Return to Fantasy is the eighth studio album by English rock band
Uriah Heep, released on 13 June 1975 by
Bronze Records in the UK and
Warner Bros. Records in the US. It was the first of the two albums to feature
John Wetton as the new bass player, who replaced
Gary Thain in early 1975.
Return to Fantasy "retains the musical experimentation that marked Sweet Freedom and Wonderworld, but has an overall harder-rocking feel that makes it more consistent than either one of those albums", said Donald A. Guarisco in his retrospective
AllMusic review. He criticized some of the album's "genre-hopping", and concluded, "In the end, Return to Fantasy lacks the coherence of a top-shelf Uriah Heep classic like Demons and Wizards but remains a strong and likable album that is guaranteed to please the group's fans".[2] The review by Canadian journalist
Martin Popoff was very critical of the album's recording "dominated by blaring but thin organ and sloppy drumming" and of Byron's "distant and unsure" performance, judging the album "completely adrift without a trace of spark".[3]
^Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 166.
ISBN978-951-1-21053-5.
Return to Fantasy is the eighth studio album by English rock band
Uriah Heep, released on 13 June 1975 by
Bronze Records in the UK and
Warner Bros. Records in the US. It was the first of the two albums to feature
John Wetton as the new bass player, who replaced
Gary Thain in early 1975.
Return to Fantasy "retains the musical experimentation that marked Sweet Freedom and Wonderworld, but has an overall harder-rocking feel that makes it more consistent than either one of those albums", said Donald A. Guarisco in his retrospective
AllMusic review. He criticized some of the album's "genre-hopping", and concluded, "In the end, Return to Fantasy lacks the coherence of a top-shelf Uriah Heep classic like Demons and Wizards but remains a strong and likable album that is guaranteed to please the group's fans".[2] The review by Canadian journalist
Martin Popoff was very critical of the album's recording "dominated by blaring but thin organ and sloppy drumming" and of Byron's "distant and unsure" performance, judging the album "completely adrift without a trace of spark".[3]
^Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 166.
ISBN978-951-1-21053-5.