Pop Pop | ||||
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Studio album by | ||||
Released | September 1991 | |||
Recorded | 1989 | |||
Studio | Skyline Recording, Topanga, California | |||
Genre | Jazz, vocal jazz, folk | |||
Label | Geffen [1] | |||
Producer | David Was, Rickie Lee Jones | |||
Rickie Lee Jones chronology | ||||
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Pop Pop is an album by the American musician Rickie Lee Jones, released in September 1991. [2] [3]
The album contains cover versions, ranging from jazz and blues standards to Tin Pan Alley to Jimi Hendrix's "Up from the Skies". [4] It reached No. 8 on the Billboard Contemporary Jazz Albums and No. 121 on the Billboard 200.
The album was coproduced by David Was and Jones. [5] Charlie Haden played bass on some of its tracks. [6] The cover artwork resembles a package of bang snaps.
Review scores | |
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Source | Rating |
Calgary Herald | B [7] |
The New York Times wrote that Jones's "vocal eccentricities, her swoops and shudders and pucker-sweet coos, seem at odds with the material rather than complicitous." [8] The Calgary Herald noted that "Jones's plaintive, muttering, whispering little-girl voice weaves a web of intimacy around the listener... Still, it's not for every taste." [7]
Pop Pop | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | September 1991 | |||
Recorded | 1989 | |||
Studio | Skyline Recording, Topanga, California | |||
Genre | Jazz, vocal jazz, folk | |||
Label | Geffen [1] | |||
Producer | David Was, Rickie Lee Jones | |||
Rickie Lee Jones chronology | ||||
|
Pop Pop is an album by the American musician Rickie Lee Jones, released in September 1991. [2] [3]
The album contains cover versions, ranging from jazz and blues standards to Tin Pan Alley to Jimi Hendrix's "Up from the Skies". [4] It reached No. 8 on the Billboard Contemporary Jazz Albums and No. 121 on the Billboard 200.
The album was coproduced by David Was and Jones. [5] Charlie Haden played bass on some of its tracks. [6] The cover artwork resembles a package of bang snaps.
Review scores | |
---|---|
Source | Rating |
Calgary Herald | B [7] |
The New York Times wrote that Jones's "vocal eccentricities, her swoops and shudders and pucker-sweet coos, seem at odds with the material rather than complicitous." [8] The Calgary Herald noted that "Jones's plaintive, muttering, whispering little-girl voice weaves a web of intimacy around the listener... Still, it's not for every taste." [7]