Rockovnik | |
---|---|
Genre | Documentary |
Created by | Dušan Vesić Sandra Rančić |
Written by | Dušan Vesić Sandra Rančić |
Directed by | Dušan Vesić |
Presented by | Sandra Rančić |
Opening theme | " Rock and Roll" by Led Zeppelin |
Country of origin | Serbia |
No. of episodes | 40 |
Production | |
Editor | Dragan Ilić |
Original release | |
Network | Radio Television of Serbia |
Release | 1 January 2011 August 2011 | –
Rockovnik (trans. Chrocknicle) is a forty-episode documentary aired on Radio Television of Serbia in 2011, written by Sandra Rančić and Dušan Vesić and directed by Vesić. [1] The series focuses on the history of former Yugoslav rock scene from its beginnings in the late 1950s until the year 2000. [2] The name of the show is a bilingual pun based on the words "rock" and "rokovnik" ( Serbian for planner).
The show features the Led Zeppelin song " Rock and Roll" as the opening theme.
The first ten episodes deal with the late 1950s and the 1960s in Yugoslav rock music, the next ten episodes with the 1970s, and the following ten with the 1980s. The last ten episodes deal with the period from the beginning of Yugoslav Wars and the breakup of Yugoslavia to the 2000 political changes in Serbia, and, as with the dissolution of the country the Yugoslav rock scene ceased to exist, mostly with the Serbian rock scene.
Every episode features a small list of events, both political and cultural, that happened during a certain year.
The first recordings were made at the end of the 1990s, but most of the recording took place during 2004, in Belgrade, Zagreb, Ljubljana, Sarajevo, Rijeka, Pula, Kumrovec, Kragujevac and Novi Sad. [3]
Ep # | Title | Airdate | |
---|---|---|---|
01 | "I strana: Neka bude rock (Uvod 1955 - 1958)" | TBA | |
"I strana: Neka bude rock (Uvod 1955 - 1958)" ("Page I: Let There Be Rock (Introduction 1955 - 1958)", named after the
AC/DC song "
Let There Be Rock") opens with the definitions of
rock music given by Yugoslav musicians. It deals with the beginnings of rock music in the
United States of America and the phenomena of rock music, and how
rock and roll reached Yugoslavia. It deals with one of the first rock and roll musicians in Yugoslavia,
Mile Lojpur. | |||
02 | "II strana: Ljubav i moda (Beograd 1958 -1963)" | TBA | |
"II strana: Ljubav i moda (Beograd 1958 -1963)" ("Page II: Love and Fashion (
Belgrade 1958 - 1963)", named after the Yugoslav
musical film
Ljubav i moda) deals with the
popular culture in Belgrade at the end of the 1950s and the beginning of the 1960s:
jazz music,
Đorđe Marjanović as one of the first
pop singers which performed rock and roll songs, Ljubav i moda, dances and the appearance of the first rock and roll show on Yugoslav radio. It also deals with the appearance of
Cliff Richard and the Shadows, as
The Shadows had huge influence on the first Yugoslav bands. | |||
03 | "III strana: Rock & Roll u Zagrebu (1958 -1964)" | TBA | |
"III strana: Rock & Roll u Zagrebu (1958 -1964)" ("Page III: Rock & Roll in
Zagreb (1958 -1964)") deals with the appearance of one of the first rock musicians in Zagreb, rock and roll singer
Karlo Metikoš, and with his international career under the name Matt Collins, and the appearance of first
beat bands,
Bijele Strijele,
Roboti and
Crveni Koralji, and their first releases. | |||
04 | "IV strana: Bježi kišo s prozora (Sarajevo 1961 - 1968)" | TBA | |
"IV strana: Bježi kišo s prozora (Sarajevo 1961 - 1968)" ("Page IV: Rain, Get Away from the Window (
Sarajevo 1961 - 1968", named after the
song of the same name by
Crvena jabuka) deals with the emergence of rock music in Sarajevo and the appearance of the band
Indexi. | |||
05 | "V strana: Mramor, kamen i željezo (Beat u Zagrebu 1964 - 1967)" | TBA | |
"V strana: Mramor, kamen i željezo (Beat u Zagrebu 1964 - 1967)" ("Page V: Marble, Stone and Iron (Beat in Zagreb 1964 - 1967)", named after the
Roboti song "Mramor, kamen i željezo") deals with the Zagreb beat scene - the bands
Bijele Strijele,
Crveni Koralji,
Roboti and
Mladi. | |||
06 | "VI strana: Uhvati vetar (Beat u Beogradu 1964 - 1968)" | TBA | |
"VI strana: Uhvati vetar (Beat u Beogradu 1964 - 1968)" ("Page VI: Catch the Wind (Beat in Belgrade 1964 - 1968)", named after the
Zlatni Dečaci song "Uhvati vetar") deals with the Belgrade beat scene - the bands
Iskre,
Zlatni Dečaci,
Siluete.
