From Wikipedia, the free encyclopedia

Pinar Yolaçan (born 1981) is a contemporary Turkish artist based in New York City. One of her most well-known series, Perishables, depicts portraits of elderly women in garments created by Yolaçan from raw meat and animal parts. [1]

Yolaçan studied fashion design at Central Saint Martins College of Art and Design and Media Art in Chelsea School of Art before graduating from the Cooper Union with a BFA in 2004. [2] While at Cooper Union, Yolaçan was runner-up in the New York Times Magazine "Capture The Times", photography contest for college students. [3]

Yolaçan describes her underlying theme in her work as her "interest in the female body". [1] She has cited inspiration in forms of the Queen of England [ sic]-type imperial icon and the Victorian body, to the Christian religious icons of Maria and the colonial baroque period, to deity figures from pre-neolithic period which was the archetype of beauty surrounding Turkey thousands of years ago. [1]

References

  1. ^ a b c McGarry, Kevin (May 20, 2010). "Greater New Yorkers: Pinar Yolaçan". The New York Times Magazine.
  2. ^ "Pinar Yolacan". Elizabeth A. Sackler Center for Feminist Art. Brooklyn Museum. Retrieved 20 November 2015.
  3. ^ "Pinar Yolacan Biography". Artnet. Retrieved 20 November 2015.
From Wikipedia, the free encyclopedia

Pinar Yolaçan (born 1981) is a contemporary Turkish artist based in New York City. One of her most well-known series, Perishables, depicts portraits of elderly women in garments created by Yolaçan from raw meat and animal parts. [1]

Yolaçan studied fashion design at Central Saint Martins College of Art and Design and Media Art in Chelsea School of Art before graduating from the Cooper Union with a BFA in 2004. [2] While at Cooper Union, Yolaçan was runner-up in the New York Times Magazine "Capture The Times", photography contest for college students. [3]

Yolaçan describes her underlying theme in her work as her "interest in the female body". [1] She has cited inspiration in forms of the Queen of England [ sic]-type imperial icon and the Victorian body, to the Christian religious icons of Maria and the colonial baroque period, to deity figures from pre-neolithic period which was the archetype of beauty surrounding Turkey thousands of years ago. [1]

References

  1. ^ a b c McGarry, Kevin (May 20, 2010). "Greater New Yorkers: Pinar Yolaçan". The New York Times Magazine.
  2. ^ "Pinar Yolacan". Elizabeth A. Sackler Center for Feminist Art. Brooklyn Museum. Retrieved 20 November 2015.
  3. ^ "Pinar Yolacan Biography". Artnet. Retrieved 20 November 2015.

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