From Wikipedia, the free encyclopedia
Pilgrims Going to Mecca
Pèlerins allant à La Mecque
Léon Belly Pilgrims going to Mecca
Artist Léon Belly  Edit this on Wikidata
Year1861
Dimensions1,610 mm (63 in) × 2,420 mm (95 in)
Identifiers Joconde work ID: 000PE000077

Pilgrims going to Mecca (French: Pèlerins allant à La Mecque) is a painting by Léon Belly. It is a very large (160 cm x 242 cm) oil on canvas work. It won a first class medal at the Salon of 1861, was bought by the state from the artist, and originally displayed at the Musée du Luxembourg. Since 1983 it has been part of the collection at the Musée d'Orsay, in Paris. From the time it was first exhibited it has been considered a masterpiece of orientalist painting. [1]

Subject

The work depicts a caravan of Muslims going on the Hajj pilgrimage to Mecca. In 1856, the artist had come across such a caravan while he was in Egypt and then worked for nearly three years to create this work. [2] The precision with which Belly depicted both the camels and the human figures gives this painting an almost photographic quality. [3]

Compared with many more romantic portrayals of Middle Eastern people, Belly’s work is both realistic and sympathetic. His pilgrims are elderly, tired, and very ordinary looking, though their composure, as well as the work’s composition, lend them a quality of nobility. [4] Belly was concerned to portray an ethnographically exact image of a pilgrimage. [5] One of the most important elements of the painting is the way it uses the effects of light. [6] Additionally, it was one of the first orientalist works to give prominence to the camel. [4] [7]

History

The painting has been featured in numerous exhibitions, including: [1]

References

  1. ^ a b "Pélerins allant à La Mecque". musee-orsay.fr. Musée d’Orsay. Retrieved 27 December 2022.
  2. ^ "Pèlerins allant à la Mecque". petitsmo.fr. Les Petits M’O. Retrieved 27 December 2022.
  3. ^ Siouffi, Fleur. "L'Orientalisme". histoire-image.org. L’Histoire par l’image. Retrieved 27 December 2022.
  4. ^ a b Gearon, Eamonn (2011). The Sahara A Cultural History. Oxford: Signal Books. ISBN  9781908493163. Retrieved 27 December 2022.
  5. ^ Harris, Nathaniel (2005). Atlas of the World's Deserts. Taylor & Francis. p. 241. ISBN  9781135456139. Retrieved 27 December 2022.
  6. ^ Thornton, Lynne (1994). The Orientalists Painter-travellers. Paris: ACR Edition. p. 24. ISBN  9782867700835. Retrieved 27 December 2022.
  7. ^ Irwin, Robert (2010). Camel. London: Reaktion Books. p. 118. ISBN  9781861897343. Retrieved 27 December 2022.
From Wikipedia, the free encyclopedia
Pilgrims Going to Mecca
Pèlerins allant à La Mecque
Léon Belly Pilgrims going to Mecca
Artist Léon Belly  Edit this on Wikidata
Year1861
Dimensions1,610 mm (63 in) × 2,420 mm (95 in)
Identifiers Joconde work ID: 000PE000077

Pilgrims going to Mecca (French: Pèlerins allant à La Mecque) is a painting by Léon Belly. It is a very large (160 cm x 242 cm) oil on canvas work. It won a first class medal at the Salon of 1861, was bought by the state from the artist, and originally displayed at the Musée du Luxembourg. Since 1983 it has been part of the collection at the Musée d'Orsay, in Paris. From the time it was first exhibited it has been considered a masterpiece of orientalist painting. [1]

Subject

The work depicts a caravan of Muslims going on the Hajj pilgrimage to Mecca. In 1856, the artist had come across such a caravan while he was in Egypt and then worked for nearly three years to create this work. [2] The precision with which Belly depicted both the camels and the human figures gives this painting an almost photographic quality. [3]

Compared with many more romantic portrayals of Middle Eastern people, Belly’s work is both realistic and sympathetic. His pilgrims are elderly, tired, and very ordinary looking, though their composure, as well as the work’s composition, lend them a quality of nobility. [4] Belly was concerned to portray an ethnographically exact image of a pilgrimage. [5] One of the most important elements of the painting is the way it uses the effects of light. [6] Additionally, it was one of the first orientalist works to give prominence to the camel. [4] [7]

History

The painting has been featured in numerous exhibitions, including: [1]

References

  1. ^ a b "Pélerins allant à La Mecque". musee-orsay.fr. Musée d’Orsay. Retrieved 27 December 2022.
  2. ^ "Pèlerins allant à la Mecque". petitsmo.fr. Les Petits M’O. Retrieved 27 December 2022.
  3. ^ Siouffi, Fleur. "L'Orientalisme". histoire-image.org. L’Histoire par l’image. Retrieved 27 December 2022.
  4. ^ a b Gearon, Eamonn (2011). The Sahara A Cultural History. Oxford: Signal Books. ISBN  9781908493163. Retrieved 27 December 2022.
  5. ^ Harris, Nathaniel (2005). Atlas of the World's Deserts. Taylor & Francis. p. 241. ISBN  9781135456139. Retrieved 27 December 2022.
  6. ^ Thornton, Lynne (1994). The Orientalists Painter-travellers. Paris: ACR Edition. p. 24. ISBN  9782867700835. Retrieved 27 December 2022.
  7. ^ Irwin, Robert (2010). Camel. London: Reaktion Books. p. 118. ISBN  9781861897343. Retrieved 27 December 2022.

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