Elipse and
Crni Biseri and singer Ivanka Pavlović, and with the appearance of the first rock music magazine in Yugoslavia,
Džuboks. | |||
07 | "VII strana: Ruke pružam (Sarajevo 1964 - 1968)" | TBA | |
"VII strana: Ruke pružam (Sarajevo 1965 - 1969)" ("Page VII: I'm Giving My Hands (Sarajevo 1965 - 1969)", named after the
Indexi song "Ruke pružam") deals with the Sarajevo rock scene in the second half of the 1960s, mostly the band
Indexi, focusing on the appearance of first songs completely authored by Yugoslav musicians. | |||
08 | "VIII strana: Osmeh (Autorski rock u Hrvatskoj 1966 - 1970)" | TBA | |
"VIII strana: Osmeh (Autorski rock u Hrvatskoj 1966 - 1970)" ("Page VIII: Smile (Author rock in
Croatia 1966- 1970)", named after the
Grupa 220 song "Osmeh") deals with the first Croatian rock acts that authored their own songs, the bands
Grupa 220 and
Mi, and with the appearance of the magazine
Pop Express. | |||
09 | "IX strana: Stepenice za nebo (Kultne grupe 1967 - 1970)" | TBA | |
"IX strana: Stepenice za nebo (Kultne grupe 1967 - 1970)" ("Page IX: Stairway to Heaven (Cult Bands 1967 - 1970)", named after the
Led Zeppelin song "
Stairway to Heaven") deals with the bands Čičak,
Dinamiti,
Wheels of Fire and Mića Goran i Zoran, which featured future members of
Bijelo Dugme,
Korni Grupa and
Time. | |||
10 | "X strana: Prvo svetlo u kući broj 4 (Beograd 1968 - 1970)" | TBA | |
"X strana: Prvo svetlo u kući broj 4 (Beograd 1968 - 1970)" ("Page X: The First Light in the House Number 4 (Belgrade 1968 - 1970)", named after the
Korni Grupa song "Prvo svetlo u kući broj 4") deals with the band
Korni Grupa, the films featuring rock music, The Naughty Ones, The Girl in the Park and When I Am Dead and Gone, and the Yugoslav production of
Hair. | |||
11 | "XI strana: U tami disko-kluba (Jugoslovenska rock scena 1971 - 1972)" | TBA | |
"XI strana: U tami disko-kluba (Jugoslovenska rock scena 1971 - 1972)" ("Page XI: In the Darkness of Disco Club" (Yugoslav rock scene 1971 - 1972)", named after the
YU Grupa song "U tami disko kluba") deals with the acts
Drago Mlinarec,
YU Grupa and
Korni Grupa. | |||
12 | "XII strana: Put na istok (Jugoslovenska rock scena 1972)" | TBA | |
"XII strana: Put na istok (Jugoslovenska rock scena 1972)" ("Page XII: A Trip to the East (Yugoslav Rock Sene 1972)", named after the
Korni Grupa song "Put na istok") deals with the acts
Korni Grupa,
Indexi and
Time. | |||
13 | "XIII strana: Čudna šuma (Jugoslovenska rock scena 1973 - 1975)" | TBA | |
"XIII strana: Čudna šuma (Jugoslovenska rock scena 1973 - 1975)" ("Page XIII: Strange Forest (Yugoslav Rock Scene 1973 - 1975)", named after the
YU Grupa song "
Čudna šuma") deals with the acts
YU Grupa,
S Vremena Na Vreme,
Josipa Lisac,
Time,
Indexi,
Pro Arte and
Srđan Marjanović. | |||
14 | "XIV strana: Kad bi bio bijelo dugme (Jugoslovenska rock scena 1974 - 1975)" | TBA | |
"XIV strana: Kad bi bio bijelo dugme (Jugoslovenska rock scena 1974 - 1975)" ("Page XIV: If I Were a White Button (Yugoslav rock scene 1974 - 1975)", named after the Bijelo Dugme song "
Kad bi bio bijelo dugme") deals with the bands
Bijelo Dugme,
Pop Mašina,
Korni Grupa,
Jugoslovenska Pop Selekcija and
Time, as well as with the restart of
Džuboks magazine. | |||
15 | "XV strana: Pljuni istini u oči (Jugoslovenska rock scena 1975)" | TBA | |
"XV strana: Pljuni istini u oči (Jugoslovenska rock scena 1975)" ("Page XV: Spit the Truth in the Eyes (Yugoslav Rock Scene 1975)", named after the
Buldožer song "Pljuni istini u oči") deals with the bands
Buldožer,
Indexi,
Drugi Način and
Bijelo Dugme, and with the on stage-death of
San vocalist Predrag Jovičić. | |||
16 | "XVI strana: Šumadijski blues (Jugoslovenska rock scena 1975 - 1976)" | TBA | |
"XVI strana: Šumadijski blues (Jugoslovenska rock scena 1975 - 1976)" ("Page XVI:
Šumadijan
Blues (Yugoslav Rock Scene 1975 - 1976)", named after the
Smak song "Šumadijski blues") deals with the bands
Smak and
Bijelo Dugme. | |||
17 | "XVII strana: Dođite na show (Jugoslovenska rock scena 1976 - 1978)" | TBA | |
"XVII strana: Dođite na show (Jugoslovenska rock scena 1976 - 1978)" ("Page XVII: Come to the Show (Yugoslav Rock Scene 1976 - 1978)", named after the
Parni Valjak song "Dođite na show") deals with the acts
Smak,
Parni Valjak and
Bijelo Dugme. | |||
18 | "XVIII strana: Pakleni vozači (Jugoslovenska rock scena 1978 - 1979)" | TBA | |
"XVIII strana: Pakleni vozači (Jugoslovenska rock scena 1978 - 1979)" ("Page XVIII: Hell Riders (Yugoslav Rock Scene 1978 - 1979)", named after the
Atomsko Sklonište song "Pakleni vozači") deals with the acts
Atomsko Sklonište,
Leb i Sol,
Zdravko Čolić,
Laza &
Ipe,
Vatreni Poljubac and
Indexi. | |||
19 | "XIX strana: Rock 'n' Roll za kućni savet (Jugoslovenska rock scena 1978 - 1979)" | TBA | |
"XIX strana: Rock 'n' Roll za kućni savet (Jugoslovenska rock scena 1978 - 1979)" ("Page XIX: Rock 'n' Roll for Residents' Committee (Yugoslav Rock Scene 1978 - 1979)", named after the
