Pancham is the fifth svara from the seven svaras of Hindustani music and Carnatic music. [1] [2] Pancham is the long form of the syllable प. [3] For simplicity in pronouncing while singing the syllable, Pancham is pronounced as Pa (notation - P). It is also called as पंचम in the Devanagri script.
The following is the information about Panchama and its importance in Indian classical music :
षड् - 6, ज -जन्म. Therefore it collectively means giving birth to the other six notes of the music.
So the svara Pa is formed from Shadja.
Consequently, the Pa after the Ma of 640 Hz (Taar Saptak) has a frequency of 720 Hz i.e. the double of the Lower octave Pa.
For example, if these are the 4 Shruti's of Pa then,
Previously this was the position of the main Shruti of Pa. ^ 1 2 3 4 ^ But now this position has become the main Shruti of Pa.
Sa, Re, Ga, Ma, Pa, Dha, Ni - Shuddha Svaras
Re, Ga, Dha, Ni - Komal Svaras
Ma - Tivra Svaras
Pancham is the fifth svara from the seven svaras of Hindustani music and Carnatic music. [1] [2] Pancham is the long form of the syllable प. [3] For simplicity in pronouncing while singing the syllable, Pancham is pronounced as Pa (notation - P). It is also called as पंचम in the Devanagri script.
The following is the information about Panchama and its importance in Indian classical music :
षड् - 6, ज -जन्म. Therefore it collectively means giving birth to the other six notes of the music.
So the svara Pa is formed from Shadja.
Consequently, the Pa after the Ma of 640 Hz (Taar Saptak) has a frequency of 720 Hz i.e. the double of the Lower octave Pa.
For example, if these are the 4 Shruti's of Pa then,
Previously this was the position of the main Shruti of Pa. ^ 1 2 3 4 ^ But now this position has become the main Shruti of Pa.
Sa, Re, Ga, Ma, Pa, Dha, Ni - Shuddha Svaras
Re, Ga, Dha, Ni - Komal Svaras
Ma - Tivra Svaras