No Sweat | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 1973 | |||
Studio |
| |||
Genre | Rock, jazz | |||
Label | Columbia | |||
Producer | Steve Tyrell | |||
Blood, Sweat & Tears chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
The Rolling Stone Album Guide | [3] |
No Sweat is the sixth album by the band Blood, Sweat & Tears, released in 1973. [2]
By mid-1973, Steve Katz, one of the founding members of BS&T, had left the band as the members leaned further towards jazz fusion. No Sweat continued in the jazz-fusion vein and featured intricate horn work.
No Sweat was re-released on CD in 2005 on the Wounded Bird label.
No Sweat was produced by Steve Tyrell. [4] Paul Buckmaster was brought in to provide string arrangements. [5]
AllMusic critic Ross Boissoneau wrote that the album "may be the jazziest BS&T ever." [1] The critic for the Daily Herald wrote that "[Jerry] Fisher's gravelly voice seems the perfect replacement and, while I at first thought he tried too much to sound like Clayton-Thomas, he now appears to have evolved a strong singing style of his own." [6]
Chart (1973) | Peak position |
---|---|
Billboard Top LPs | 72 [7] |
No Sweat | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 1973 | |||
Studio |
| |||
Genre | Rock, jazz | |||
Label | Columbia | |||
Producer | Steve Tyrell | |||
Blood, Sweat & Tears chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
The Rolling Stone Album Guide | [3] |
No Sweat is the sixth album by the band Blood, Sweat & Tears, released in 1973. [2]
By mid-1973, Steve Katz, one of the founding members of BS&T, had left the band as the members leaned further towards jazz fusion. No Sweat continued in the jazz-fusion vein and featured intricate horn work.
No Sweat was re-released on CD in 2005 on the Wounded Bird label.
No Sweat was produced by Steve Tyrell. [4] Paul Buckmaster was brought in to provide string arrangements. [5]
AllMusic critic Ross Boissoneau wrote that the album "may be the jazziest BS&T ever." [1] The critic for the Daily Herald wrote that "[Jerry] Fisher's gravelly voice seems the perfect replacement and, while I at first thought he tried too much to sound like Clayton-Thomas, he now appears to have evolved a strong singing style of his own." [6]
Chart (1973) | Peak position |
---|---|
Billboard Top LPs | 72 [7] |