Riblja Čorba song "
Rock 'n' Roll za kućni savet") deals with the acts
Riblja Čorba,
Bijelo Dugme,
Generacija 5 and
Slađana Milošević. | |||
20 | "XX strana: Ružan, pametan i mlad (Jugoslovenska rock scena 1979 - 1980)" | TBA | |
"XX strana: Ružan, pametan i mlad (Jugoslovenska rock scena 1979 - 1980)" ("Page XX: Ugly, Smart and Young (Yugoslav Rock Scene 1978 - 1979)", named after the
Pekinška Patka song "
Biti ružan, pametan i mlad") deals with the bands
Laboratorija Zvuka,
Parni Valjak and the first representatives of closely associated
Yugoslav punk rock and
Yugoslav new wave scenes,
Pekinška Patka and
Prljavo Kazalište, as well as with the death of Yugoslav president
Josip Broz Tito. | |||
21 | "XXI strana: Niko kao ja (Jugoslovenska rock scena 1980 - 1981)" | TBA | |
"XXI strana: Niko kao ja (Jugoslovenska rock scena 1980 - 1981)" ("Page XXI: Nobody like Me: Yugoslav Rock Scene 1980 - 1981, named after the
Šarlo Akrobata song "
Niko kao ja") deals with the closely associated
Yugoslav punk rock and
Yugoslav new wave scenes, mainly the bands
Pankrti,
Paraf,
Idoli,
Film,
Električni Orgazam and
Šarlo Akrobata. | |||
22 | "XXII strana: Užas je moja furka (Jugoslovenska rock scena 1981 - 1982)" | TBA | |
"XXII strana: Užas je moja furka (Jugoslovenska rock scena 1981 - 1982)" ("Page XXII: Horror Is What Makes Me Tick (Yugoslav Rock Scene 1981 - 1982)", named after the
Azra song "Užas je moja furka") deals with the bands
Azra,
Riblja Čorba,
Lačni Franz and
Divlje Jagode, and with the appearance of the magazine
Rock 82. | |||
23 | "XXIII strana: Tanz Mit Laibach (Jugoslovenska rock scena 1983 - 1985)" | TBA | |
"XXIII strana: Tanz Mit Laibach (Jugoslovenska rock scena 1983 - 1985)" ("Page XIII: Dance with
Laibach (Yugoslav Rock Scene 1983 - 1985)", named after the Laibach song "
Tanz Mit Laibach") deals with the acts
Laibach,
U Škripcu,
Dorian Gray,
Xenia and
Bebi Dol. | |||
24 | "XXIV strana: Anarhija All Over Baščaršija (Jugoslovenska rock scena 1983 - 1985)" | TBA | |
"XXIV strana: Anarhija All Over Baščaršija (Jugoslovenska rock scena 1983 - 1985)" ("Page XXIV: Anarchy all over
Baščaršija (Yugoslav Rock Scene 1983 - 1985)", named after the
Zabranjeno Pušenje song "
Anarhija All Over Baščaršija") deals with the
New Primitivism movement, primarily the bands
Elvis J. Kurtovich & His Meteors and
Zabranjeno Pušenje, with
Bijelo Dugme and
Riblja Čorba. | |||
25 | "XXV strana: Pogledaj dom svoj, anđele (Jugoslovenska rock scena 1985)" | TBA | |
"XXV strana: Pogledaj dom svoj, anđele (Jugoslovenska rock scena 1985)" (Page XXV: Look Homeward, Angel (Yugoslav Rock Scene 1985)", named after the
Riblja Čorba song "
Pogledaj dom svoj, anđele") deals with the bands
Bajaga i Instruktori,
Denis & Denis,
Bijelo Dugme and
Riblja Čorba, and with Yugoslav contribution to
Live Aid,
YU Rock Misija. | |||
26 | "XXVI strana: Jedan poziv menja sve (Jugoslovenska rock scena 1985)" | TBA | |
"XXVI strana: Jedan poziv menja sve (Jugoslovenska rock scena 1985)" ("Page XXVI: A Call Changes All (Yugoslav Rock Scene 1985)", named after a verse from
Partibrejkers song "
1000 godina") deals with the acts
Partibrejkers,
Haustor and
Plavi Orkestar. | |||
27 | "XXVII strana: Bivše devojčice, bivši dečaci (Jugoslovenska rock scena 1986 - 1987)" | TBA | |
"XXVII strana: Bivše devojčice, bivši dečaci (Jugoslovenska rock scena 1986 - 1987)" ("Page XXVII: Ex Boys, Ex Girls (Yugoslav Rock Scene 1986 - 1987)", named after the
Crvena Jabuka song "Bivše djevojčice, bivši dječaci") deals with the acts
Crvena Jabuka,
Divlje Jagode,
Bijelo Dugme,
Plavi Orkestar,
Riblja Čorba and
Bajaga i Instruktori. | |||
28 | "XXVIII strana: Kao da je bilo nekad (Jugoslovenska rock scena 1987 - 1988)" | TBA | |
"XXVIII strana: Kao da je bilo nekad (Jugoslovenska rock scena 1987 - 1988)" ("Page XVIII: "As If It Had Once Been" (Yugoslav Rock Scene 1986 - 1987)", named after the
Ekatarina Velika song "
Kao da je bilo nekad") deals with the acts
Ekatarina Velika,
Električni Orgazam,
Boris Novković and
Laibach, and the death of
Atomsko Sklonište vocalist Sergio Blažić. | |||
29 | "XXIX strana: Igra Rock 'n' Roll cela Jugoslavija (Jugoslovenska rock scena 1988 - 1989)" | TBA | |
"XXIX strana: Igra Rock 'n' Roll cela Jugoslavija (Jugoslovenska rock scena 1988 - 1989)" ("Page XXIX: The Whole Yugoslavia Is Dancing to Rock 'n' Roll (Yugoslav Rock Scene 1988 - 1989)", named after the
Električni Orgazam song "
Igra Rock 'n' Roll cela Jugoslavija") deals with the bands
Psihomodo Pop,
Bajaga i Instruktori,
Bijelo Dugme,
Električni Orgazam, as well as with the tours Yugoslav bands held in
Soviet Union. | |||
30 | "XXX strana: Kako je propao Rock 'n' Roll (Jugoslovenska rock scena 1988 - 1989)" | TBA | |
"XXX strana: Kako je propao Rock 'n' Roll (Jugoslovenska rock scena 1988 - 1989)" ("Page XXX: The Fall of Rock and Roll (Yugoslav Rock Scene 1988 - 1989)", named after the
