Piano Sonata in F major | |
---|---|
No. 15 | |
by W. A. Mozart | |
Key | F major |
Catalogue | K. 533 |
Style | Classical period |
Composed | 1788 |
Movements | Three (Allegro, Andante, Rondo: Allegretto) |
Wolfgang Amadeus Mozart's Piano Sonata No. 15 in F major, KV 533/494 (finished 3 January 1788) is a sonata in three movements:
A typical performance takes about 23 minutes.
The Rondo was originally a stand-alone piece composed by Mozart in 1786 (Rondo No. 2, K. 494 in the Köchel catalogue). In 1788, Mozart wrote the first two movements of K. 533 and incorporated a revised version of K. 494 as the finale, having lengthened it in order to provide a more substantial counterpart to the other two movements. [1]
Edvard Grieg arranged this sonata for 2 pianos, by adding further accompaniment on the secondo part, whilst the primo part plays the original. [2] This attempt to "impart to several of Mozart's sonatas a tonal effect appealing to our modern ears" serves to document the taste of Grieg's late nineteenth-century Norwegian audience. [3] A notable recording is that of Elisabeth Leonskaja accompanied by Sviatoslav Richter.
Piano Sonata in F major | |
---|---|
No. 15 | |
by W. A. Mozart | |
Key | F major |
Catalogue | K. 533 |
Style | Classical period |
Composed | 1788 |
Movements | Three (Allegro, Andante, Rondo: Allegretto) |
Wolfgang Amadeus Mozart's Piano Sonata No. 15 in F major, KV 533/494 (finished 3 January 1788) is a sonata in three movements:
A typical performance takes about 23 minutes.
The Rondo was originally a stand-alone piece composed by Mozart in 1786 (Rondo No. 2, K. 494 in the Köchel catalogue). In 1788, Mozart wrote the first two movements of K. 533 and incorporated a revised version of K. 494 as the finale, having lengthened it in order to provide a more substantial counterpart to the other two movements. [1]
Edvard Grieg arranged this sonata for 2 pianos, by adding further accompaniment on the secondo part, whilst the primo part plays the original. [2] This attempt to "impart to several of Mozart's sonatas a tonal effect appealing to our modern ears" serves to document the taste of Grieg's late nineteenth-century Norwegian audience. [3] A notable recording is that of Elisabeth Leonskaja accompanied by Sviatoslav Richter.