Roy Stuart is an American photographer and film director [1] [2] who lives in Paris. [3] His photographs blend glamour photography and contemporary art [4] with an emphasis on female models [5] and BDSM aesthetics. His photography books have been published by Taschen [1] [4] and has directed the movies Giulia and The Lost Door. [5]
Stuart lived in New York in the late 1970s and early 1980s, [6] working as an actor [3] ("his only role of interest was a bit part in The Godfather Part II, playing an American soldier back from World War II"), [3] musician and in a colour photo lab. [1]
He moved to London where he became a photographer [1] and began taking erotic photographs. [3] His work blends glamour photography and contemporary art [4] with an emphasis on female models [5] and BDSM aesthetics. His first three volumes of photography sold 250,000 copies. [1] [4] He later moved to Paris. [3]
Philippe Garnier, writing in Libération in 2002 said of Stuart's publications by Taschen, "Roy Stuart is quickly becoming a locomotive for this atypical editor." [n 1] [1]
Roy Stuart is an American photographer and film director [1] [2] who lives in Paris. [3] His photographs blend glamour photography and contemporary art [4] with an emphasis on female models [5] and BDSM aesthetics. His photography books have been published by Taschen [1] [4] and has directed the movies Giulia and The Lost Door. [5]
Stuart lived in New York in the late 1970s and early 1980s, [6] working as an actor [3] ("his only role of interest was a bit part in The Godfather Part II, playing an American soldier back from World War II"), [3] musician and in a colour photo lab. [1]
He moved to London where he became a photographer [1] and began taking erotic photographs. [3] His work blends glamour photography and contemporary art [4] with an emphasis on female models [5] and BDSM aesthetics. His first three volumes of photography sold 250,000 copies. [1] [4] He later moved to Paris. [3]
Philippe Garnier, writing in Libération in 2002 said of Stuart's publications by Taschen, "Roy Stuart is quickly becoming a locomotive for this atypical editor." [n 1] [1]