omnibus film
The Fall of Rock and Roll) deals with the acts from the northwest of
Croatia - the bands
Fit,
Cacadou Look,
Let 3,
KUD Idijoti, the bands
Partibrejkers and
Ekatarina Velika, and the film The Fall of Rock 'n' Roll. | |||
31 | "XXXI strana: Rat i mir (Jugoslovenska rock scena 1990 - 1991)" | TBA | |
"XXXI strana: Rat i mir (Jugoslovenska rock scena 1990 - 1991)" ("Page XXXI: War and Peace (Yugoslav Rock Scene 1990 - 1991)", named after the
Viktorija song "Rat i mir (Ljubav je...)") deals with the acts
Viktorija,
Rambo Amadeus,
Vještice and
Zabranjeno Pušenje, as well as with a
9 March 1991 protest in Belgrade and the beginning of
Yugoslav Wars. | |||
32 | "XXXII strana: Mir, brate, mir (1992)" | TBA | |
"XXXII strana: Mir, brate, mir (1992)" ("Page XXXII: Peace, Brother, Peace (1992)", named after a verse from
Rimtutituki song "Slušaj 'vamo") deals with the
supergroup
Rimtutituki, the Fast Bands of Serbia movement, mostly
Direktori and
Kazna Za Uši, the death of former
Suncokret,
Šarlo Akrobata and
Katarina II drummer
Ivica Vdović "Vd", as well as the beginning of
Bosnian War. | |||
33 | "XXXIII strana: Možeš me zvati kako god hoćeš (1993)" | TBA | |
"XXXIII strana: Možeš me zvati kako god hoćeš (1993)" ("Page XXXIII: You Can Yall Me Wahatever You Want (1993)", named after a verse from
Bjesovi song "
Ime") deals with the acts
Babe,
Bjesovi,
Deca Loših Muzičara,
Kristali and
Ekatarina Velika, the founding of Music Television of Serbia, as well as with the emergence of
turbo folk. | |||
34 | "XXXIV strana: Moji su drugovi biseri rasuti po celom svetu (1994)" | TBA | |
"XXXIV strana: Moji su drugovi biseri rasuti po celom svetu (1994)" ("Page XXXIV: My Friends Are Pearls Scattered all over the World", named after the verses from
Momčilo Bajagić's song "Moji drugovi") deals with the deaths of former
Bijelo Dugme drummer
Goran "Ipe" Ivandić and
Ekatarina Velika frontman
Milan Mladenović, and the acts
Familija,
Električni Orgazam,
Generacija 5,
Partibrejkers and
Momčilo Bajagić "Bajaga". | |||
35 | "XXXV strana: Godina kulture (1995)" | TBA | |
"XXXV strana: Godina kulture (1995)" ("Page XXXV: The Year of Culture (1995)") deals with the bands
Darkwood Dub,
Plejboj,
K2,
Goblini,
Deca Loših Muzičara and
Atheist Rap, and the starting of the music show Paket aranžman. | |||
36 | "XXXVI strana: Samo droga Srbina Spasava (1996)" | TBA | |
"XXXVI strana: Samo droga Srbina Spasava (1996)" ("Page XXXVI: Only Drugs Save the
Serbs (1996)", named after the
Block Out song "SDSS") deals with the acts
Sunshine,
Block Out,
Disciplin A Kitschme,
Rambo Amadeus, the release of the film Geto. as well as with the
1996–1997 protests in Serbia. | |||
37 | "XXXVII strana: Ja nisam odavle (1997)" | TBA | |
"XXXVII strana: Ja nisam odavle (1997)" ("Page XXXVII: I'm not from Here (1997)", named after the
Zabranjeno Pušenje song "Ja nisam odavle") deals with the bands
Familija,
Partibrejkers, the
Belgrade faction of Zabranjeno Pušenje,
Elvis J. Kurtovich, and the deaths of former
Električni Orgazam and
Babe drummer Goran Čavajda "Čavke" and former
Riblja Čorba guitarist
Rajko Kojić. | |||
38 | "XXXVIII strana: Nova žena, savremena, samostalna dama (1998)" | TBA | |
"XXXVIII strana: Nova žena, savremena, samostalna dama (1998)" ("Page XXXVIII: New Woman, Modern, Independent Lady (1998)", named after the verses from
Ksenija Pajčin song "Savremena žena") deals with the acts
Boye,
Ana Stanić,
Marina Perazić and
Ništa Ali Logopedi, the
Serbian hip hop scene, mostly
Voodoo Popeye, and with the Brooklyn Video Awards. | |||
39 | "XXXIX strana: Proći će i nihovo (1999)" | TBA | |
"XXXIX strana: Proći će i nihovo (1999)" ("Page XXIX: Their Time Will End (1999)") deals with the bands
Partibrejkers,
Eyesburn,
Van Gogh,
Darkwood Dub,
Kanda, Kodža i Nebojša, as well as with the
1999 NATO bombing of Yugoslavia. | |||
40 | "Poslednja strana: Gotov(o) je! (Rock scena u Srbiji 2000. i šta je bilo posle)" | TBA | |
"Poslednja strana:
Gotov(o) je! (Rock scena u Srbiji 2000. i šta je bilo posle)" ("Last Page: It's Over (Rock Scene in Serbia in 2000 and What Happened after That)") deals with the
5 October 2000 Revolution in Serbia and the events that followed it, the death of former
Ekatarina Velika keyboardist
Margita Stefanović "Magi" and the Serbian rock scene in the 2000s. The last several minutes of the episode are a tribute to Yugoslav rock scene, featuring footages of Yugoslav rock acts (including the ones that did not appear in the show) followed by the instrumental version of the song "
Za milion godina". |
The show features interviews with more than 300 personalities, mostly musicians, but also critics, journalists, fans, and others. [4]
The show's official YouTube channel features all the episodes of the show. The YouTube edition features the instrumental version of Atomsko Sklonište song "Olujni mornar" ("Storm Sailor") as the opening theme.
