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Reginaldo degli Scrovegni was a Paduan nobleman of the Guelph faction who lived in the 13th century just before the time of Giotto and Dante. He is best known for being cited as a usurer by Dante in the Divine Comedy, and to be the father of Enrico degli Scrovegni, who commissioned the famous Arena Chapel painted by Giotto.
In Dante Alighieri’s Divine Comedy poem Inferno, Dante says that he saw Reginaldo in the inner ring of the Seventh Circle of Hell, where the violent are eternally punished. The inner ring of the Seventh Circle is a burning hot desert with a continual rain of fire. The usurers are to be found sitting on the sand, swatting away fire like animals swat bugs, and crying. Around their necks are found purses emblazoned with their coats of arms. This, and a bit of research into Dante's time-period, make it possible to identify who the suffering sinners are meant to be.
Usurers are considered violent because, as Dante's Virgil explains in Canto XI, usurers sin against Art, and Art is the Grandchild of God.
Eimerl, Sarel (1967). The World of Giotto. New York: Time Inc. pp. 109.
Ciardi, John; Dante Alighieri (1954). The Inferno (Translators Notes). London, England: New American Library. pp. 154–155.
Dante, Alighieri (1980). The Divine Comedy. Translated by Allen Mendelbaum. Germany: Alfred A. Knopf. pp. 130–131.
This article has an unclear
citation style. (March 2020) |
Reginaldo degli Scrovegni was a Paduan nobleman of the Guelph faction who lived in the 13th century just before the time of Giotto and Dante. He is best known for being cited as a usurer by Dante in the Divine Comedy, and to be the father of Enrico degli Scrovegni, who commissioned the famous Arena Chapel painted by Giotto.
In Dante Alighieri’s Divine Comedy poem Inferno, Dante says that he saw Reginaldo in the inner ring of the Seventh Circle of Hell, where the violent are eternally punished. The inner ring of the Seventh Circle is a burning hot desert with a continual rain of fire. The usurers are to be found sitting on the sand, swatting away fire like animals swat bugs, and crying. Around their necks are found purses emblazoned with their coats of arms. This, and a bit of research into Dante's time-period, make it possible to identify who the suffering sinners are meant to be.
Usurers are considered violent because, as Dante's Virgil explains in Canto XI, usurers sin against Art, and Art is the Grandchild of God.
Eimerl, Sarel (1967). The World of Giotto. New York: Time Inc. pp. 109.
Ciardi, John; Dante Alighieri (1954). The Inferno (Translators Notes). London, England: New American Library. pp. 154–155.
Dante, Alighieri (1980). The Divine Comedy. Translated by Allen Mendelbaum. Germany: Alfred A. Knopf. pp. 130–131.