Peter Kalmus | |
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Born | Piešťany, Czechoslovak Socialist Republic (now Slovakia) | 28 August 1953
Occupation | Visual artist, activist |
Peter Kalmus (born 28 August 1953 in Piešťany) is a Slovak self-taught visual artist and activist. [1]
Kalmous was born to a German Jewish father of Wolfgang Hans Hartman Kalmus and a Slovak Lutheran mother Mária (née Češeková). [2] Soon after his birth, his parents divorced and his father returned to Germany. [3] In spite of distance, Kalmous and his father reconnected during the Prague Spring and remain very close to this day. [4]
From early childhood, Kalmous has lived in Košice. Since the 1970s, he was in close contact with Prague underground cultural scene. [3] His own art mainly consists of painting, photography and performance art (commonly taking the form of public, non-violent protest). In 1989, he co-founded the Košice cell of the Civic Forum party. On 21 November 1989 he organized the first anti-regime demonstration in Košice to commemorate the killing of a local student Michal Hamrák by the Soviet forces during the Warsaw Pact invasion of Czechoslovakia.
After the Postoj, Kalmus participated at many art exhibitions in Slovakia and abroad. [5] Kalmous considers creating art to be his lifestyle. [6] His work reflects the public obsession with consumerism as well politics, death, religion, sports. [7] He has several long-running projects, including the cycles Partitúry (Scores) and Korózne grafiky (Corrosive Prints). Perhaps his well-known long-term project has consisted of wrapping a wire around at least one stone every day between 1998 and 2022, representing the 70 000 Jews deported from Slovakia by the fascist Slovak Republic during the World War II. [3] A Peter Kalous' Holocaust monument, consisting of four glass tubes filled with the wire-wrapped stones, was first uncovered in 2016 by the President of Slovakia Andrej Kiska. It is located in a renovated synagogue in the town of Lučenec. [8]
Kalmus has organized several public protests, which gained media attention. In March 2011 he disrupted the unveiling of a bust of a fascist World War II era politician János Esterházy by throwing toilet paper at the bust. [9] In February 2015 the village of Krajná Bystrá, the birthplace of high-profile communist functionary Vasiľ Biľak, Kalmus together with a fellow artist Ľuboš Lorenz spilled red pain over a bust of Biľak, previously installed there by the Communist Party of Slovakia. [10] In August 2016 he removed the Hammer and Sickle symbol from a Red Army memorial in Košice. [11] The public reactions to Kalmous' activism has been mixed. The liberal Denník N praised the removal of communist symbols from the memorial, [12] while the conservative website Postoj criticized is as a meaningless publicity stunt, disrespectful to the memory of World War II victims. [13]
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Peter Kalmus | |
---|---|
![]() | |
Born | Piešťany, Czechoslovak Socialist Republic (now Slovakia) | 28 August 1953
Occupation | Visual artist, activist |
Peter Kalmus (born 28 August 1953 in Piešťany) is a Slovak self-taught visual artist and activist. [1]
Kalmous was born to a German Jewish father of Wolfgang Hans Hartman Kalmus and a Slovak Lutheran mother Mária (née Češeková). [2] Soon after his birth, his parents divorced and his father returned to Germany. [3] In spite of distance, Kalmous and his father reconnected during the Prague Spring and remain very close to this day. [4]
From early childhood, Kalmous has lived in Košice. Since the 1970s, he was in close contact with Prague underground cultural scene. [3] His own art mainly consists of painting, photography and performance art (commonly taking the form of public, non-violent protest). In 1989, he co-founded the Košice cell of the Civic Forum party. On 21 November 1989 he organized the first anti-regime demonstration in Košice to commemorate the killing of a local student Michal Hamrák by the Soviet forces during the Warsaw Pact invasion of Czechoslovakia.
After the Postoj, Kalmus participated at many art exhibitions in Slovakia and abroad. [5] Kalmous considers creating art to be his lifestyle. [6] His work reflects the public obsession with consumerism as well politics, death, religion, sports. [7] He has several long-running projects, including the cycles Partitúry (Scores) and Korózne grafiky (Corrosive Prints). Perhaps his well-known long-term project has consisted of wrapping a wire around at least one stone every day between 1998 and 2022, representing the 70 000 Jews deported from Slovakia by the fascist Slovak Republic during the World War II. [3] A Peter Kalous' Holocaust monument, consisting of four glass tubes filled with the wire-wrapped stones, was first uncovered in 2016 by the President of Slovakia Andrej Kiska. It is located in a renovated synagogue in the town of Lučenec. [8]
Kalmus has organized several public protests, which gained media attention. In March 2011 he disrupted the unveiling of a bust of a fascist World War II era politician János Esterházy by throwing toilet paper at the bust. [9] In February 2015 the village of Krajná Bystrá, the birthplace of high-profile communist functionary Vasiľ Biľak, Kalmus together with a fellow artist Ľuboš Lorenz spilled red pain over a bust of Biľak, previously installed there by the Communist Party of Slovakia. [10] In August 2016 he removed the Hammer and Sickle symbol from a Red Army memorial in Košice. [11] The public reactions to Kalmous' activism has been mixed. The liberal Denník N praised the removal of communist symbols from the memorial, [12] while the conservative website Postoj criticized is as a meaningless publicity stunt, disrespectful to the memory of World War II victims. [13]
{{
cite journal}}
: Cite journal requires |journal=
(
help)