Picture lock is a stage in editing a film or editing a television production. It is the stage prior to online editing when all changes to the film or television program cut have been done and approved. It is then sent to subsequent stages in the process, such as online editing and audio mixing. [1] [2] [3] [4] Any last-minute changes can force portions of subsequent work to be redone. [5]
References
- ^ Vincent LoBrutto (1 January 2012). The Art of Motion Picture Editing: An Essential Guide to Methods, Principles, Processes, and Terminology. Allworth Press. pp. 55–. ISBN 978-1-62153-251-4.
- ^ Sam McGuire; Paul Lee (12 November 2012). The Video Editor's Guide to Soundtrack Pro: Workflows, Tools, and Techniques. CRC Press. pp. 4–. ISBN 978-1-136-05782-3.
- ^ Tomlinson Holman (12 November 2012). Sound for Film and Television. CRC Press. pp. 164–. ISBN 978-1-136-04610-0.
- ^ Kelly Anderson; Martin Lucas (31 March 2016). Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production. CRC Press. pp. 292–. ISBN 978-1-317-63613-7.
- ^ Dale Angell (18 July 2013). The Filmmaker's Guide to Final Cut Pro Workflow. Taylor & Francis. pp. 53–. ISBN 978-1-136-06062-5.
 | This article related to film or motion picture terminology is a stub. You can help Wikipedia by expanding it. |
Picture lock is a stage in editing a film or editing a television production. It is the stage prior to online editing when all changes to the film or television program cut have been done and approved. It is then sent to subsequent stages in the process, such as online editing and audio mixing. [1] [2] [3] [4] Any last-minute changes can force portions of subsequent work to be redone. [5]
References
- ^ Vincent LoBrutto (1 January 2012). The Art of Motion Picture Editing: An Essential Guide to Methods, Principles, Processes, and Terminology. Allworth Press. pp. 55–. ISBN 978-1-62153-251-4.
- ^ Sam McGuire; Paul Lee (12 November 2012). The Video Editor's Guide to Soundtrack Pro: Workflows, Tools, and Techniques. CRC Press. pp. 4–. ISBN 978-1-136-05782-3.
- ^ Tomlinson Holman (12 November 2012). Sound for Film and Television. CRC Press. pp. 164–. ISBN 978-1-136-04610-0.
- ^ Kelly Anderson; Martin Lucas (31 March 2016). Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production. CRC Press. pp. 292–. ISBN 978-1-317-63613-7.
- ^ Dale Angell (18 July 2013). The Filmmaker's Guide to Final Cut Pro Workflow. Taylor & Francis. pp. 53–. ISBN 978-1-136-06062-5.
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| This article related to film or motion picture terminology is a stub. You can help Wikipedia by expanding it. |