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American art historian
Rebecca Zorach (born 1969) is an art historian and Mary Jane Crowe Professor in Art and Art History at
Northwestern University . Her work focuses on
early modern European art, contemporary and activist art.
[1]
Zorach earned her PhD from the
University of Chicago in 1999.
[1]
Zorach won the 2006 Gustave O. Arlt Award from the
Council of Graduate Schools and the 2005 book prize from the Society for the Study of Early Modern Women for her book Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance .
[2]
Works
ed. Embodied Utopias: Gender, Social Change, and the Modern Metropolis with Amy Bingaman and Lisa Shapiro Sanders (
Routledge , 2002)
Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (
University of Chicago Press , 2005)
[3]
[4]
[5]
[6]
[7]
Paper Museums: The Reproductive Print in Europe 1500-1800 with Elizabeth Rodini (
Smart Museum of Art ,
University of Chicago , 2005)
[8]
[9]
The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae (
University of Chicago Library , 2008)
[10]
[11]
[12]
ed. The Idol in the Age of Art with Michael Cole (Routledge, 2009)
The Passionate Triangle (University of Chicago Press, 2011)
[13]
[14]
[15]
[16]
ed. Art Against the Law (
School of the Art Institute of Chicago , 2014)
Gold: Nature and Culture with Michael W. Phillips Jr. (
Reaktion Books , 2016)
References
^
a
b
"Rebecca Zorach: Department of Art History - Northwestern University" . www.arthistory.northwestern.edu . Northwestern University.
Archived from the original on 8 March 2017. Retrieved 8 March 2017 .
^
"Art historian examines abundance, excess of French Renaissance through art, literature, architecture" . chronicle.uchicago.edu . University of Chicago.
Archived from the original on 23 April 2017. Retrieved 8 March 2017 .
^ Fiorenza, Giancarlo (2006).
"Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (review)" . Renaissance Quarterly . 59 (3): 898–900.
doi :
10.1353/ren.2008.0371 .
ISSN
1935-0236 .
S2CID
191645125 .
^ Broomhall, Susan (2010-07-14).
"Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (review)" . Parergon . 27 (1): 263–266.
doi :
10.1353/pgn.0.0207 .
ISSN
1832-8334 .
S2CID
201794943 .
Archived from the original on 2018-06-02. Retrieved 2020-12-06 .
^ Kilroy, Lauren Grace (2007).
"Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance by Rebecca Zorach (review)" . Comitatus: A Journal of Medieval and Renaissance Studies . 38 (1): 288–290.
doi :
10.1353/cjm.2007.0060 .
ISSN
1557-0290 .
^ Parsons, Jotham (2007).
"Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance – By Rebecca Zorach" . Historian . 69 (2): 399–400.
doi :
10.1111/j.1540-6563.2007.00182_68.x .
ISSN
1540-6563 .
S2CID
144169351 .
Archived from the original on 2021-02-01. Retrieved 2020-12-06 .
^ Marr, Alexander (2007).
"Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance - By Rebecca Zorach" . Renaissance Studies . 21 (2): 298–299.
doi :
10.1111/j.1477-4658.2007.00390.x .
ISSN
1477-4658 .
Archived from the original on 2021-02-01. Retrieved 2020-12-06 .
^ Prange, Peter (2007-05-01).
"Paper Museums. The Reproductive Print in Europe, 1500–1800" . Journal of the History of Collections . 19 (1): 145–147.
doi :
10.1093/jhc/fhm002 .
ISSN
0954-6650 .
^ Mazzi, Maya Stanfield (2006).
"Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public by Peter Parshall, Rainer Schoch, and Paper Museums: The Reproductive Print in Europe, 1500–1800 by Rebecca Zorach, Elizabeth Rodini (review)" . Comitatus: A Journal of Medieval and Renaissance Studies . 37 (1): 279–283.
doi :
10.1353/cjm.2006.0046 .
ISSN
1557-0290 .
^ Bentz, Katherine M. (2009).
"Rebecca Zorach, ed. The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae. Chicago: The University of Chicago Press, 2008. 176 pp. illus. bibl. $25. ISBN: 0–943056–37–3" . Renaissance Quarterly . 62 (1): 249–250.
doi :
10.1086/598422 .
ISSN
0034-4338 .
S2CID
163966948 .
Archived from the original on 2021-02-01. Retrieved 2020-12-06 .
^ Fishburne, James (2009).
"The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae ed. by Rebecca Zorach (review)" . Comitatus: A Journal of Medieval and Renaissance Studies . 40 (1): 343–344.
doi :
10.1353/cjm.2009.0030 .
ISSN
1557-0290 .
^ Rowland, Ingrid (2011-10-27).
"The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae (review)" . The Catholic Historical Review . 97 (4): 806–807.
doi :
10.1353/cat.2011.0221 .
ISSN
1534-0708 .
S2CID
161373351 .
Archived from the original on 2018-06-03. Retrieved 2020-12-06 .
^ Hammerschmidt, Jennifer (2012-08-21).
"The Passionate Triangle (review)" . Comitatus: A Journal of Medieval and Renaissance Studies . 43 (1): 306–308.
doi :
10.1353/cjm.2012.0053 .
ISSN
1557-0290 .
Archived from the original on 2018-06-01. Retrieved 2020-12-06 .
^ HARDING, CATHERINE (2012).
"Review of The Passionate Triangle" . Renaissance and Reformation . 35 (4): 179–181.
ISSN
0034-429X .
JSTOR
43446654 .
Archived from the original on 2021-02-01. Retrieved 2020-12-06 .
^ Terry-Fritsch, Allie (2012).
"Review of The Passionate Triangle" . The Sixteenth Century Journal . 43 (4): 1247–1249.
ISSN
0361-0160 .
JSTOR
24245059 .
^
Hall, Marcia B. (2012).
"Rebecca Zorach. The Passionate Triangle. Chicago: University of Chicago Press, 2011. xiii + 264 pp. $45. ISBN: 978–0–226–98939–6" . Renaissance Quarterly . 65 (3): 881–882.
doi :
10.1086/668313 .
ISSN
0034-4338 .
S2CID
164138677 .
Archived from the original on 2021-02-01. Retrieved 2020-12-06 .
External links
International National Academics Other