Peace and Blessings | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1979 | |||
Recorded | June 18, 1979 | |||
Studio | Barigozzi Studio, Milano, Italy | |||
Genre | Jazz | |||
Length | 40:28 | |||
Label | Black Saint | |||
Producer | Giacomo Pellicciotti | |||
Kalaparusha Maurice McIntyre chronology | ||||
|
Peace and Blessings is an album by the American jazz saxophonist Kalaparusha Maurice McIntyre, recorded in 1979 for the Italian Black Saint label. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [4] |
The Penguin Guide to Jazz Recordings | [3] |
The editors of AllMusic awarded the album 4 stars, and reviewer Scott Yanow commented: "the emphasis is on intense solos and very free improvising. There is plenty of fire displayed on this spirited set". [2]
The authors of The Penguin Guide to Jazz Recordings wrote: "The album as a whole has the looseness and immediacy of a live set, but is crisply recorded." [3]
Writing for Elsewhere, Graham Reid stated that the musicians "bridge that divide between the grit of innercity urban life and the Indo-influenced cosmic conscious beyond," and remarked: "On this album... the long past of black American jazz is right there as part of whatever moment the players are in, and whatever future might beckon." [5]
Peace and Blessings | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1979 | |||
Recorded | June 18, 1979 | |||
Studio | Barigozzi Studio, Milano, Italy | |||
Genre | Jazz | |||
Length | 40:28 | |||
Label | Black Saint | |||
Producer | Giacomo Pellicciotti | |||
Kalaparusha Maurice McIntyre chronology | ||||
|
Peace and Blessings is an album by the American jazz saxophonist Kalaparusha Maurice McIntyre, recorded in 1979 for the Italian Black Saint label. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [4] |
The Penguin Guide to Jazz Recordings | [3] |
The editors of AllMusic awarded the album 4 stars, and reviewer Scott Yanow commented: "the emphasis is on intense solos and very free improvising. There is plenty of fire displayed on this spirited set". [2]
The authors of The Penguin Guide to Jazz Recordings wrote: "The album as a whole has the looseness and immediacy of a live set, but is crisply recorded." [3]
Writing for Elsewhere, Graham Reid stated that the musicians "bridge that divide between the grit of innercity urban life and the Indo-influenced cosmic conscious beyond," and remarked: "On this album... the long past of black American jazz is right there as part of whatever moment the players are in, and whatever future might beckon." [5]