In a 2013 interview, Sandra Rančić stated that there was a possibility for the show to be released on DVD, and that the DVD release would feature some of the unused footage. [5]
Rockovnik | |
---|---|
Genre | Documentary |
Created by | Dušan Vesić Sandra Rančić |
Written by | Dušan Vesić Sandra Rančić |
Directed by | Dušan Vesić |
Presented by | Sandra Rančić |
Opening theme | " Rock and Roll" by Led Zeppelin |
Country of origin | Serbia |
No. of episodes | 40 |
Production | |
Editor | Dragan Ilić |
Original release | |
Network | Radio Television of Serbia |
Release | 1 January 2011 August 2011 | –
Rockovnik (trans. Chrocknicle) is a forty-episode documentary aired on Radio Television of Serbia in 2011, written by Sandra Rančić and Dušan Vesić and directed by Vesić. [1] The series focuses on the history of former Yugoslav rock scene from its beginnings in the late 1950s until the year 2000. [2] The name of the show is a bilingual pun based on the words "rock" and "rokovnik" ( Serbian for planner).
The show features the Led Zeppelin song " Rock and Roll" as the opening theme.
The first ten episodes deal with the late 1950s and the 1960s in Yugoslav rock music, the next ten episodes with the 1970s, and the following ten with the 1980s. The last ten episodes deal with the period from the beginning of Yugoslav Wars and the breakup of Yugoslavia to the 2000 political changes in Serbia, and, as with the dissolution of the country the Yugoslav rock scene ceased to exist, mostly with the Serbian rock scene.
Every episode features a small list of events, both political and cultural, that happened during a certain year.
The first recordings were made at the end of the 1990s, but most of the recording took place during 2004, in Belgrade, Zagreb, Ljubljana, Sarajevo, Rijeka, Pula, Kumrovec, Kragujevac and Novi Sad. [3]
Ep # | Title | Airdate | |
---|---|---|---|
01 | "I strana: Neka bude rock (Uvod 1955 - 1958)" | TBA | |
"I strana: Neka bude rock (Uvod 1955 - 1958)" ("Page I: Let There Be Rock (Introduction 1955 - 1958)", named after the
AC/DC song "
Let There Be Rock") opens with the definitions of
rock music given by Yugoslav musicians. It deals with the beginnings of rock music in the
United States of America and the phenomena of rock music, and how
rock and roll reached Yugoslavia. It deals with one of the first rock and roll musicians in Yugoslavia,
Mile Lojpur. | |||
02 | "II strana: Ljubav i moda (Beograd 1958 -1963)" | TBA | |
"II strana: Ljubav i moda (Beograd 1958 -1963)" ("Page II: Love and Fashion (
Belgrade 1958 - 1963)", named after the Yugoslav
musical film
Ljubav i moda) deals with the
popular culture in Belgrade at the end of the 1950s and the beginning of the 1960s:
jazz music,
Đorđe Marjanović as one of the first
pop singers which performed rock and roll songs, Ljubav i moda, dances and the appearance of the first rock and roll show on Yugoslav radio. It also deals with the appearance of
Cliff Richard and the Shadows, as
The Shadows had huge influence on the first Yugoslav bands. | |||
03 | "III strana: Rock & Roll u Zagrebu (1958 -1964)" | TBA | |
"III strana: Rock & Roll u Zagrebu (1958 -1964)" ("Page III: Rock & Roll in
Zagreb (1958 -1964)") deals with the appearance of one of the first rock musicians in Zagreb, rock and roll singer
Karlo Metikoš, and with his international career under the name Matt Collins, and the appearance of first
beat bands,
Bijele Strijele,
Roboti and
Crveni Koralji, and their first releases. | |||
04 | "IV strana: Bježi kišo s prozora (Sarajevo 1961 - 1968)" | TBA | |
"IV strana: Bježi kišo s prozora (Sarajevo 1961 - 1968)" ("Page IV: Rain, Get Away from the Window (
Sarajevo 1961 - 1968", named after the
song of the same name by
Crvena jabuka) deals with the emergence of rock music in Sarajevo and the appearance of the band
Indexi. | |||
05 | "V strana: Mramor, kamen i željezo (Beat u Zagrebu 1964 - 1967)" | TBA | |
"V strana: Mramor, kamen i željezo (Beat u Zagrebu 1964 - 1967)" ("Page V: Marble, Stone and Iron (Beat in Zagreb 1964 - 1967)", named after the
Roboti song "Mramor, kamen i željezo") deals with the Zagreb beat scene - the bands
Bijele Strijele,
Crveni Koralji,
Roboti and
Mladi. | |||
06 | "VI strana: Uhvati vetar (Beat u Beogradu 1964 - 1968)" | TBA | |
"VI strana: Uhvati vetar (Beat u Beogradu 1964 - 1968)" ("Page VI: Catch the Wind (Beat in Belgrade 1964 - 1968)", named after the
Zlatni Dečaci song "Uhvati vetar") deals with the Belgrade beat scene - the bands
Iskre,
Zlatni Dečaci,
Siluete.
