  5. ^ Miller, Susan Cummins (15 April 2004). Detachment Fault. Texas Tech University Press. p. 7. ISBN  978-0-89672-520-1. Retrieved 24 March 2012.
  6. ^ "Viola Virtuosa Albéniz, Tárrega, Sor Vier Solo Transkriptionen aus Spanien". partitura-verlag.com. Retrieved 2023-03-19.


From Wikipedia, the free encyclopedia

Rumores de la Caleta (Murmurs from the Small Beach), Op. 71, No. 6, is a composition by Isaac Albéniz. [1] The piece is subtitled " Malagueña". [2]

It is a "sensual and emotional courting dance from Málaga, although the piece was actually named after La Caleta beach in Cadiz. [3] [4]

Since it has been transcribed for guitar duet by Miguel Llobet it has become a well-known piece for classical guitar. It has been played and recorded by guitarists such as Julian Bream duet with John Williams and many others. Susan Miller said of it, "the soulfulness of Sevilla slid imperceptibly into Rumores de la Caleta. The slow, measured beats took on a life of their own, gathering the shadows, the passions, the cries of lovers and of hunted, wounded animals on moonlit night." [5]

The italian violist Marco Misciagna has arranged this piece for solo viola. [6]

References

  1. ^ Harper, Nancy Lee (1998). Manuel de Falla: a bio-bibliography. Greenwood Publishing Group. p. 229. ISBN  978-0-313-30292-3. Retrieved 24 March 2012.
  2. ^ Voto, Bernard Augustine De (October 1953). Saturday Review. Saturday Review Co. p. 42. Retrieved 24 March 2012.
  3. ^ Hinson, Maurice (2000). Guide to the Pianist's Repertoire. Indiana University Press. p. 11. ISBN  978-0-253-33646-0. Retrieved 24 March 2012.
  4. ^ Romero, Justo (1 April 2002). Isaac Albéniz. Península. p. 151. ISBN  978-84-8307-457-2. Retrieved 24 March 2012.
  5. ^ Miller, Susan Cummins (15 April 2004). Detachment Fault. Texas Tech University Press. p. 7. ISBN  978-0-89672-520-1. Retrieved 24 March 2012.
  6. ^ "Viola Virtuosa Albéniz, Tárrega, Sor Vier Solo Transkriptionen aus Spanien". partitura-verlag.com. Retrieved 2023-03-19.



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