Partners | |
---|---|
Directed by | Don Owen |
Written by | Don Owen Norman Snider |
Produced by | Don Owen Chalmers Adams |
Starring |
Hollis McLaren Michael Margotta Denholm Elliott |
Cinematography | Marc Champion |
Edited by | George Appleby |
Music by | Murray McLauchlan |
Production company | Clearwater Films |
Release date |
|
Running time | 95 minutes |
Country | Canada |
Language | English |
Partners is a Canadian thriller drama film, directed by Don Owen and released in 1976. [1] The film stars Hollis McLaren as Heather Grey, the daughter of business magnate John Grey ( Denholm Elliott); when she takes over leadership of the company after her father's death, she becomes a target for the romantic interests of Paul ( Michael Margotta), a corporate spy for an American company eyeing a hostile takeover of the firm. [2]
The Ontario Censor Board forced Owen to cut 35 seconds of a sex scene from the film. [3]
The film has most commonly been analyzed as an allegory for Canadian nationalism. [1] It was not well received by critics, [1] [4] but was a Canadian Film Award nominee for Best Feature Film at the 27th Canadian Film Awards in 1976. [3]
Partners | |
---|---|
Directed by | Don Owen |
Written by | Don Owen Norman Snider |
Produced by | Don Owen Chalmers Adams |
Starring |
Hollis McLaren Michael Margotta Denholm Elliott |
Cinematography | Marc Champion |
Edited by | George Appleby |
Music by | Murray McLauchlan |
Production company | Clearwater Films |
Release date |
|
Running time | 95 minutes |
Country | Canada |
Language | English |
Partners is a Canadian thriller drama film, directed by Don Owen and released in 1976. [1] The film stars Hollis McLaren as Heather Grey, the daughter of business magnate John Grey ( Denholm Elliott); when she takes over leadership of the company after her father's death, she becomes a target for the romantic interests of Paul ( Michael Margotta), a corporate spy for an American company eyeing a hostile takeover of the firm. [2]
The Ontario Censor Board forced Owen to cut 35 seconds of a sex scene from the film. [3]
The film has most commonly been analyzed as an allegory for Canadian nationalism. [1] It was not well received by critics, [1] [4] but was a Canadian Film Award nominee for Best Feature Film at the 27th Canadian Film Awards in 1976. [3]