Elipse and
Crni Biseri and singer Ivanka Pavlović, and with the appearance of the first rock music magazine in Yugoslavia,
Džuboks. | |||
07 | "VII strana: Ruke pružam (Sarajevo 1964 - 1968)" | TBA | |
"VII strana: Ruke pružam (Sarajevo 1965 - 1969)" ("Page VII: I'm Giving My Hands (Sarajevo 1965 - 1969)", named after the
Indexi song "Ruke pružam") deals with the Sarajevo rock scene in the second half of the 1960s, mostly the band
Indexi, focusing on the appearance of first songs completely authored by Yugoslav musicians. | |||
08 | "VIII strana: Osmeh (Autorski rock u Hrvatskoj 1966 - 1970)" | TBA | |
"VIII strana: Osmeh (Autorski rock u Hrvatskoj 1966 - 1970)" ("Page VIII: Smile (Author rock in
Croatia 1966- 1970)", named after the
Grupa 220 song "Osmeh") deals with the first Croatian rock acts that authored their own songs, the bands
Grupa 220 and
Mi, and with the appearance of the magazine
Pop Express. | |||
09 | "IX strana: Stepenice za nebo (Kultne grupe 1967 - 1970)" | TBA | |
"IX strana: Stepenice za nebo (Kultne grupe 1967 - 1970)" ("Page IX: Stairway to Heaven (Cult Bands 1967 - 1970)", named after the
Led Zeppelin song "
Stairway to Heaven") deals with the bands Čičak,
Dinamiti,
Wheels of Fire and Mića Goran i Zoran, which featured future members of
Bijelo Dugme,
Korni Grupa and
Time. | |||
10 | "X strana: Prvo svetlo u kući broj 4 (Beograd 1968 - 1970)" | TBA | |
"X strana: Prvo svetlo u kući broj 4 (Beograd 1968 - 1970)" ("Page X: The First Light in the House Number 4 (Belgrade 1968 - 1970)", named after the
Korni Grupa song "Prvo svetlo u kući broj 4") deals with the band
Korni Grupa, the films featuring rock music, The Naughty Ones, The Girl in the Park and When I Am Dead and Gone, and the Yugoslav production of
Hair. | |||
11 | "XI strana: U tami disko-kluba (Jugoslovenska rock scena 1971 - 1972)" | TBA | |
"XI strana: U tami disko-kluba (Jugoslovenska rock scena 1971 - 1972)" ("Page XI: In the Darkness of Disco Club" (Yugoslav rock scene 1971 - 1972)", named after the
YU Grupa song "U tami disko kluba") deals with the acts
Drago Mlinarec,
YU Grupa and
Korni Grupa. | |||
12 | "XII strana: Put na istok (Jugoslovenska rock scena 1972)" | TBA | |
"XII strana: Put na istok (Jugoslovenska rock scena 1972)" ("Page XII: A Trip to the East (Yugoslav Rock Sene 1972)", named after the
Korni Grupa song "Put na istok") deals with the acts
Korni Grupa,
Indexi and
Time. | |||
13 | "XIII strana: Čudna šuma (Jugoslovenska rock scena 1973 - 1975)" | TBA | |
"XIII strana: Čudna šuma (Jugoslovenska rock scena 1973 - 1975)" ("Page XIII: Strange Forest (Yugoslav Rock Scene 1973 - 1975)", named after the
YU Grupa song "
Čudna šuma") deals with the acts
YU Grupa,
S Vremena Na Vreme,
Josipa Lisac,
Time,
Indexi,
Pro Arte and
Srđan Marjanović. | |||
14 | "XIV strana: Kad bi bio bijelo dugme (Jugoslovenska rock scena 1974 - 1975)" | TBA | |
"XIV strana: Kad bi bio bijelo dugme (Jugoslovenska rock scena 1974 - 1975)" ("Page XIV: If I Were a White Button (Yugoslav rock scene 1974 - 1975)", named after the Bijelo Dugme song "
Kad bi bio bijelo dugme") deals with the bands
Bijelo Dugme,
Pop Mašina,
Korni Grupa,
Jugoslovenska Pop Selekcija and
Time, as well as with the restart of
Džuboks magazine. | |||
15 | "XV strana: Pljuni istini u oči (Jugoslovenska rock scena 1975)" | TBA | |
"XV strana: Pljuni istini u oči (Jugoslovenska rock scena 1975)" ("Page XV: Spit the Truth in the Eyes (Yugoslav Rock Scene 1975)", named after the
Buldožer song "Pljuni istini u oči") deals with the bands
Buldožer,
Indexi,
Drugi Način and
Bijelo Dugme, and with the on stage-death of
San vocalist Predrag Jovičić. | |||
16 | "XVI strana: Šumadijski blues (Jugoslovenska rock scena 1975 - 1976)" | TBA | |
"XVI strana: Šumadijski blues (Jugoslovenska rock scena 1975 - 1976)" ("Page XVI:
Šumadijan
Blues (Yugoslav Rock Scene 1975 - 1976)", named after the
Smak song "Šumadijski blues") deals with the bands
Smak and
Bijelo Dugme. | |||
17 | "XVII strana: Dođite na show (Jugoslovenska rock scena 1976 - 1978)" | TBA | |
"XVII strana: Dođite na show (Jugoslovenska rock scena 1976 - 1978)" ("Page XVII: Come to the Show (Yugoslav Rock Scene 1976 - 1978)", named after the
Parni Valjak song "Dođite na show") deals with the acts
Smak,
Parni Valjak and
Bijelo Dugme. | |||
18 | "XVIII strana: Pakleni vozači (Jugoslovenska rock scena 1978 - 1979)" | TBA | |
"XVIII strana: Pakleni vozači (Jugoslovenska rock scena 1978 - 1979)" ("Page XVIII: Hell Riders (Yugoslav Rock Scene 1978 - 1979)", named after the
Atomsko Sklonište song "Pakleni vozači") deals with the acts
Atomsko Sklonište,
Leb i Sol,
Zdravko Čolić,
Laza &
Ipe,
Vatreni Poljubac and
Indexi. | |||
19 | "XIX strana: Rock 'n' Roll za kućni savet (Jugoslovenska rock scena 1978 - 1979)" | TBA | |
"XIX strana: Rock 'n' Roll za kućni savet (Jugoslovenska rock scena 1978 - 1979)" ("Page XIX: Rock 'n' Roll for Residents' Committee (Yugoslav Rock Scene 1978 - 1979)", named after the
Riblja Čorba song "
