Ovia Idah | |
|---|---|
| Born | 1903 |
| Died | 1968 Nigeria |
| Other names | Ovidah Ida, Igbolovia Ida |
| Occupation(s) | Sculptor, painter, carpenter, designer, educator |
| Movement | Modernism [1] |
Chief Ovia Idah (1903–1968) was a Nigerian sculptor, painter, carpenter, designer, and educator. [2] [3] [1] He worked in many mediums including in ebony wood, ivory, plastic, as well as terracotta and cement. [4] Idah's was active in Lagos in Lagos State, and Benin City in Edo State, [5] but showed his work internationally. He is also known by the names Igbolovia Ida and Ovidah Ida. [2]
He was raised in a royal palace as a court official (or omada) from age 7 until age 15, where he learned carving skills [6] serving as a page under Oba Eweka II of Benin.
Idah was employment as a carpenter with the Public Works Department in Lagos from 1923 until 1947. [4] He also taught at King's College in Lagos. [4] [7] Oba Akenzua II persuaded Idah to led the Benin Carvers Cooperative in Benin City in 1947. [4]
Idah's sculptures broke from local carving traditions and had their own unique style. [8] He was included as part of the book, "New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change" ( Smithsonian Institution Press, 1992), one of the largest surveys of contemporary African art at the time. [9] [1]
- ^ a b c Kennedy, Jean (1992-07-17). New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change. Smithsonian Institution Press. p. 30. ISBN 978-1-56098-037-7.
- ^ a b "Idah, Ovia". Grove Art Online. doi: 10.1093/gao/9781884446054.article.t096585. Retrieved 2023-03-16.
- ^ Cashman, Ray; Mould, Tom; Shukla, Pravina (2011-09-21). The Individual and Tradition: Folkloristic Perspectives. Indiana University Press. pp. 93–110. ISBN 978-0-253-22373-9.
- ^ a b c d Nevadomsky, Joseph (1997). "Contemporary Art and Artists in Benin City". African Arts. 30 (4): 54. doi: 10.2307/3337554. JSTOR 3337554.
- ^ Peek, Philip M. (1985). "Ovia Idah and Eture Egbede: Traditional Nigerian Artists". African Arts. 18 (2): 54–102. doi: 10.2307/3336190. ISSN 0001-9933. JSTOR 3336190.
- ^ Gore, Charles (2019-07-30). Art, Performance and Ritual in Benin City. Edinburgh University Press. ISBN 978-1-4744-6858-9.
- ^ Beier, Ulli (1968). Contemporary Art in Africa. F. A. Praeger. pp. 20–23.
- ^ Simon, Ottenberg (1997-10-17). New Traditions From Nigeria. Smithsonian Institution Press. p. 22. ISBN 978-1-56098-800-7.
- ^ jẹgẹdẹ, dele (1996). "Review of New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change". African Arts. 29 (1): 21–98. doi: 10.2307/3337443. ISSN 0001-9933. JSTOR 3337443.
| International | |
|---|---|
| Artists | |
 | This article about a Nigerian artist is a stub. You can help Wikipedia by expanding it. |
Ovia Idah | |
|---|---|
| Born | 1903 |
| Died | 1968 Nigeria |
| Other names | Ovidah Ida, Igbolovia Ida |
| Occupation(s) | Sculptor, painter, carpenter, designer, educator |
| Movement | Modernism [1] |
Chief Ovia Idah (1903–1968) was a Nigerian sculptor, painter, carpenter, designer, and educator. [2] [3] [1] He worked in many mediums including in ebony wood, ivory, plastic, as well as terracotta and cement. [4] Idah's was active in Lagos in Lagos State, and Benin City in Edo State, [5] but showed his work internationally. He is also known by the names Igbolovia Ida and Ovidah Ida. [2]
He was raised in a royal palace as a court official (or omada) from age 7 until age 15, where he learned carving skills [6] serving as a page under Oba Eweka II of Benin.
Idah was employment as a carpenter with the Public Works Department in Lagos from 1923 until 1947. [4] He also taught at King's College in Lagos. [4] [7] Oba Akenzua II persuaded Idah to led the Benin Carvers Cooperative in Benin City in 1947. [4]
Idah's sculptures broke from local carving traditions and had their own unique style. [8] He was included as part of the book, "New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change" ( Smithsonian Institution Press, 1992), one of the largest surveys of contemporary African art at the time. [9] [1]
- ^ a b c Kennedy, Jean (1992-07-17). New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change. Smithsonian Institution Press. p. 30. ISBN 978-1-56098-037-7.
- ^ a b "Idah, Ovia". Grove Art Online. doi: 10.1093/gao/9781884446054.article.t096585. Retrieved 2023-03-16.
- ^ Cashman, Ray; Mould, Tom; Shukla, Pravina (2011-09-21). The Individual and Tradition: Folkloristic Perspectives. Indiana University Press. pp. 93–110. ISBN 978-0-253-22373-9.
- ^ a b c d Nevadomsky, Joseph (1997). "Contemporary Art and Artists in Benin City". African Arts. 30 (4): 54. doi: 10.2307/3337554. JSTOR 3337554.
- ^ Peek, Philip M. (1985). "Ovia Idah and Eture Egbede: Traditional Nigerian Artists". African Arts. 18 (2): 54–102. doi: 10.2307/3336190. ISSN 0001-9933. JSTOR 3336190.
- ^ Gore, Charles (2019-07-30). Art, Performance and Ritual in Benin City. Edinburgh University Press. ISBN 978-1-4744-6858-9.
- ^ Beier, Ulli (1968). Contemporary Art in Africa. F. A. Praeger. pp. 20–23.
- ^ Simon, Ottenberg (1997-10-17). New Traditions From Nigeria. Smithsonian Institution Press. p. 22. ISBN 978-1-56098-800-7.
- ^ jẹgẹdẹ, dele (1996). "Review of New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change". African Arts. 29 (1): 21–98. doi: 10.2307/3337443. ISSN 0001-9933. JSTOR 3337443.
| International | |
|---|---|
| Artists | |
|
| This article about a Nigerian artist is a stub. You can help Wikipedia by expanding it. |