Patricia Larter (1936–1996) was an Australian artist who worked across
mail art, video, photography, performance and painting. She was "one of the leading figures in the movement known as 'international mail art'".[1] She is credited with coining the term "femail art" that was taken up by other mail artists around the world.[2]
Life
Born 8 July 1936 in
Leytonstone, Essex Patricia Florence Larter (Née Holmes) the elder of two daughters Pat and her family lived at
Canvey Island. Her father died of TB when she was young and her wages were needed to support the family.
Pat met her long time collaborator and husband
Richard Larter at Perfect Lambert & Co where they were both employed. They married on 18 February 1953 when Pat was just sixteen and migrated to Australia in 1962. They had five children Lorraine, Nicholas, Derek, Diane and Eliza.
Settling in
Luddenham, New South Wales the Larter's stayed until 1982 when they moved to
Yass, New South Wales.
Pat died on 6 October 1996, an untimely death from cancer.[3]
Art
Larter's art aimed to "parody what she described as 'malegiven sexual stereotypes', largely focusing on the ephemeral forms of performance and mail art".[4] She "exchanged art with an enormous range of international artists and represented Australia in all major exhibitions of postal art".[5] "Her collection of mail art (now held in the research library of the
AGNSW) is the most comprehensive one accumulated in Australia."[2] "Her foray into painting was brief, interrupted by her death in 1996."[4]
Femail Art’, her "feminist answer to mail art"[6] was taken on by female mail artists worldwide including
Anna Banana who used the term "in the title concept of VILE magazine vol. 6, no 3"[7]
Pat and Dick
Larter features in many of Richard's paintings and is frequently described as his muse. The boundaries between their individual practices often overlap. "Under Pat’s direction, Richard took the photographs of her that she used in her work but he also used those photographs as sources for his paintings. The pair also produced many collaborative super-8 films and prints."[8] Their individual work shares themes and motifs.
In her mail art all correspondence and mailings posted by Larter, that included works made individually or in collaboration, were signed "Pat & Dick" or "Pat and Richard Larter".[9]
Exhibitions
Selected solo exhibitions
2015, Femail Art, Mailbox Art Space, Melbourne[10]
2008 Melbourne Art Fair 2008, Royal Exhibition Building, Melbourne
2007 Summer Show, Legge Gallery, Sydney
2007 Art Sydney '07, Royal Hall of Industries, Moore Park, Sydney
2006 Larter Family Values, Travelling exhibition : University of Tasmania Centre for the Arts; Queensland University of Technology & Liverpool Regional Museum
2006 Group Show, Legge Gallery, Sydney
2006 Summer Show, Legge Gallery, Sydney
2006 Melbourne Art Fair 2006, Royal Exhibition Building, Melbourne
2005 Summer Show, Legge Gallery, Sydney
2004 Melbourne Art Fair 2004, Royal Exhibition Building, Melbourne
^
abHart, Deborah; Clark, Deborah; Mendelssohn., Joanna (2008). "Pat and Richard Larter: A Creative Partnership". Richard Larter. Australia: National Gallery of Australia. p. 88.
ISBN9780642541741.
^Weston, Gemma (2014).
"Glitter: Pat Larter vs Lola Ryan"(PDF). Lawrence Wilson Art Gallery, The University of Western Australia. Cruthers Collection of Women’s Art at The University of Western Australia. Retrieved 16 November 2015.
Patricia Larter (1936–1996) was an Australian artist who worked across
mail art, video, photography, performance and painting. She was "one of the leading figures in the movement known as 'international mail art'".[1] She is credited with coining the term "femail art" that was taken up by other mail artists around the world.[2]
Life
Born 8 July 1936 in
Leytonstone, Essex Patricia Florence Larter (Née Holmes) the elder of two daughters Pat and her family lived at
Canvey Island. Her father died of TB when she was young and her wages were needed to support the family.
Pat met her long time collaborator and husband
Richard Larter at Perfect Lambert & Co where they were both employed. They married on 18 February 1953 when Pat was just sixteen and migrated to Australia in 1962. They had five children Lorraine, Nicholas, Derek, Diane and Eliza.
Settling in
Luddenham, New South Wales the Larter's stayed until 1982 when they moved to
Yass, New South Wales.
Pat died on 6 October 1996, an untimely death from cancer.[3]
Art
Larter's art aimed to "parody what she described as 'malegiven sexual stereotypes', largely focusing on the ephemeral forms of performance and mail art".[4] She "exchanged art with an enormous range of international artists and represented Australia in all major exhibitions of postal art".[5] "Her collection of mail art (now held in the research library of the
AGNSW) is the most comprehensive one accumulated in Australia."[2] "Her foray into painting was brief, interrupted by her death in 1996."[4]
Femail Art’, her "feminist answer to mail art"[6] was taken on by female mail artists worldwide including
Anna Banana who used the term "in the title concept of VILE magazine vol. 6, no 3"[7]
Pat and Dick
Larter features in many of Richard's paintings and is frequently described as his muse. The boundaries between their individual practices often overlap. "Under Pat’s direction, Richard took the photographs of her that she used in her work but he also used those photographs as sources for his paintings. The pair also produced many collaborative super-8 films and prints."[8] Their individual work shares themes and motifs.
In her mail art all correspondence and mailings posted by Larter, that included works made individually or in collaboration, were signed "Pat & Dick" or "Pat and Richard Larter".[9]
Exhibitions
Selected solo exhibitions
2015, Femail Art, Mailbox Art Space, Melbourne[10]
2008 Melbourne Art Fair 2008, Royal Exhibition Building, Melbourne
2007 Summer Show, Legge Gallery, Sydney
2007 Art Sydney '07, Royal Hall of Industries, Moore Park, Sydney
2006 Larter Family Values, Travelling exhibition : University of Tasmania Centre for the Arts; Queensland University of Technology & Liverpool Regional Museum
2006 Group Show, Legge Gallery, Sydney
2006 Summer Show, Legge Gallery, Sydney
2006 Melbourne Art Fair 2006, Royal Exhibition Building, Melbourne
2005 Summer Show, Legge Gallery, Sydney
2004 Melbourne Art Fair 2004, Royal Exhibition Building, Melbourne
^
abHart, Deborah; Clark, Deborah; Mendelssohn., Joanna (2008). "Pat and Richard Larter: A Creative Partnership". Richard Larter. Australia: National Gallery of Australia. p. 88.
ISBN9780642541741.
^Weston, Gemma (2014).
"Glitter: Pat Larter vs Lola Ryan"(PDF). Lawrence Wilson Art Gallery, The University of Western Australia. Cruthers Collection of Women’s Art at The University of Western Australia. Retrieved 16 November 2015.