Rock 'n' Roll za kućni savet") deals with the acts
Riblja Čorba,
Bijelo Dugme,
Generacija 5 and
Slađana Milošević. | |||
20 | "XX strana: Ružan, pametan i mlad (Jugoslovenska rock scena 1979 - 1980)" | TBA | |
"XX strana: Ružan, pametan i mlad (Jugoslovenska rock scena 1979 - 1980)" ("Page XX: Ugly, Smart and Young (Yugoslav Rock Scene 1978 - 1979)", named after the
Pekinška Patka song "
Biti ružan, pametan i mlad") deals with the bands
Laboratorija Zvuka,
Parni Valjak and the first representatives of closely associated
Yugoslav punk rock and
Yugoslav new wave scenes,
Pekinška Patka and
Prljavo Kazalište, as well as with the death of Yugoslav president
Josip Broz Tito. | |||
21 | "XXI strana: Niko kao ja (Jugoslovenska rock scena 1980 - 1981)" | TBA | |
"XXI strana: Niko kao ja (Jugoslovenska rock scena 1980 - 1981)" ("Page XXI: Nobody like Me: Yugoslav Rock Scene 1980 - 1981, named after the
Šarlo Akrobata song "
Niko kao ja") deals with the closely associated
Yugoslav punk rock and
Yugoslav new wave scenes, mainly the bands
Pankrti,
Paraf,
Idoli,
Film,
Električni Orgazam and
Šarlo Akrobata. | |||
22 | "XXII strana: Užas je moja furka (Jugoslovenska rock scena 1981 - 1982)" | TBA | |
"XXII strana: Užas je moja furka (Jugoslovenska rock scena 1981 - 1982)" ("Page XXII: Horror Is What Makes Me Tick (Yugoslav Rock Scene 1981 - 1982)", named after the
Azra song "Užas je moja furka") deals with the bands
Azra,
Riblja Čorba,
Lačni Franz and
Divlje Jagode, and with the appearance of the magazine
Rock 82. | |||
23 | "XXIII strana: Tanz Mit Laibach (Jugoslovenska rock scena 1983 - 1985)" | TBA | |
"XXIII strana: Tanz Mit Laibach (Jugoslovenska rock scena 1983 - 1985)" ("Page XIII: Dance with
Laibach (Yugoslav Rock Scene 1983 - 1985)", named after the Laibach song "
Tanz Mit Laibach") deals with the acts
Laibach,
U Škripcu,
Dorian Gray,
Xenia and
Bebi Dol. | |||
24 | "XXIV strana: Anarhija All Over Baščaršija (Jugoslovenska rock scena 1983 - 1985)" | TBA | |
"XXIV strana: Anarhija All Over Baščaršija (Jugoslovenska rock scena 1983 - 1985)" ("Page XXIV: Anarchy all over
Baščaršija (Yugoslav Rock Scene 1983 - 1985)", named after the
Zabranjeno Pušenje song "
Anarhija All Over Baščaršija") deals with the
New Primitivism movement, primarily the bands
Elvis J. Kurtovich & His Meteors and
Zabranjeno Pušenje, with
Bijelo Dugme and
Riblja Čorba. | |||
25 | "XXV strana: Pogledaj dom svoj, anđele (Jugoslovenska rock scena 1985)" | TBA | |
"XXV strana: Pogledaj dom svoj, anđele (Jugoslovenska rock scena 1985)" (Page XXV: Look Homeward, Angel (Yugoslav Rock Scene 1985)", named after the
Riblja Čorba song "
Pogledaj dom svoj, anđele") deals with the bands
Bajaga i Instruktori,
Denis & Denis,
Bijelo Dugme and
Riblja Čorba, and with Yugoslav contribution to
Live Aid,
YU Rock Misija. | |||
26 | "XXVI strana: Jedan poziv menja sve (Jugoslovenska rock scena 1985)" | TBA | |
"XXVI strana: Jedan poziv menja sve (Jugoslovenska rock scena 1985)" ("Page XXVI: A Call Changes All (Yugoslav Rock Scene 1985)", named after a verse from
Partibrejkers song "
1000 godina") deals with the acts
Partibrejkers,
Haustor and
Plavi Orkestar. | |||
27 | "XXVII strana: Bivše devojčice, bivši dečaci (Jugoslovenska rock scena 1986 - 1987)" | TBA | |
"XXVII strana: Bivše devojčice, bivši dečaci (Jugoslovenska rock scena 1986 - 1987)" ("Page XXVII: Ex Boys, Ex Girls (Yugoslav Rock Scene 1986 - 1987)", named after the
Crvena Jabuka song "Bivše djevojčice, bivši dječaci") deals with the acts
Crvena Jabuka,
Divlje Jagode,
Bijelo Dugme,
Plavi Orkestar,
Riblja Čorba and
Bajaga i Instruktori. | |||
28 | "XXVIII strana: Kao da je bilo nekad (Jugoslovenska rock scena 1987 - 1988)" | TBA | |
"XXVIII strana: Kao da je bilo nekad (Jugoslovenska rock scena 1987 - 1988)" ("Page XVIII: "As If It Had Once Been" (Yugoslav Rock Scene 1986 - 1987)", named after the
Ekatarina Velika song "
Kao da je bilo nekad") deals with the acts
Ekatarina Velika,
Električni Orgazam,
Boris Novković and
Laibach, and the death of
Atomsko Sklonište vocalist Sergio Blažić. | |||
29 | "XXIX strana: Igra Rock 'n' Roll cela Jugoslavija (Jugoslovenska rock scena 1988 - 1989)" | TBA | |
"XXIX strana: Igra Rock 'n' Roll cela Jugoslavija (Jugoslovenska rock scena 1988 - 1989)" ("Page XXIX: The Whole Yugoslavia Is Dancing to Rock 'n' Roll (Yugoslav Rock Scene 1988 - 1989)", named after the
Električni Orgazam song "
Igra Rock 'n' Roll cela Jugoslavija") deals with the bands
Psihomodo Pop,
Bajaga i Instruktori,
Bijelo Dugme,
Električni Orgazam, as well as with the tours Yugoslav bands held in
Soviet Union. | |||
30 | "XXX strana: Kako je propao Rock 'n' Roll (Jugoslovenska rock scena 1988 - 1989)" | TBA | |
"XXX strana: Kako je propao Rock 'n' Roll (Jugoslovenska rock scena 1988 - 1989)" ("Page XXX: The Fall of Rock and Roll (Yugoslav Rock Scene 1988 - 1989)", named after the
omnibus film
The Fall of Rock and Roll) deals with the acts from the northwest of
Croatia - the bands
