| Quasi-Objects | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | June 16, 1998 | |||
| Genre | Electronic | |||
| Length | 39:49 | |||
| Label | Vague Terrain | |||
| Matmos chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  
[1] |
Quasi-Objects is a 1998 electronic music album by Matmos, which followed their self-titled debut. Matmos created the album's music by incorporating ordinary sounds recorded around their home. [2]
Track listing
| No. | Title | Length |
|---|---|---|
| 1. | "Stupid Fambaloo" | 4:55 |
| 2. | "Cloth Mother/Wire Mother" | 5:08 |
| 3. | "Schwitt/Urs" | 5:05 |
| 4. | "Always Three Words" | 5:14 |
| 5. | "The Banjo's Categorical Gut" | 6:07 |
| 6. | "The Purple Island" | 6:59 |
| 7. | "Latex" | 7:39 |
Reception
Quasi-Objects has received mixed reviews from music critics. AllMusic's Sean Cooper called the album "both an improvement [on Matmos' self-titled debut] and a disappointment", with the musicians letting "the schtick of let's-make-tracks-entirely-out-of-weird-noises get the better of their aesthetic judgement." [1] Pitchfork Media's Mark Richard-San similarly described the album as "too reliant on novelty", and thought that its central gimmick "smothered the music." [2]
Personnel
- Design – Rex Ray [3]
- Cover illustration – M.C. Schmidt [3]
- Sequenced by, sampler, synthesizer [W-30, Sh-101, Mono/poly], edited by [digital editing], mixed by, banjo, electric guitar, effects [latex clothing, balloons, whoopee cushion, body sounds, field recording, quasi-objects] – Drew Daniel, M.C. Schmidt [3]
- Written by – Matmos [3]
- Guitar [phone guitar] on track 2 – Tim Furnish [3]
- Slide guitar on track 2 – M.C. Schmidt [3]
References
- ^ a b Sean Cooper, Quasi-Objects review AllMusic. Retrieved 6 November 2015.
- ^ a b Mark Richard-San, Review of A Chance to Cut is a Chance to Cure Pitchfork, 31 March 2001. Retrieved 6 November 2015.
- ^ a b c d e f Quasi-Objects track listing Discogs.com. Retrieved 6 November 2015.
| Quasi-Objects | ||||
|---|---|---|---|---|
|
| ||||
| Studio album by | ||||
| Released | June 16, 1998 | |||
| Genre | Electronic | |||
| Length | 39:49 | |||
| Label | Vague Terrain | |||
| Matmos chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |
[1] |
Quasi-Objects is a 1998 electronic music album by Matmos, which followed their self-titled debut. Matmos created the album's music by incorporating ordinary sounds recorded around their home. [2]
Track listing
| No. | Title | Length |
|---|---|---|
| 1. | "Stupid Fambaloo" | 4:55 |
| 2. | "Cloth Mother/Wire Mother" | 5:08 |
| 3. | "Schwitt/Urs" | 5:05 |
| 4. | "Always Three Words" | 5:14 |
| 5. | "The Banjo's Categorical Gut" | 6:07 |
| 6. | "The Purple Island" | 6:59 |
| 7. | "Latex" | 7:39 |
Reception
Quasi-Objects has received mixed reviews from music critics. AllMusic's Sean Cooper called the album "both an improvement [on Matmos' self-titled debut] and a disappointment", with the musicians letting "the schtick of let's-make-tracks-entirely-out-of-weird-noises get the better of their aesthetic judgement." [1] Pitchfork Media's Mark Richard-San similarly described the album as "too reliant on novelty", and thought that its central gimmick "smothered the music." [2]
Personnel
- Design – Rex Ray [3]
- Cover illustration – M.C. Schmidt [3]
- Sequenced by, sampler, synthesizer [W-30, Sh-101, Mono/poly], edited by [digital editing], mixed by, banjo, electric guitar, effects [latex clothing, balloons, whoopee cushion, body sounds, field recording, quasi-objects] – Drew Daniel, M.C. Schmidt [3]
- Written by – Matmos [3]
- Guitar [phone guitar] on track 2 – Tim Furnish [3]
- Slide guitar on track 2 – M.C. Schmidt [3]
References
- ^ a b Sean Cooper, Quasi-Objects review AllMusic. Retrieved 6 November 2015.
- ^ a b Mark Richard-San, Review of A Chance to Cut is a Chance to Cure Pitchfork, 31 March 2001. Retrieved 6 November 2015.
- ^ a b c d e f Quasi-Objects track listing Discogs.com. Retrieved 6 November 2015.