Woodwind instrument | |
---|---|
Classification | Aerophone |
Hornbostel–Sachs classification | 422.212 (Single reed instrument with irregular bore) |
Inventor(s) | Julius Jehring |
Developed | 19th century |
The octavin (also spelled oktavin) [1] is a 19th century woodwind instrument with a conical bore and a single reed. [2]
The octavin resembles a saxophone: its range is similar to that of a soprano saxophone. However, the octavin differs in three respects: first, its conical bore has a smaller taper than that of a saxophone; second, its body is made of wood, rather than metal; third, its usual shape is more similar to that of a bassoon, having two parallel straight sections joined at the bottom, with the mouthpiece attached to the top of one section and a metal bell to the top of the other. A few straight octavins exist, having a wooden bell; in this configuration it resembles a tarogato but has a smaller taper. [3] The instrument was produced in B♭, C and F. [4] [1] One writer (Altenberg) mentions a bass octavin but no such instrument is known to have been produced. The (written) range of the octavin is from G♯3 to G6. [3]
The octavin was invented in 1881 by Julius Jehring, a bassoon maker. [3] It was later patented in 1893 by Oskar Adler and Hermann Jordan of Markneukirchen, Germany. [5]
The octavin was a commercial failure and is now extremely rare, being considered a curiosity by collectors. [3] [6] However, the octavin is memorialized by the organ stop bearing its name. [7] Repertoire for the instrument is scarce: one of the only pieces for the octavin is a sonatina composed by Jeff Britting (b. 1957). [3]
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Woodwind instrument | |
---|---|
Classification | Aerophone |
Hornbostel–Sachs classification | 422.212 (Single reed instrument with irregular bore) |
Inventor(s) | Julius Jehring |
Developed | 19th century |
The octavin (also spelled oktavin) [1] is a 19th century woodwind instrument with a conical bore and a single reed. [2]
The octavin resembles a saxophone: its range is similar to that of a soprano saxophone. However, the octavin differs in three respects: first, its conical bore has a smaller taper than that of a saxophone; second, its body is made of wood, rather than metal; third, its usual shape is more similar to that of a bassoon, having two parallel straight sections joined at the bottom, with the mouthpiece attached to the top of one section and a metal bell to the top of the other. A few straight octavins exist, having a wooden bell; in this configuration it resembles a tarogato but has a smaller taper. [3] The instrument was produced in B♭, C and F. [4] [1] One writer (Altenberg) mentions a bass octavin but no such instrument is known to have been produced. The (written) range of the octavin is from G♯3 to G6. [3]
The octavin was invented in 1881 by Julius Jehring, a bassoon maker. [3] It was later patented in 1893 by Oskar Adler and Hermann Jordan of Markneukirchen, Germany. [5]
The octavin was a commercial failure and is now extremely rare, being considered a curiosity by collectors. [3] [6] However, the octavin is memorialized by the organ stop bearing its name. [7] Repertoire for the instrument is scarce: one of the only pieces for the octavin is a sonatina composed by Jeff Britting (b. 1957). [3]
{{
cite book}}
: CS1 maint: others (
link)
{{
cite book}}
: CS1 maint: location missing publisher (
link)