On Fyre | ||||
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Studio album by | ||||
Released | 1984 | |||
Recorded | Normandy Sound | |||
Genre | Garage rock | |||
Length | 32:10 | |||
Label | Ace of Hearts [1] | |||
Producer | Richard W. Harte [1] | |||
Lyres chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B [3] |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
On Fyre is the first full-length studio album by American garage rock band Lyres. [5] [6] [7] It was released in 1984 by the label Ace of Hearts and reissued in 1998 by Matador Records. [8] It features "Help You Ann," arguably the band's signature song and the best-known song of the 1980s garage revival, which a commentator at KQED radio in San Francisco called "one of the greatest singles ever made." [9]
The album contains several quotes from songs from the 1960s: "Don't Give It Up Now" contains an excerpt of the guitar riff from " Lucifer Sam" by Pink Floyd, and "I'm Telling You Girl" contains an excerpt of the guitar riff from " You Really Got Me" by the Kinks.[ citation needed]
The album includes covers of the Kinks' 1965 hit " Tired of Waiting for You" (the title is shortened to simply "Tired of Waiting"), the Kinks song " Love Me Till the Sun Shines," and Pete Best Combo song "The Way I Feel About You."
AllMusic wrote that "while [Jeff] Conolly's Vox Continental organ keeps his 1960s obsessions up-front throughout, the rest of the band is capable of generating a hard-driving groove, and the performances capture what was exciting and soulful about 1960s punk without drowning in a sea of 'retro.'" [2] PopMatters wrote that "the stop-and-start rhythms of 'Soapy' will prove irresistible to just about anyone with a pulse." [10] Trouser Press called the album "simply the [garage-rock] genre’s apotheosis, an articulate explosion of colorful organ playing, surging guitars and precisely inexact singing." [11] The Washington Post wrote that "it's the passion of Connolly's organ-pumping, tambourine-bashing persona that makes The Lyres' variations on three chords sink deeper and ring truer than most rock acts, past or present." [12] It ranked No. 35 on the Village Voice annual Pazz & Jop poll for 1984. [13]
{{
cite web}}
: CS1 maint: multiple names: authors list (
link)
On Fyre | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1984 | |||
Recorded | Normandy Sound | |||
Genre | Garage rock | |||
Length | 32:10 | |||
Label | Ace of Hearts [1] | |||
Producer | Richard W. Harte [1] | |||
Lyres chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B [3] |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
On Fyre is the first full-length studio album by American garage rock band Lyres. [5] [6] [7] It was released in 1984 by the label Ace of Hearts and reissued in 1998 by Matador Records. [8] It features "Help You Ann," arguably the band's signature song and the best-known song of the 1980s garage revival, which a commentator at KQED radio in San Francisco called "one of the greatest singles ever made." [9]
The album contains several quotes from songs from the 1960s: "Don't Give It Up Now" contains an excerpt of the guitar riff from " Lucifer Sam" by Pink Floyd, and "I'm Telling You Girl" contains an excerpt of the guitar riff from " You Really Got Me" by the Kinks.[ citation needed]
The album includes covers of the Kinks' 1965 hit " Tired of Waiting for You" (the title is shortened to simply "Tired of Waiting"), the Kinks song " Love Me Till the Sun Shines," and Pete Best Combo song "The Way I Feel About You."
AllMusic wrote that "while [Jeff] Conolly's Vox Continental organ keeps his 1960s obsessions up-front throughout, the rest of the band is capable of generating a hard-driving groove, and the performances capture what was exciting and soulful about 1960s punk without drowning in a sea of 'retro.'" [2] PopMatters wrote that "the stop-and-start rhythms of 'Soapy' will prove irresistible to just about anyone with a pulse." [10] Trouser Press called the album "simply the [garage-rock] genre’s apotheosis, an articulate explosion of colorful organ playing, surging guitars and precisely inexact singing." [11] The Washington Post wrote that "it's the passion of Connolly's organ-pumping, tambourine-bashing persona that makes The Lyres' variations on three chords sink deeper and ring truer than most rock acts, past or present." [12] It ranked No. 35 on the Village Voice annual Pazz & Jop poll for 1984. [13]
{{
cite web}}
: CS1 maint: multiple names: authors list (
link)