Fit,
Cacadou Look,
Let 3,
KUD Idijoti, the bands
Partibrejkers and
Ekatarina Velika, and the film The Fall of Rock 'n' Roll. | |||
31 | "XXXI strana: Rat i mir (Jugoslovenska rock scena 1990 - 1991)" | TBA | |
"XXXI strana: Rat i mir (Jugoslovenska rock scena 1990 - 1991)" ("Page XXXI: War and Peace (Yugoslav Rock Scene 1990 - 1991)", named after the
Viktorija song "Rat i mir (Ljubav je...)") deals with the acts
Viktorija,
Rambo Amadeus,
Vještice and
Zabranjeno Pušenje, as well as with a
9 March 1991 protest in Belgrade and the beginning of
Yugoslav Wars. | |||
32 | "XXXII strana: Mir, brate, mir (1992)" | TBA | |
"XXXII strana: Mir, brate, mir (1992)" ("Page XXXII: Peace, Brother, Peace (1992)", named after a verse from
Rimtutituki song "Slušaj 'vamo") deals with the
supergroup
Rimtutituki, the Fast Bands of Serbia movement, mostly
Direktori and
Kazna Za Uši, the death of former
Suncokret,
Šarlo Akrobata and
Katarina II drummer
Ivica Vdović "Vd", as well as the beginning of
Bosnian War. | |||
33 | "XXXIII strana: Možeš me zvati kako god hoćeš (1993)" | TBA | |
"XXXIII strana: Možeš me zvati kako god hoćeš (1993)" ("Page XXXIII: You Can Yall Me Wahatever You Want (1993)", named after a verse from
Bjesovi song "
Ime") deals with the acts
Babe,
Bjesovi,
Deca Loših Muzičara,
Kristali and
Ekatarina Velika, the founding of Music Television of Serbia, as well as with the emergence of
turbo folk. | |||
34 | "XXXIV strana: Moji su drugovi biseri rasuti po celom svetu (1994)" | TBA | |
"XXXIV strana: Moji su drugovi biseri rasuti po celom svetu (1994)" ("Page XXXIV: My Friends Are Pearls Scattered all over the World", named after the verses from
Momčilo Bajagić's song "Moji drugovi") deals with the deaths of former
Bijelo Dugme drummer
Goran "Ipe" Ivandić and
Ekatarina Velika frontman
Milan Mladenović, and the acts
Familija,
Električni Orgazam,
Generacija 5,
Partibrejkers and
Momčilo Bajagić "Bajaga". | |||
35 | "XXXV strana: Godina kulture (1995)" | TBA | |
"XXXV strana: Godina kulture (1995)" ("Page XXXV: The Year of Culture (1995)") deals with the bands
Darkwood Dub,
Plejboj,
K2,
Goblini,
Deca Loših Muzičara and
Atheist Rap, and the starting of the music show Paket aranžman. | |||
36 | "XXXVI strana: Samo droga Srbina Spasava (1996)" | TBA | |
"XXXVI strana: Samo droga Srbina Spasava (1996)" ("Page XXXVI: Only Drugs Save the
Serbs (1996)", named after the
Block Out song "SDSS") deals with the acts
Sunshine,
Block Out,
Disciplin A Kitschme,
Rambo Amadeus, the release of the film Geto. as well as with the
1996–1997 protests in Serbia. | |||
37 | "XXXVII strana: Ja nisam odavle (1997)" | TBA | |
"XXXVII strana: Ja nisam odavle (1997)" ("Page XXXVII: I'm not from Here (1997)", named after the
Zabranjeno Pušenje song "Ja nisam odavle") deals with the bands
Familija,
Partibrejkers, the
Belgrade faction of Zabranjeno Pušenje,
Elvis J. Kurtovich, and the deaths of former
Električni Orgazam and
Babe drummer Goran Čavajda "Čavke" and former
Riblja Čorba guitarist
Rajko Kojić. | |||
38 | "XXXVIII strana: Nova žena, savremena, samostalna dama (1998)" | TBA | |
"XXXVIII strana: Nova žena, savremena, samostalna dama (1998)" ("Page XXXVIII: New Woman, Modern, Independent Lady (1998)", named after the verses from
Ksenija Pajčin song "Savremena žena") deals with the acts
Boye,
Ana Stanić,
Marina Perazić and
Ništa Ali Logopedi, the
Serbian hip hop scene, mostly
Voodoo Popeye, and with the Brooklyn Video Awards. | |||
39 | "XXXIX strana: Proći će i nihovo (1999)" | TBA | |
"XXXIX strana: Proći će i nihovo (1999)" ("Page XXIX: Their Time Will End (1999)") deals with the bands
Partibrejkers,
Eyesburn,
Van Gogh,
Darkwood Dub,
Kanda, Kodža i Nebojša, as well as with the
1999 NATO bombing of Yugoslavia. | |||
40 | "Poslednja strana: Gotov(o) je! (Rock scena u Srbiji 2000. i šta je bilo posle)" | TBA | |
"Poslednja strana:
Gotov(o) je! (Rock scena u Srbiji 2000. i šta je bilo posle)" ("Last Page: It's Over (Rock Scene in Serbia in 2000 and What Happened after That)") deals with the
5 October 2000 Revolution in Serbia and the events that followed it, the death of former
Ekatarina Velika keyboardist
Margita Stefanović "Magi" and the Serbian rock scene in the 2000s. The last several minutes of the episode are a tribute to Yugoslav rock scene, featuring footages of Yugoslav rock acts (including the ones that did not appear in the show) followed by the instrumental version of the song "
Za milion godina". |
The show features interviews with more than 300 personalities, mostly musicians, but also critics, journalists, fans, and others. [4]
The show's official YouTube channel features all the episodes of the show. The YouTube edition features the instrumental version of Atomsko Sklonište song "Olujni mornar" ("Storm Sailor") as the opening theme.
In a 2013 interview, Sandra Rančić stated that there was a possibility for the show to be released on DVD, and that the DVD release would feature some of the unused footage. [5]